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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| Narratives of the living. A possible perspective for imagining a non-dystopian future | 2025 | Runa: archivo para la ciencias del hombre 46 (1): 127-49 | 0325-1217 | ||||
| My cigarette wife and other queer tales of kinship from Tunisia's contemporary public art scene | 2025 | Journal of contemporary ethnography 54 (1): 30-59 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Magdalene Odundo: rites of passage | 2025 | Tribal art (115): 110-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
| Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
| Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
| Colourful & intense: 2024 Sydney Contemporary | 2024-25 | Art New Zealand (192): 86-9 | H6/KX [ART-] | 0110-1102 | |||
| Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In memoriam Atta Kwami, September 14, 1956–October 6, 2021 | 2024 | African arts 57 (1): 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Tragedy of the nation in Ndidi Dike’s State of the Nation | 2024 | African arts 57 (1): 64-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Between public and private. On the uses of the archive in contemporary Latin American visual arts. Introduction | 2024 | Iberoamericana 24 (85): 7-11 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Acts of inventory: Te Hau Whakaton at Govett-Brewster | 2024 | Art New Zealand (189): 60-3 | H6/KX [ART-] | 0110-1102 | |||
| Reckoning with history: Richard Lewer paints the Waikato Wars | 2024 | Art New Zealand (189): 78-82 | H6/KX [ART-] | 0110-1102 | |||
| Unadulterated joy: Lissy and Rudi Robinson-Cole's Wharenui Harikoa | 2024 | Art New Zealand (189): 83-5 | H6/KX [ART-] | 0110-1102 | |||
| In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
| David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Dialogues with the carnivalesque: decolonial artistic practices in the Lusophone Black world | 2024 | Nka: journal of contemporary African art (54): 34-49 | H6/KY [NKA-] | 1075-7163 | |||
| Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Lubaina Himid: do you want an easy life? | 2024 | Nka: journal of contemporary African art (54): 7-23 | H6/KY [NKA-] | 1075-7163 | |||
| Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Reflections on imageries of seductive sublimity. New paintings of Kedebech Tekleab | 2024 | Nka: journal of contemporary African art (54): 24-32 | H6/KY [NKA-] | 1075-7163 | |||
| Studio call, Michael Subotzky | 2024 | Nka: journal of contemporary African art (54): 102-18 | H6/KY [NKA-] | 1075-7163 | |||
| Messages in baskets: Peter J. Clair | 2024 | First American art magazine 42 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Baniwa interdisciplinary artist Denilson Baniwa | 2024 | First American art magazine 42 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Haida/Tlingit sculptor, printmaker, painter and jeweler Robert Davidson | 2024 | First American art magazine 42 (): 62-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Ruth Blalock Jones: Shawnee/Delaware/Peoria painter, educator and printmaker | 2024 | First American art magazine 42 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
| Becoming traditional: contemporary San art and the production of (non-) knowledge | 2024 | Ethnography 25 (2): 187-207 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
| Robert Smithson and Nancy Holt. Art as a relationship between nature and culture from the viewpoint of geography | 2024 | International journal of anthropology 39 (1-2): 1-13 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
| Preservation of artistic heritage: Joaquim Nabuco Foundation video art collection | 2024 | Ciência & Trópico 48 (1): 273-86 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| Contemporary art, Amerindian rock art heritage, and decolonization in the Guadeloupean archipelago | 2024 | American anthropologist 126 (2): 317-20 | *H6 [AMERICAN-] | 0002-7294 | |||
| Polyphonic readings of a Luso-Brazilian sobrado | 2024 | American anthropologist 126 (2): 321-5 | *H6 [AMERICAN-] | 0002-7294 | |||
| Foreigners everywhere: Indigeneity at the 60th Venice Biennale | 2024 | First American art magazine (43): 24-33 | H6/KUB [FIRST-] | 2333-5548 | |||
| Wild horses: Ron Tohani Jackson and the Indigenous Horse Nation Protector Alliance | 2024 | First American art magazine (43): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| From the skin of the tree: new directions in birchbark etching | 2024 | First American art magazine (43): 48-55 | H6/KUB [FIRST-] | 2333-5548 | |||
| Diné painter Shonto Begay | 2024 | First American art magazine (43): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Karma Henry: Owens Valley Paiute painter | 2024 | First American art magazine (43): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Commanding sculpture: Fred Graham at Te Uru | 2024 | Art New Zealand (91): 54-7 | H6/KX [ART-] | 0110-1102 | |||
| Life at the loom: Margery Blackman at DPAG | 2024 | Art New Zealand (91): 62-5 | H6/KX [ART-] | 0110-1102 | |||
| Life, abiding and transpiring: Fibrous soul at the Govett-Brewster | 2024 | Art New Zealand (91): 72-5 | H6/KX [ART-] | 0110-1102 | |||
| Foreign agents: Aotearoa artists in Venice | 2024 | Art New Zealand (91): 80-3 | H6/KX [ART-] | 0110-1102 Europe | |||
| The ethnographic turn in art? Practice and theory in socially engaged art | 2024 | Taiwan journal of anthropology 22 (1): 165-208 | H6/KWS [TAIWAN-] | 1727-1878 | |||
| High art on a mug: art merchandise in China's contemporary art market | 2024 | European journal of cultural studies 27 (4): 629-47 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The shapes of Alaska Native futures | 2024 | Inuit art quarterly 37 (3): 40-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Losing our history | 2024 | Inuit art quarterly 37 (3): 50-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Original territorialities. The notion of territory as a discursive strategy in contemporary art | 2024 | Iberoamericana 24 (87): 105-27 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Keith Haring, techno-primitive iconography | 2024 | Tribal art (114): 90-5 | *H6/KFY [WORLD-] | 1354-2990 |
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