| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Between decorum and satire: the representation of royal favorites and first ministers in Novohispanic sources | 2026 | Fronteras de la Historia 31 (1): 276-315 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Los (no) vistos: historia visual de menores criminalizados en la Ciudad de México posrevolucionaria | 2026 | Mexican studies 42 (1): 95-157 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| “The viceroys are copies of the majesty”. Armendáriz, alter ego of the King in Viceregal visual culture | 2025 | Fronteras de la Historia 30 (1): 24-52 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Of robots and ancient mysteries: representations of JĆmon figurines as cultural heritage and popular culture | 2025 | Journal of social archaeology 25 (1): 48-71 | H6/KE [JOURNAL-] | 1469-6053 | |||
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Kings and queens of Africa at the Musée du Louvre Abu Dhabi | 2025 | Tribal art (115): 52-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The apotropaic Jeru of the Yafi, western New Guinea | 2025 | Tribal art (115): 90-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Visualizing spirit entities: naming, classification, and pictorial representation of pseudo-natural kinds in Nuaulu cosmography | 2025 | Folklore 136 (1): 129-58 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Yasumasa Morimura: through the looking glass | 2025 | Art Asia Pacific Magazine (142): 50-9 | H6/KFY [ART] | 1039-3625 | |||
| Marks on the floor. Instant and memory in the foundation of an agro-pastoralist place in the Puna high desert, northwest Argentina (ca. 1500 BP) | 2025 | Journal of anthropological archaeology 77 (): 1-18 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
| “A precious gift for Mexicans.” Approaches to the history of the mortuary masks of Napoleon Bonaparte in Mexico (1835-2005) | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 169-216 | H6/KFY [MEXICO-] | 0185-1276 | |||
| City and body in Mexican video art at the end of the 20th century | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 283-314 | H6/KFY [MEXICO-] | 0185-1276 | |||
| 'View from the window': on time, politics and domestics during the coronavirus diseases 2019 pandemic | 2025 | Time and society 34 (1): 106-26 | H6 [TIME-] | 0961-463X | |||
| What's in a beard? Mundane and transcendent otherness among Danish Sufi Muslims | 2025 | Anthropology today 41 (2): 3-6 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
| Proto-Nasca iconography: the Harris Drum and the Gothenburg ceremonial staff | 2025 | Ñawpa Pacha 45 (1): 105-39 | H6/KE [NAWPA-] | 0077-6297 | |||
| Swedish local free churches' use of Instagram: a negotiated approach to social media engagement | 2025 | Temenos: Nordic journal of comparative religion 61 (1): 49-75 | 2342-7256 | ||||
| Visual culture and Indigenous people in early 20th century Argentina: the illustrations in Caras y Caretas in the centenary year | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 8-24 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The city of Recife: the visualities of urban landscape modernization | 2025 | Ciência & Trópico 49 (1): 231-58 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| The princess who saved the captain: the allegorization of Pocahontas’ body in the engravings of Robert Vaughan (1624) and Matthäus Merian (ca. 1634) | 2025 | Fronteras de la Historia 30 (2): 86-114 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Mask motifs in the land of geometrics. A systematic exploration of the rock art landscapes of southern Mendoza region (central-west Argentina) | 2025 | Journal of anthropological archaeology 78 (): 1-15 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| Exhibiting the mission: display lives of the Utrecht Missionary Society collection | 2025 | Material religion 21 (3): 244-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Rising up: digital traces and performative Indigenous culture in Australian rock art | 2025 | Antiquity 99 (405): 624-37 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Entretien avec Karim Kal. À propos de « Sutures » | 2025 | Gradhiva: revue de anthropologie et museologie (39): 130-45 | H6 [GRADHIVA-] | 0764-8928 | |||
| Boa (Buenos Aires, 1958-1960) magazine, a Surrealism expanded towards informalism and Existentialism | 2025 | Iberoamericana 25 (89): 149-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Masterpieces of color and design: transformation imagery in the polychrome ceramics of ancient Panama | 2025 | Tribal art (117): 104-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Depictions of the Pacific by Admiral Marcus Lowther | 2025 | Tribal art (117): 128-39 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Jaguar and bat claw drinking cups from Monte Alban and other valley sites, Valley of Oaxaca, Mexico: ancient Zapotec rites of ancestor veneration, auto-sacrifice and warfare | 2025 | Mexicon 47 (3): 61-8 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Berta Gleizer Ribeiro's contribution to Brazilian anthropology in the XX century: material culture, visual art and the social use of Indigenous technology | 2025 | Revista Tefros 23 (2): 41-65 | 1669-726X | ||||
| The keepers of tradition: clown societies in the Casas Grandes and Puebloan worlds | 2025 | Kiva 91 (2): 147-79 | *H6/KE [KIVA-] | 2051-6177 | |||
| The Indigenous observer: Europeans in Native North American Plains' visual cultures | 2025 | Cadernos de arte e antropologia 14 (): 112-29 | |||||
| Framing multipolar tourism: imaginaries, visualities and futures | 2025 | Visual anthropology 38 (1-2): 30-48 | *H6 [VISUAL-] | 1545-5920 | |||
| Victim and prey. An iconography of the manhunt | 2025 | Journal des africanistes 95 (1): 6-42 | H6/KY [SOCIETE-] | 0399-0346 | |||
| Harmonic artistry: the photographs of Mohamed A. Yakub | 2025 | Nka: journal of contemporary African art (57): 6-18 | H6/KY [NKA-] | 1075-7163 | |||
| The right to African interiority: the power of quiet in Abderrahmane Sissako's Bamako | 2025 | Nka: journal of contemporary African art (57): 58-77 | H6/KY [NKA-] | 1075-7163 | |||
| Emma Prempeh | 2025 | Nka: journal of contemporary African art (57): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
| Keanu Jones: Navajo filmmaker, photographer and digital artist | 2025 | First American art magazine (48): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Brenda Mallory: Cherokee Nation sculptor and installation artist | 2025 | First American art magazine (48): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Marty Two Bulls Jr. Oglala Lakota printmaker, sculptor and mixed-media artist | 2025 | First American art magazine (48): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
| Aamjiwnaag Ojibway beadwork and installation artist Nico Williams | 2025 | First American art magazine (48): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Guatemala por Fernando Séptimo and the face of a power vacuum | 2025 | Colonial Latin American review 34 (3): 316-46 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| Thick tighs and tattoo lines: artists who push for visual sovereignty | 2025 | Inuit art quarterly 38 (3): 24-31 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Being in dialogue: reflections on who and what we include in 'team science' | 2025 | Practicing anthropology 47 (3): 181-4 | qH6 [PRACTICING-] | 0888-4552 | |||
| Rock art displays in Sierra del Portezuelo (San Luis, Argentina). Analysis and regional comparisons | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 70-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Spectatorship of Medieval Nubian paintings: a cross-cultural eye movement stydy at the archaeological site of Old Dongola, Sudan | 2025 | Journal of African archaeology 23 (2): 145-59 | H6/KE [JOURNAL-] | ||||
| Generic visuals in the news as public images: activating emotions, experiences and identities | 2025 | European journal of cultural studies 28 (6): 1624-48 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Inuit art as memory keeping | 2025 | Inuit art quarterly 38 (4): 42-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Reel cooking: how Instagram reimagines recipe narratives | 2025 | Food Culture and Society 28 (5): 1422-48 | H6/KF [FOOD-] | 1751-7443 |