Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Archivari. Le tournant des années 1980 | 2024 | Gradhiva: revue de anthropology et museologie (37): 192-238 | H6 [GRADHIVA-] | 0764-8928 | |||
“Why not a blonde woman?” Identity realism and diversity work in New York and in Paris | 2024 | Ethnic and racial studies 47 (10): 1964-86 | H6/KD [ETHNIC-] | 1466-4356 | |||
The Taíno and Kalinago of the Antilles | 2024 | Tribal art (112): 48-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
The material politics of graffiti removal | 2024 | Visual anthropology 37 (4): 354-75 | *H6 [VISUAL-] | 1545-5920 | |||
La estatuilla de Huitzilopochtli del Musée du Quai Branly de París | 2024 | Arqueología mexicana 30 (188): 26-39 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Le legs d’un ethnologue en partage. Collection, films, photographies et archives de Bohumil Holas | 2024 | Gradhiva: revue de anthropology et museologie (38): 218-21 | H6 [GRADHIVA-] | 0764-8928 | |||
The arts of Africa and Oceania at the nineteenth-century universal exposition in Paris | 2024 | Tribal art (114): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Legal precarity, migrant mothering and the space of hesitation in Paris | 2023 | Ethnic and racial studies 46 (2): 275-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
Visual and verbal semiotics in the Moscow-vs.-Paris Métro | 2023 | Visual anthropology 36 (1): 3-22 | *H6 [VISUAL-] | 1545-5920 | |||
What it means to speak Esperanto: revisiting prefigurative politics, social movements and the new left | 2023 | Mana 29 (1): 1-31 | H6/KUL [MANA-] | 1678-4944 | |||
The uses of the concept of indigenization in French museums | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (40): 147-62 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Foucault before the Collège de France | 2023 | Theory, culture and society 40 (1-2): 3-18 | H6 [THEORY-] | 0263-2764 | |||
Did Foucault find a 'way out' of Hegel? | 2023 | Theory, culture and society 40 (1-2): 19-36 | H6 [THEORY-] | 0263-2764 | |||
Foucault and the history of anthropology: man before the 'death of man' | 2023 | Theory, culture and society 40 (1-2): 37-56 | H6 [THEORY-] | 0263-2764 | |||
Nietzsche, ontology, and Foucault's critical project: the perish from absolute knowledge | 2023 | Theory, culture and society 40 (1-2): 201-18 | H6 [THEORY-] | 0263-2764 | |||
Five modalities of Michel Foucault's use of Nietzsche's writings (1959-73): critical, epistemological, linguistic, altehurgic, and political | 2023 | Theory, culture and society 40 (1-2): 219-40 | H6 [THEORY-] | 0263-2764 | |||
Literature and madness: madness in the Baroque theatre and the theatre of Artaud | 2023 | Theory, culture and society 40 (1-2): 241-57 | H6 [THEORY-] | 0263-2764 | |||
Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
The Amazonian statue, from Brazil to Paris. The epilogue of an archaeological comedy | 2023 | Gradhiva: revue de anthropology et museologie (35): 196-216 | H6 [GRADHIVA-] | 0764-8928 | |||
Lawless petty criminals? Paris, the 1900s and the Apache threat | 2023 | Tsantsa 29 (1): 102-23 | H6/KF [TSANTSA-] | 2673-5377 | |||
Des noces éblouissantes: ethnographie historique d'un mariage roma à Paris en 1939 | 2023 | Etudes tsiganes (Nouvelle Série) (23): 30-59 | H6 [ETUDES-] | 0014-2247 | |||
Just walk! Images du genre dans la Ballroom scene parisienne | 2023 | Anthropologie et sociétés 47 (2): 177-94 | H6 [ANTHROPOLOGIE-] | 0702-8997 | |||
A belt to bind them, a belt to find them, a belt to bring them all back home | 2022 | Gradhiva: revue de anthropology et museologie (33): 60-77 | H6 [GRADHIVA-] | 0764-8928 | |||
Wampum. A living tradition | 2022 | Gradhiva: revue de anthropology et museologie (33): 118-31 | H6 [GRADHIVA-] | 0764-8928 | |||
Women who have undergone female genital mutilation/cutting’s perceptions and experiences with healthcare providers in Paris | 2022 | Culture, health & sexuality 24 (4): 583-96 | H6/KGT [CULTURE-] | 1464-5351 | |||
Transverse spaces: African-American cultural production in Paris, 1900 | 2022 | Nka: journal of contemporary African art (50): 8-21 | H6/KY [NKA-] | 1075-7163 | |||
Emanations from the Musée de Trocadéro: African art in a global context | 2022 | Tribal art (105): 80-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
Density and domination: Catholic materiality and the workings of history in Paris | 2022 | American ethnologist 49 (2): 151-62 | H6 [AMERICAN-] | 0094-0496 | |||
From Africans to the Black Indians of New Orleans | 2022 | Tribal art (106): 52-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
When the child (of undocumented migrants) becomes the parent (in good standing) ... Reverse filiation as an argument for regularization. Paris, 2010s | 2022 | Anthropologie et sociétés 46 (2): 63-80 | H6 [ANTHROPOLOGIE-] | 0702-8997 | |||
Buying a God in Paris: cultural hybridity in the thinking of Yuri Vella, forest Nenets intellectual | 2022 | Journal of ethnology and folkloristics 16 (2): 22-42 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Commons, associations, and possibilities of egalitarian life in Paris, France | 2022 | Social analysis 66 (3): 147-68 | H6/KF [SOCIAL-] | 0155-977X | |||
The Catholic French Caribbeans in the Paris area: relationship to culture and issues of memory | 2022 | Archives de sciences sociales des religions 67 (197): 155-77 | H6/KFO [ARCHIVES-] | 0335-5985 | |||
Circuiting parents' voice: parenting discussion group and institutional healing in northeast Paris | 2022 | Ethnography 23 (3): 382-403 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
John Mawurndjul's art in Paris | 2022 | Museum anthropology 45 (2): 164-79 | H6 [MUSEUM-] | 0892-8339 | |||
"This is the Colombian photographer": the role of citizenship within a visual ethnography in a Parisian banlieue | 2022 | Journal des anthropologues (170-171): 85-105 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Experiencing divine revelation in the light of the city. Brothers of the Effort and the "Blédard" anthropologist | 2022 | Journal des anthropologues (170-171): 107-22 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Artist's mapping, Paris and French Indochina. Being in resistance in a viewpoint and artistic practice | 2022 | Journal des anthropologues (170-171): 141-69 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Bitcoin: the three ages of an unclassifiable object | 2022 | Journal des anthropologues (170-171): 175-94 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Objet trouvé: street ethnography - Paris | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-16 | 2525-3123 | ||||
Bernard Maupoil in Dahomey: between science and personal commitment, a field of experiment for ethnology in a colonial context | 2021 | Gradhiva: revue de anthropology et museologie (32): 192-216 | H6 [GRADHIVA-] | 0764-8928 | |||
The Amazonian statue. A biography of a famous and polemic artifact from Brazil | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-16 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Glass beadmaking and enamel lampwork in Paris, 1547-1610: archival and archaeological data | 2021 | Beads 33 (): 45-53 | *H6 [BEADS-] | ||||
Paris's great dairy farm of 5000 cows (1770-1815) | 2021 | Etudes rurales 207 (): 23-50 | H6 [ETUDES-] | 0014-2182 | |||
Le grain qui rende fou(r) | 2021 | Terrain (): 34-41 | H6 [TERRAIN-] | 0760-5668 | |||
La machine | 2021 | Terrain (): 94-103 | H6 [TERRAIN-] | 0760-5668 | |||
Dessine-moi un FMI | 2021 | Terrain (): 114-25 | H6 [TERRAIN-] | 0760-5668 | |||
Ce qui est en bas | 2020/2021 | Techniques et culture (75): 112-15 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Seal the deal: an extensive study of European historical copper-based seal matrices using a multimodal protocol | 2020 | Journal of archaeological science 113 (): 1-12 | H6/KE [JOURNAL-] | 0305-4403 | |||
Institutions of confinement as sites of passage: the mètis of foreign nationals caught in the wars on terror, drugs and immigration | 2020 | The Cambridge journal of anthropology 38 (1): 70-87 | H6 [CAMBRIDGE-] | 2047-7716 |