| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The historicity of the gaze. The cosmos according to a late 15th-century Flemish tapestry | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 11-39 | H6/KFY [MEXICO-] | 0185-1276 | |||
| New Spain's male dress and its afrancesamiento, in the portraits of Joaquín Manuel Fernández and Fernando de Alencastre | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 41-7 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Musical instrument stores and merchants in Oaxaca, Mexico (1870-1920): the case of Santiago Chazumba and Santa Catarina Minas | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 75-111 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The man passionate about an idea. Biographical sketch of Tobías Bonesatti between La Plata, Buenos Aires and Bahía Blanca (1920-1940) | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 113-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The decorative arts on the periphery of the artistic-cultural field in Chile. The case of Joaquín Muñoz Jara, an undervaluated artist | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 135-68 | H6/KFY [MEXICO-] | 0185-1276 | |||
| An experimental playground in the Peruvian desert, PREVI 1966 | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 169-200 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Ceramics as poetic thinking: transcendence out of action, space, and gesture | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 201-26 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Juárez and his images: persistence and transformation from the 19th to the 21st century | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 227-66 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The warrior of San Antonio Ojital: a long-lost sculpture of El Tajín, Veracruz | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 269-87 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Huaxtec worldview according to Monument 32 of the city of Tamtoc | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 11-54 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
| “A precious gift for Mexicans.” Approaches to the history of the mortuary masks of Napoleon Bonaparte in Mexico (1835-2005) | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 169-216 | H6/KFY [MEXICO-] | 0185-1276 | |||
| City and body in Mexican video art at the end of the 20th century | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 283-314 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Aesthetic and responsibility: a connective artistic experience | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 343-75 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Alberto Ruz Lhuillier and his insights into art | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 9-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
| On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Uses of the image in the Novo-Hispanic prints within the congregation of Saint Philip Neri | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 91-115 | H6/KFY [MEXICO-] | 0185-1276 | |||
| In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Design of an art history and archaeology corpus and an overview of using AntConc to generate term candidate lists | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 341-67 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The Ngäbe-Bugle zigzag pattern: a pre- and post-conquest exploration of art and culture | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 37-78 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The Dhayemlaab and the sun-fire: an approach to the mnemonic operativity of the plastic and figurative components of the sacred garment of the Teenek women | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 79-118 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The epigraphs of the conventual mural painting of the central highlands in New Spain (16th century) | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 119-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The New Spain barroque festival: the study of ephemeral architectures through the Gazeta de de México at the dawn of the modern age | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 161-95 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Just a compendium of good intentions: the link between the Argentine Federation of Independent Theaters and the Uruguayan Federation of Independent Theaters through the study of internal documentation | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 249-83 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Camp as a detonator of dramatic de-fusions: liberation and cynicism in postmodernity | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 285-308 | H6/KFY [MEXICO-] | 0185-1276 | |||
| We don’t want to die of thirst: an unknown construction stage of the hydraulic system from Tacuba to the Imperial College of Tlatelolco (1581-1582) | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 9-44 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Posada, continuity and innovation in the turn of the century printed image of Mexico: lithography and photolithography | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 45-99 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Artistic practices at the service of families of enforced disappeared victims | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 199-225 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Firmament and humanity: rock art in Momax | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (123): 11-65 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Japanese assimilation of the ideas of "exposition" and "museum" in the Meiji era | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (123): 429-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Portrait and bourgeois identity. Pelegrín Clavé and Édouard Pingret in Mexico, 1850-1851 | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 9-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The other body of the city. Uses and functions of the coat of arms of Mexico City from the viewpoint of its city council (1523-1629) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 39-80 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The international posters exhibition in Mexico City, 1934 and the development of a “national style” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The demiurgic artist. Creation of autonomous life: from animated statues to automata, homunculi, and replicants | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 119-54 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Carriages and the confraternities of the Blessed Sacrament in New Spain: the carriage housed in Casa de Morelos, Morelia | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 155-89 | H6/KFY [MEXICO-] | 0185-1276 | |||
| “Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
| An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Neuroaesthetics. Cognitive neuroscience research on the perception of visual arts | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 249-84 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Agustín Villagra ́s exceptional record of rock painting “Mateo A. Saldaña of Ixtapantongo” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 339-67 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Portrait and bourgeois identity. Pelegrín Clavé and Édouard Pingret in Mexico, 1850-1851 | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 9-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The other body of the city. Uses and functions of the coat of arms of Mexico City from the viewpoint of its city council (1523-1629) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 39-80 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The international posters exhibition in Mexico City, 1934 and the development of a "national style" | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The demiurgic artist. Creation of autonomous life: from animated statues to automata, homunculi, and replicants | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 119-54 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Carriages and the Confraternities of the Blessed Sacrament in New Spain: the carriage housed in Casa de Morelos, Morelia | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 155-89 | H6/KFY [MEXICO-] | 0185-1276 | |||
| “Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Neuroaesthetics. Cognitive neuroscience research on the perception of visual arts | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 249-84 | H6/KFY [MEXICO-] | 0185-1276 | |||
| An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Agustín Villagra's exceptional record of rock painting “Mateo A. Saldaña of Ixtapantongo” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 339-67 | H6/KFY [MEXICO-] | 0185-1276 |