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Alberto Ruz Lhuillier and his insights into art 2024 Anales del Instituto de Investigaciones Estéticas 46 (124): 9-34
  • Ana Luisa Izquierdo y de la Cueva
  • Elaine Day Schele
 H6/KFY [MEXICO-] 0185-1276
On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands 2024 Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90
  • Daniel Herrera Maldonado
 H6/KFY [MEXICO-] 0185-1276
Uses of the image in the Novo-Hispanic prints within the congregation of Saint Philip Neri 2024 Anales del Instituto de Investigaciones Estéticas 46 (124): 91-115
  • Erika B. González León
  • Marina Garone Gravier
 H6/KFY [MEXICO-] 0185-1276
In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance 2024 Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224
  • Mario Andrés Soto Rodríguez
 H6/KFY [MEXICO-] 0185-1276
Design of an art history and archaeology corpus and an overview of using AntConc to generate term candidate lists 2024 Anales del Instituto de Investigaciones Estéticas 46 (124): 341-67
  • Claudio Molina Salinas
 H6/KFY [MEXICO-] 0185-1276
We don’t want to die of thirst: an unknown construction stage of the hydraulic system from Tacuba to the Imperial College of Tlatelolco (1581-1582) 2023 Anales del Instituto de Investigaciones Estéticas 45 (122): 9-44
  • Javier Eduardo Ramírez López
 H6/KFY [MEXICO-] 0185-1276
Posada, continuity and innovation in the turn of the century printed image of Mexico: lithography and photolithography 2023 Anales del Instituto de Investigaciones Estéticas 45 (122): 45-99
  • Helia Bonilla
 H6/KFY [MEXICO-] 0185-1276
Anthropological vision in interwar art and its publications: an ethnographic turn 2023 Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98
  • Javier Mañero Ridicio
 H6/KFY [MEXICO-] 0185-1276
Artistic practices at the service of families of enforced disappeared victims 2023 Anales del Instituto de Investigaciones Estéticas 45 (122): 199-225
  • Natalia Stengel Peña
 H6/KFY [MEXICO-] 0185-1276
Firmament and humanity: rock art in Momax 2023 Anales del Instituto de Investigaciones Estéticas 45 (123): 11-65
  • Daniel Flores Gutiérrez
  • Marie-Arieti Hers
 H6/KFY [MEXICO-] 0185-1276
Japanese assimilation of the ideas of "exposition" and "museum" in the Meiji era 2023 Anales del Instituto de Investigaciones Estéticas 45 (123): 429-59
  • Rie Arimura
 H6/KFY [MEXICO-] 0185-1276
Portrait and bourgeois identity. Pelegrín Clavé and Édouard Pingret in Mexico, 1850-1851 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 9-38
  • Angélica Velázquez Guadarrama
 H6/KFY [MEXICO-] 0185-1276
The other body of the city. Uses and functions of the coat of arms of Mexico City from the viewpoint of its city council (1523-1629) 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 39-80
  • Alejandro Aranda Ruiz
 H6/KFY [MEXICO-] 0185-1276
The international posters exhibition in Mexico City, 1934 and the development of a “national style” 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117
  • Marco De Luca
 H6/KFY [MEXICO-] 0185-1276
The demiurgic artist. Creation of autonomous life: from animated statues to automata, homunculi, and replicants 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 119-54
  • Roger Ferrer Ventosa
 H6/KFY [MEXICO-] 0185-1276
Carriages and the confraternities of the Blessed Sacrament in New Spain: the carriage housed in Casa de Morelos, Morelia 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 155-89
  • Constanza Ontiveros Valdés
 H6/KFY [MEXICO-] 0185-1276
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47
  • María Fernanda Troya
 H6/KFY [MEXICO-] 0185-1276
An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38
  • José Policarpo Cruz Cabrera
 H6/KFY [MEXICO-] 0185-1276
Neuroaesthetics. Cognitive neuroscience research on the perception of visual arts 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 249-84
  • Perla Carrillo Quiroga
 H6/KFY [MEXICO-] 0185-1276
Agustín Villagra ́s exceptional record of rock painting “Mateo A. Saldaña of Ixtapantongo” 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 339-67
  • Iván H. Ibar
 H6/KFY [MEXICO-] 0185-1276
Portrait and bourgeois identity. Pelegrín Clavé and Édouard Pingret in Mexico, 1850-1851 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 9-38
  • Angélica Velázquez Guadarrama
 H6/KFY [MEXICO-] 0185-1276
The other body of the city. Uses and functions of the coat of arms of Mexico City from the viewpoint of its city council (1523-1629) 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 39-80
  • Alejandro Aranda Ruiz
 H6/KFY [MEXICO-] 0185-1276
The international posters exhibition in Mexico City, 1934 and the development of a "national style" 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117
  • Marco De Luca
 H6/KFY [MEXICO-] 0185-1276
The demiurgic artist. Creation of autonomous life: from animated statues to automata, homunculi, and replicants 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 119-54
  • Roger Ferrer Ventosa
 H6/KFY [MEXICO-] 0185-1276
Carriages and the Confraternities of the Blessed Sacrament in New Spain: the carriage housed in Casa de Morelos, Morelia 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 155-89
  • Costanza Ontoverso Valdés
 H6/KFY [MEXICO-] 0185-1276
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47
  • María Fernanda Troya
 H6/KFY [MEXICO-] 0185-1276
Neuroaesthetics. Cognitive neuroscience research on the perception of visual arts 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 249-84
  • Perla Carrillo Quiroga
 H6/KFY [MEXICO-] 0185-1276
An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38
  • José Policarpo Cruz Cabrera
 H6/KFY [MEXICO-] 0185-1276
Agustín Villagra's exceptional record of rock painting “Mateo A. Saldaña of Ixtapantongo” 2022 Anales del Instituto de Investigaciones Estéticas 44 (120): 339-67
  • Iván H. Ibar
 H6/KFY [MEXICO-] 0185-1276
Grotesque migration routes to 16th-century art in New Spain: the case of Luis Lagarto 2022 Anales del Instituto de Investigaciones Estéticas 44 (121): 11-41
  • Edgar Mauricio Ulloa Molina
 H6/KFY [MEXICO-] 0185-1276
The Quito Nativity, a polysemic iconography: Christianization, image and construction of the social body in the context of the Realm of New Granada. Seventeenth and eigteenth century 2022 Anales del Instituto de Investigaciones Estéticas 44 (121): 43-89
  • Juan Pablo Cruz Medina
 H6/KFY [MEXICO-] 0185-1276
Atonement of Christ at the whipping-post: scents, chants and Novo-Hispanic paintings 2022 Anales del Instituto de Investigaciones Estéticas 44 (121): 91-120
  • Carolina Sacristán Ramírez
 H6/KFY [MEXICO-] 0185-1276
Dictatorship and art: the Indigenous as artistic modernity and essence of the Chilean in the government of Carlos Ibáñez del Campo (1927-1931) 2022 Anales del Instituto de Investigaciones Estéticas 44 (121): 339-70
  • Patricia Herrera Styles
 H6/KFY [MEXICO-] 0185-1276
The origin of the Codex Laud's artists: an enigma 2021 Anales del Instituto de Investigaciones Estéticas 43 (118): 183-226
  • María Isable Álvarez Icaza Longoria
 H6/KFY [MEXICO-] 0185-1276
Masons' marks in the Matriz Church of Moquegua, Perú 2021 Anales del Instituto de Investigaciones Estéticas 43 (118): 155-81
  • Raul Carreño-Collatupa
 H6/KFY [MEXICO-] 0185-1276
The case of Ayotzinapa: art and human rights 2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 75-103
  • Bianca Gutiérrez Galindo
 H6/KFY [MEXICO-] 0185-1276
Patrons, clientele and patronage: iconography of the Virgin of Mercy and Saint Joseph's patronage in New Spain 2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 169-208
  • Antonio Rubial García
 H6/KFY [MEXICO-] 0185-1276
The origins, spread and interfaith connections around the prayer beads: a case study of the evangelization of Japan 2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 209-47
  • Rie Arimura
 H6/KFY [MEXICO-] 0185-1276
Mexico's interamerican biennals and the hemispheric Cold War 2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85
  • Fabiola Martínez Rodrigues
 H6/KFY [MEXICO-] 0185-1276
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59
  • Ioannis Mouratidis
 H6/KFY [MEXICO-] 0185-1276
Another look at Codex Yanhuitlan: material, stylistic, and historical considerations on an early colonial pictographic manuscript 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 61-92
  • Alessia Frassiani
  • Ludo Snijders
 H6/KFY [MEXICO-] 0185-1276
The main altarpiece of the Sacro Monte Abbey of Granada and its sculpture set by Domingo Cabrera (1746-1748). Dating, document and historical contextualization 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 93-128
  • José María Valverde Tercedor
 H6/KFY [MEXICO-] 0185-1276
Jean-Baptiste Fuzier: from black vomit to Precolumbian art 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 129-68
  • Eric Taladoire
  • Rosario Acosta Nieva
 H6/KFY [MEXICO-] 0185-1276
Evolution of a sacred place in the Isthmus of Tehuantepec during the colony: pictographic crosses, Verae Effigies and Satanic spells 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 171-220
  • Fernando Berrojalbiz
 H6/KFY [MEXICO-] 0185-1276
Los territorios artisticos de Miguel Covarrubias: contactos culturales en las Américas y el Pacifico 2020 Anales del Instituto de Investigaciones Estéticas (116): 5-15
  • Rita Eder
 H6/KFY [MEXICO-] 0185-1276
The impact of the work of Miguel Covarrubias on the artists of Shanghai 2020 Anales del Instituto de Investigaciones Estéticas (116): 17-49
  • Paul Bevan
 H6/KFY [MEXICO-] 0185-1276
Word and image in Miguel Covarrubias's Island of Bali 2020 Anales del Instituto de Investigaciones Estéticas (116): 51-76
  • Alan Vickers
 H6/KFY [MEXICO-] 0185-1276
Shaping Barong dance drama in paradise Bali: Oriental discourse by Miguel Covarrubias and his networks 2020 Anales del Instituto de Investigaciones Estéticas (116): 77-105
  • Judith E. Bosnak
 H6/KFY [MEXICO-] 0185-1276
Drawing as ethnographic practice: Miguel Covarrubias's Balinese drawings & sketches as visual anthropology 2020 Anales del Instituto de Investigaciones Estéticas (116): 107-31
  • Nancy C. Luktehaus
 H6/KFY [MEXICO-] 0185-1276
The captive eye. Ornamentation and Marquesan tattoos in the work of Miguel Covarrubias 2020 Anales del Instituto de Investigaciones Estéticas (116): 133-54
  • Anahí Luna
 H6/KFY [MEXICO-] 0185-1276
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