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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Bullet-ttling in twenty-first century China: bullet-like tactility, soft touch and diachronic simultaneity | 2023 | Journal of visual culture 22 (1): 3-24 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Black vibrations: techno as queer insurrectionist sonics | 2023 | Journal of visual culture 22 (1): 25-46 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Strategic visiblity: architectures of data colonialism in Las Vegas | 2023 | Journal of visual culture 22 (1): 47-63 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Counter-archives as heritage justice: photography, invisible labor and peopled ruins | 2023 | Journal of visual culture 22 (1): 64-92 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Inverting resolution: accounting for the planetary cost of earth observation | 2023 | Journal of visual culture 22 (1): 93-110 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Modeling doubt: a speculative syllabus | 2023 | Journal of visual culture 22 (2): 125-45 | H6/KF [JOURNAL-] | 1470-4129 | |||
| From sublime awe to abject cringe: on the embodied processing of AI art | 2023 | Journal of visual culture 22 (2): 146-75 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Pictograms for resistance: historicity and militant design research in Amazonian Ecuador | 2023 | Journal of visual culture 22 (2): 176-201 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Earth as image and operation | 2023 | Journal of visual culture 22 (2): 202-21 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan | 2023 | Journal of visual culture 22 (2): 222-42 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Tarot as effective cartography in the uneven anthropocene | 2023 | Journal of visual culture 22 (2): 243-63 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Revolutionary enclosures (until the apricots) | 2023 | Journal of visual culture 22 (3): 281-91 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Crip curation and the aesthetics of the undeliverable | 2023 | Journal of visual culture 22 (3): 319-41 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Gaza in plain sight: witnessing in solidarity | 2023 | Journal of visual culture 22 (3): 342-60 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Water and fluidity in İz Öztat's heterochronic imaginaries in the aftermath of genocide | 2023 | Journal of visual culture 22 (3): 361-82 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The art of repair: naming violence in the work of FX Harsono | 2022 | Journal of visual culture 21 (1): 165-89 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Lately, I have been talking with our ancestors | 2022 | Journal of visual culture 21 (1): 17-35 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Performing reparative history in the Andes: travesti methods and Ch'ixi subjectivities | 2022 | Journal of visual culture 21 (1): 206-32 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Re-processing archival images: artists as darkroom technicians | 2022 | Journal of visual culture 21 (1): 90-110 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Repair in Australian Indigenous art | 2022 | Journal of visual culture 21 (1): 190-205 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Reparation and visual culture | 2022 | Journal of visual culture 21 (1): 3-16 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Reparative interpellation: public art's Indigenous and non-human publics | 2022 | Journal of visual culture 21 (1): 69-84 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Rupture, not injury: reframing repair for Black and Indigenous youth experiencing school pushout | 2022 | Journal of visual culture 21 (1): 132-60 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Transgressive frames | 2022 | Journal of visual culture 21 (1): 111-31 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Views from above and below: bridging scenes of difference | 2022 | Journal of visual culture 21 (1): 36-55 | H6/KF [JOURNAL-] | 1470-4129 | |||
| 'We wear one another' | 2022 | Journal of visual culture 21 (1): 85-9 | H6/KF [JOURNAL-] | 1470-4129 | |||
| You and eye in the afterlife of images | 2022 | Journal of visual culture 21 (1): 56-68 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The Haitian zombie motif: the banality of antiblack violence | 2022 | Journal of visual culture 21 (2): 255-76 | H6/KF [JOURNAL-] | 1470-4129 | |||
| 'C'est grave': Raw, cannibalism and the racializing logic of white feminism | 2022 | Journal of visual culture 21 (2): 277-96 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Trans visibility and trans viability: a roundtable | 2022 | Journal of visual culture 21 (2): 297-320 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Visual lawfare: evidential imagery at the service of military objectives | 2022 | Journal of visual culture 21 (2): 321-48 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Rethinking the phantasmagoria: an enclosure of three worlds | 2022 | Journal of visual culture 21 (2): 349-73 | H6/KF [JOURNAL-] | 1470-4129 | |||
| 'Words have a charge': six moments from a dialogue | 2022 | Journal of visual culture 21 (3): 410-24 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The Iran Portfolio: a collection of social media posts on the occasion of the September 2022 Iranian uprising | 2022 | Journal of visual culture 21 (3): 461-94 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Dust against the anthropocene: Yhonnie Scarce's nuclear geo-fictions | 2022 | Journal of visual culture 21 (3): 495-514 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Safety orange | 2021 | Journal of visual culture 20 (1): 3-24 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Where Blackness dies: the aesthetics of a massacre and the violence of remembering | 2021 | Journal of visual culture 20 (1): 25-47 | H6/KF [JOURNAL-] | 1470-4129 | |||
| 'Architecture is forever unfinished' | 2021 | Journal of visual culture 20 (1): 48-59 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The media turn in African environmentalism: the Niger delta and oil's network forms | 2021 | Journal of visual culture 20 (1): 60-84 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media | 2021 | Journal of visual culture 20 (1): 85-112 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The JVC Palestine portfolio | 2021 | Journal of visual culture 20 (2): 127-394 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Paper, glass, algorithm: teleprompters and the invisibility of screens | 2021 | Journal of visual culture 20 (2): 395-417 | H6/KF [JOURNAL-] | 1470-4129 | |||
| On nesting | 2021 | Journal of visual culture 20 (2): 418-32 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The art of touch: lending a hand to the sighted majority | 2021 | Journal of visual culture 20 (2): 433-51 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Blue like the Mediterranean: the work of the monochrome in the Atlas Group Archive | 2021 | Journal of visual culture 20 (2): 455-77 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Safety orange | 2021 | Journal of visual culture 20 (1): 3-24 | H6/KF [JOURNAL-] | 1470-4129 | |||
| Where blackness dies: the aesthetics of a massacre and the violence of remembering | 2021 | Journal of visual culture 20 (1): 25-47 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The media turn in African environmentalism: the Niger delta and oil's network forms | 2021 | Journal of visual culture 20 (1): 60-84 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media | 2021 | Journal of visual culture 20 (1): 85-112 | H6/KF [JOURNAL-] | 1470-4129 | |||
| The JVC Palestine portfolio | 2021 | Journal of visual culture 20 (2): 127-394 | H6/KF [JOURNAL-] | 1470-4129 |
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