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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Hodinöšyö:nih: continuity | innovation | resilience. Collaborating with a 17th-century ancestor | 2025 | First American art magazine 45 (): 36-40 | H6/KUB [FIRST-] | 2333-5548 | |||
| Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| Alison Bremner: Tlingit painter, collage artists and carver | 2025 | First American art magazine 45 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
| Carol Emarthle Douglas: Northern Arapaho/Seminole basket maker | 2025 | First American art magazine 45 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Hopi/Quechan metalsmith Jonah Hill | 2025 | First American art magazine 45 (): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Chippewa Cree/Pawnee beadwork artist John Murie | 2025 | First American art magazine 45 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Hopi-Tewa ceramic artist Rainy Naha | 2024 | First American art magazine (41): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Textures and seasons. The history and art of Hopi silver overlay | 2024 | First American art magazine (41): 20-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| Tohon O'Odham jeweler and sculptor James Fendenheim | 2024 | First American art magazine (41): 48-52 | H6/KUB [FIRST-] | 2333-5548 | |||
| Yup'ik visual storyteller Amber Webb | 2024 | First American art magazine (41): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
| Nature provides: subtle palettes from the earth | 2024 | First American art magazine 42 (): 22-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Celebrating seal in Alaska Native art | 2024 | First American art magazine 42 (): 34-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Messages in baskets: Peter J. Clair | 2024 | First American art magazine 42 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| NAGRA updates: closing loopholes exploited by institutions | 2024 | First American art magazine 42 (): 46-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| From river cane to pine needles: the journey and adaptation of Alabama and Koasati baskets | 2024 | First American art magazine 42 (): 50-4 | H6/KUB [FIRST-] | 2333-5548 | |||
| Baniwa interdisciplinary artist Denilson Baniwa | 2024 | First American art magazine 42 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Haida/Tlingit sculptor, printmaker, painter and jeweler Robert Davidson | 2024 | First American art magazine 42 (): 62-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Ruth Blalock Jones: Shawnee/Delaware/Peoria painter, educator and printmaker | 2024 | First American art magazine 42 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
| Colorizing historical photographs: ethical dilemmas of a new digital technique | 2024 | First American art magazine 42 (): 102-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Foreigners everywhere: Indigeneity at the 60th Venice Biennale | 2024 | First American art magazine (43): 24-33 | H6/KUB [FIRST-] | 2333-5548 | |||
| Katsina carving in the art world. Reflecting on a century of evolving styles and techniques | 2024 | First American art magazine (43): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Wild horses: Ron Tohani Jackson and the Indigenous Horse Nation Protector Alliance | 2024 | First American art magazine (43): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| From the skin of the tree: new directions in birchbark etching | 2024 | First American art magazine (43): 48-55 | H6/KUB [FIRST-] | 2333-5548 | |||
| Diné painter Shonto Begay | 2024 | First American art magazine (43): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Karma Henry: Owens Valley Paiute painter | 2024 | First American art magazine (43): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Salisha Old Bull: Bitterroot Salish/Crow beadwork artist and painter | 2024 | First American art magazine (43): 68-75 | H6/KUB [FIRST-] | 2333-5548 | |||
| Navajo/Hopi jeweler, musician and woodworker JJ Otero | 2024 | First American art magazine (43): 74-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Originality vs. subversion. How can image reproduction uphold cultural protocols? | 2024 | First American art magazine (43): 100-101 | H6/KUB [FIRST-] | 2333-5548 | |||
| Norval Morrisseau's Astral Guide I and II | 2024 | First American art magazine (43): 102-4 | H6/KUB [FIRST-] | 2333-5548 | |||
| Native puppetry has arrived | 2024 | First American art magazine 44 (): 23-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Of the twig eater: the quiet revival of moosehair embroidery | 2024 | First American art magazine 44 (): 32-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| The path to Venice: originators and leaders bring Native American art to Biennale | 2024 | First American art magazine 44 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| The impact of American Indian black-&-white photography | 2024 | First American art magazine 44 (): 46-53 | H6/KUB [FIRST-] | 2333-5548 | |||
| Lester Harragarra, Otoe-Missouria/Kiowa photographer | 2024 | First American art magazine 44 (): 54-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Lester Harragarra: context | 2024 | First American art magazine 44 (): 59-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Cherokee Nation/Pawnee painter and sculptor Daniel Horsechief | 2024 | First American art magazine 44 (): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Linda Infante Lyons: Alutiiq painter | 2024 | First American art magazine 44 (): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
| Gabriela Morac: Zapoteca printmaker and painter | 2024 | First American art magazine 44 (): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Chief-of-All-Women pole | 2024 | First American art magazine 44 (): 92-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Justice, sovereignty and honor: legacy of the Tunica treasure | 2023 | First American art magazine 38 (): 22-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Indigipopx returns! | 2023 | First American art magazine 38 (): 28-33 | H6/KUB [FIRST-] | 2333-5548 | |||
| State of the art: restoration and reset at the Oklahoma State Capitol | 2023 | First American art magazine 38 (): 34-40 | H6/KUB [FIRST-] | 2333-5548 | |||
| We have words for art. The First American Art magazine story | 2023 | First American art magazine 38 (): 42-5 | H6/KUB [FIRST-] | 2333-5548 |
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