Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Attaining pose: a movement-based lens exploring embodiment in fashion | 2023 | Fashion theory 23 (3): 441-58 | H6/KFY [FASHION-] | 1362-704X | |||
The embodied turn: making and remaking dress as an academic practice | 2023 | Fashion theory 23 (3): 329-62 | H6/KFY [FASHION-] | 1362-704X | |||
Fashion, embodiment and the “Making Turn” | 2023 | Fashion theory 23 (3): 325-8 | H6/KFY [FASHION-] | 1362-704X | |||
Looking for maternity: dress collections and embodied knowledge | 2023 | Fashion theory 23 (3): 401-39 | H6/KFY [FASHION-] | 1362-704X | |||
Breaking the code: female cross-dressing in southeastern Nigeria | 2022 | Fashion theory 26 (1): 67-89 | H6/KFY [FASHION-] | 1362-704X | |||
The politics of covering the face: from the 'burqua ban' to the facekini | 2021 | Fashion theory 25 (1): 5-30 | H6/KFY [FASHION-] | 1362-704X | |||
The fashionable New Yorker: style, criticism, and the dressed body in print | 2021 | Fashion theory 25 (1): 31-52 | H6/KFY [FASHION-] | 1362-704X | |||
Beauty and the waste: fashioning idols and the ethics of recycling in Korean pop music videos | 2021 | Fashion theory 25 (1): 53-73 | H6/KFY [FASHION-] | 1362-704X | |||
The mediation of luxury brands in digital storytelling | 2021 | Fashion theory 25 (1): 99-118 | H6/KFY [FASHION-] | 1362-704X | |||
The imaginary dress. An interdisciplinary fashion approach among sociological, anthropological, and psychological orientations | 2021 | Fashion theory 25 (2): 243-68 | H6/KFY [FASHION-] | 1362-704X | |||
Walking the catwalk: from dressed body to dressed embodiment | 2021 | Fashion theory 25 (3): 367-93 | H6/KFY [FASHION-] | 1362-704X | |||
“Wearing me place on me face”: Scousebrows, placemaking and everyday creativity | 2021 | Fashion theory 25 (3): 395-418 | H6/KFY [FASHION-] | 1362-704X | |||
Kwame Nkrumah’s suits: sartorial politics in Ghana at independence | 2021 | Fashion theory 25 (5): 597-632 | H6/KFY [FASHION-] | 1362-704X | |||
Wang Hong fashion culture and the postfeminist time in China | 2021 | Fashion theory 25 (5): 663-85 | H6/KFY [FASHION-] | 1362-704X | |||
The global scapes of postmodernity: a proposed model for "global cultural flow" in fashion education | 2021 | Fashion theory 25 (6): 819-35 | H6/KFY [FASHION-] | 1362-704X | |||
Fashioning children: from angels to equals a case study of a Danish fashion company and their boutique for children's clothing | 2021 | Fashion theory 25 (6): 837-53 | H6/KFY [FASHION-] | 1362-704X | |||
Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti | 2020 | Fashion theory 24 (1): 33-57 | H6/KFY [FASHION-] | 1362-704X | |||
Bodies, football jerseys, and multiple male aesthetics through football in Turkey | 2020 | Fashion theory 24 (5): 679-96 | H6/KFY [FASHION-] | 1362-704X | |||
Cultures of sustainability in the fashion industry | 2020 | Fashion theory 24 (5): 715-42 | H6/KFY [FASHION-] | 1362-704X | |||
Legitimizing the contemporary Kimono in the era of Art Nouveau - an analysis of Mitsukoshi's promotional discourse | 2020 | Fashion theory 24 (5): 743-74 | H6/KFY [FASHION-] | 1362-704X | |||
Fashion and the phantasmagoria of modernity: an introduction to decolonial fashion discourse | 2020 | Fashion theory 24 (6): 815-36 | H6/KFY [FASHION-] | 1362-704X | |||
Decolonizing luxury fashion in Japan | 2020 | Fashion theory 24 (6): 837-57 | H6/KFY [FASHION-] | 1362-704X | |||
Fashion, its sacrifice zone, and sustainability | 2020 | Fashion theory 24 (6): 859-77 | H6/KFY [FASHION-] | 1362-704X | |||
Decolonizing the curriculum? Transformation, emotion, and positionality in teaching | 2020 | Fashion theory 24 (6): 879-900 | H6/KFY [FASHION-] | 1362-704X | |||
Curating fashion as decolonial practice: Ndwalane’s Mblaselo and a politics of remembering | 2020 | Fashion theory 24 (6): 901-20 | H6/KFY [FASHION-] | 1362-704X | |||
Transforming sustainable fashion in a decolonial context: the case of redress in Hong Kong | 2020 | Fashion theory 24 (6): 921-46 | H6/KFY [FASHION-] | 1362-704X | |||
Mammoth tusk beads and vintage elephant skin bags: wildlife, conservation, and rethinking ethical fashion | 2020 | Fashion theory 24 (7): 983-1011 | H6/KFY [FASHION-] | 1362-704X | |||
Cosmic aspirations: considerations on the museum, immortality, and Frida Kahlo | 2020 | Fashion theory 24 (7): 1013-25 | H6/KFY [FASHION-] | 1362-704X | |||
Fashion futuring in the Anthropocene: sustainable fashion as "taming" and "rewilding" | 2019 | Fashion theory 23 (1): 5-23 | H6/KFY [FASHION-] | 1362-704X | |||
Black middle-class masculinities in postapartheid South Africa: consumerism, fashion and the portrayal of masculine identities in Destiny Man magazine | 2019 | Fashion theory 23 (1): 57-83 | H6/KFY [FASHION-] | 1362-704X | |||
The Body: Fashion and Physique - a curatorial discussion | 2019 | Fashion theory 23 (2): 147-65 | H6/KFY [FASHION-] | 1362-704X | |||
Flattering the figure, fitting in: the design discourses of stoutwear, 1915-1930 | 2019 | Fashion theory 23 (2): 167-94 | H6/KFY [FASHION-] | 1362-704X | |||
"My leg is a giant stiletto heel": fashioning the prosthetised body | 2019 | Fashion theory 23 (2): 195-218 | H6/KFY [FASHION-] | 1362-704X | |||
How fashion travels: the fashionable ideal in the age of Instagram | 2019 | Fashion theory 23 (2): 219-42 | H6/KFY [FASHION-] | 1362-704X | |||
Muslims in the modest fashion market and media | 2019 | Fashion theory 23 (2): 243-73 | H6/KFY [FASHION-] | 1362-704X | |||
Fabulous masculinities: refashioning the fat and disabled male body | 2019 | Fashion theory 23 (2): 275-307 | H6/KFY [FASHION-] | 1362-704X | |||
Fashion diversity | 2019 | Fashion theory 23 (2): 309-23 | H6/KFY [FASHION-] | 1362-704X | |||
Cone Mills denim: an investigation into fabrication, tradition, and quality | 2019 | Fashion theory 23 (4-5): 515-30 | H6/KF [FASHION-] | 1362-704X | |||
Fashioning cultural criticism: an inquiry into fashion criticism and its delay in legitimization | 2019 | Fashion theory 23 (4-5): 553-70 | DesignH6/KF [FASHION-] | 1362-704X | |||
Fashioning terror: the Boko Haram dress code and the politics of identity | 2019 | Fashion theory 23 (4-5): 495-514 | H6/KF [FASHION-] | 1362-704X | |||
Unfolding artisanal fashion | 2019 | Fashion theory 23 (4-5): 531-52 | DesignH6/KF [FASHION-] | 1362-704X | |||
"I am an immigrant": fashion, immigration and borders in the contemporary trans-global landscape | 2019 | Fashion theory 23 (6): 619-53 | H6/KFY [FASHION-] | 1362-704X | |||
Design for dissent: political participation and social activism in the Colombian fashion industry | 2019 | Fashion theory 23 (6): 655-78 | H6/KFY [FASHION-] | 1362-704X | |||
Intersectional interventions into queer and trans liberation: youth resistance against right-wing populism through fashion hacking | 2019 | Fashion theory 23 (6): 679-709 | H6/KFY [FASHION-] | 1362-704X | |||
The new obscurity in style. Alt-right faction, populist normalization, and the cultural war on fashion from the far right | 2019 | Fashion theory 23 (6): 711-31 | H6/KFY [FASHION-] | 1362-704X | |||
Fashioning my garden of solace: a Black feminist autoethnography | 2019 | Fashion theory 23 (6): 733-46 | H6/KFY [FASHION-] | 1362-704X | |||
Afterthought: fashion, feminism and radical protest | 2019 | Fashion theory 23 (6): 747-56 | H6/KFY [FASHION-] | 1362-704X | |||
Between image and spectator: reception studies as visual methodology | 2018 | Fashion theory 22 (1): 5-30 | H6/KFY [FASHION-] | 1362-704X | |||
Three colors of the nail: the aesthetics of manicure in late imperial and Soviet Russia | 2018 | Fashion theory 22 (2): 127-48 | H6/KFY [FASHION-] | 1362-704X | |||
Digital Kimono: fast fashion, slow fashion? | 2018 | Fashion theory 22 (3): 283-307 | H6/KFY [FASHION-] | 1362-704X |