Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Experiencing people: relationships, responsibility and reciprocity | 2003 | British journal of ethnomusicology 12 (1): 19-34 | 0968-1221 | ||||
Theorizing fieldwork impact: Malinowski, peasant-love and friendship | 2003 | British journal of ethnomusicology 12 (1): 1-17 | 0968-1221 | ||||
Following in the footsteps of a giant: when fieldwork past influences fieldwork present, Karl Tirén and Die lappische Volksmusik | 2003 | British journal of ethnomusicology 12 (1): 35-54 | 0968-1221 | ||||
Ethnographic reflections | 2003 | British journal of ethnomusicology 12 (1): 55-66 | 0968-1221 | ||||
On the playing fields of the world (and Corsica): politics, power, passion and polyphony | 2003 | British journal of ethnomusicology 12 (1): 67-95 | 0968-1221 | ||||
Fifteen fragments on my (field)work | 2003 | British journal of ethnomusicology 12 (1): 97-112 | 0968-1221 | ||||
Fieldwork in common places: an ethnographer's esperiences in Tory Island | 2003 | British journal of ethnomusicology 12 (1): 113-36 | 0968-1221 | ||||
'If you have good knowledge, close it well tight': concealed and framed meaning in the funeral music of the Hmong qeej | 2003 | British journal of ethnomusicology 12 (2): 1-33 | 0968-1221 | ||||
Forgotten histories and (mis)remembered cultures: the Comback party of Curaçao | 2003 | British journal of ethnomusicology 12 (2): 35-50 | 0968-1221 | ||||
Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music | 2003 | British journal of ethnomusicology 12 (2): 51-79 | 0968-1221 | ||||
Barbadian tuk music: colonial development and post-independence recontextualization | 2003 | British journal of ethnomusicology 12 (2): 81-106 | 0968-1221 | ||||
The age of consent: traditional music, intellectual property and changing attitudes in the People's Republic of China | 2003 | British journal of ethnomusicology 12 (1): 137-71 | 0968-1221 | ||||
Ritual music and Communism | 2002 | British journal of ethnomusicology 11 (1): 1-8 | 0968-1221 | ||||
Siren songs: situal revolution in the Peruvian Andes | 2002 | British journal of ethnomusicology 11 (1): 9-42 | 0968-1221 | ||||
Long day's journey to Rincón: from suffering to resistance in the procession of San Lázaro /Babalú Ayé | 2002 | British journal of ethnomusicology 11 (1): 43-69 | 0968-1221 | ||||
'The moon remembers uncvle Ho': the politics of music and mediumship in northern Vietnam | 2002 | British journal of ethnomusicology 11 (1): 71-100 | 0968-1221 | ||||
Mazar festivals of the Uyghurs: music, Islam and the Chinese state | 2002 | British journal of ethnomusicology 11 (1): 101-18 | 0968-1221 | ||||
Saving the soul in red China: music and ideology in the Gongde ritual of merit in Fujian | 2002 | British journal of ethnomusicology 11 (1): 119-40 | 0968-1221 | ||||
The Jewish service in Communist Hungary: a personal journey | 2002 | British journal of ethnomusicology 11 (1): 141-57 | 0968-1221 | ||||
Soccer, popular music and national consciousness in post-state-socialist Bulgaria, 1994-96 | 2002 | British journal of ethnomusicology 11 (2): 1-27 | 0968-1221 | ||||
The Senia style of sitar palying in contemporary India | 2002 | British journal of ethnomusicology 11 (2): 29-60 | 0968-1221 | ||||
Music as capital: deputizing among London's freelance musicians | 2002 | British journal of ethnomusicology 11 (2): 61-80 | 0968-1221 | ||||
Learning processes in the nanguan music of Taiwan | 2002 | British journal of ethnomusicology 11 (2): 81-124 | 0968-1221 | ||||
Abdullah Ibrahim and the uses of memory | 2002 | British journal of ethnomusicology 11 (2): 125-43 | 0968-1221 | ||||
Playing in the land of God: musical performance and social resistance in South Africa | 2001 | British journal of ethnomusicology 10 (2): 1-36 | 0968-1221 | ||||
P'ansori performance style: audience responses and singers' perspectives | 2001 | British journal of ethnomusicology 10 (2): 99-121 | 0968-1221 | ||||
Learning to perform as a research technique in ethnomusicology | 2001 | British journal of ethnomusicology 10 (2): 85-98 | 0968-1221 | ||||
Dancing cueca 'with your coat on': the role of traditional Chilean dance in an immigrant community | 2001 | British journal of ethnomusicology 10 (2): 61-83 | 0968-1221 | ||||
Drum rolls and gender roles in Protestant marching bands in Belfast | 2001 | British journal of ethnomusicology 10 (2): 37-59 | 0968-1221 | ||||
Review essay | 2001 | British journal of ethnomusicology 10 (1): 117-24 | 0968-1221 | ||||
Meaning in benga music of western Kenya | 2001 | British journal of ethnomusicology 10 (1): 107-15 | 0968-1221 | ||||
Samba in Wales: making sense of adopted music | 2001 | British journal of ethnomusicology 10 (1): 85-106 | 0968-1221 | ||||
An understanding between Bollywood and Hollywood? The meaning of Hollywood-style music in Hindi films | 2001 | British journal of ethnomusicology 10 (1): 63-84 | 0968-1221 | ||||
Meaning and structure - the case of Chinese qin (zither) music | 2001 | British journal of ethnomusicology 10 (1): 39-62 | 0968-1221 | ||||
Reflections on music and meaning: metaphor, signification, and control in the Bulgarian case | 2001 | British journal of ethnomusicology 10 (1): 19-38 | 0968-1221 | ||||
Introduction: towards a theory of musical meaning (in India and elsewhere) | 2001 | British journal of ethnomusicology 10 (1): 1-17 | 0968-1221 | ||||
Música romântica in Montes Carlos: inter-gender relations in Brazilian popular song | 2000 | British journal of ethnomusicology 9 (1): 11-40 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Brazilian musics, Brazilian identities | 2000 | British journal of ethnomusicology 9 (1): 1-10 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Listening patterns and identity of the Korean diaspora in the former USSR | 2000 | British journal of ethnomusicology 9 (2): 121-42 | H6/KFYV [BRITISH-] | 0968-1221 | |||
No nonsense: the logic and power of acoustic-ironic mnemonic systems | 2000 | British journal of ethnomusicology 9 (2): 93-120 | H6/KFYV [BRITISH-] | 0968-1221 | |||
The Andead anacrusis ? Rhythmic structure and perception in Easter songs of Northern Potosí | 2000 | British journal of ethnomusicology 9 (2): 63-92 | H6/KFYV [BRITISH-] | 0968-1221 | |||
The situation of music in Iran since the Revolution: the role of official organizations | 2000 | British journal of ethnomusicology 9 (2): 35-61 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Reading Indian music: the interpretation of seventeenth-century European travel-writing in | 2000 | British journal of ethnomusicology 9 (2): 1-34 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Jean-Michel Beaudet: Souffles d'Amazonie | 2000 | British journal of ethnomusicology 9 (1): 143-56 | H6/KFYV [BRITISH-] | 0968-1221 | |||
The experimental music of Hermeto Paschoal e Grupo (1981-93): a musical system in the making | 2000 | British journal of ethnomusicology 9 (1): 119-42 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Singing contests in the ethnic enclosure of the post-war Japanese-Brazilian community | 2000 | British journal of ethnomusicology 9 (1): 95-118 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Ethics in the sung duels of north-eastern Brazil: collective memory and contemporary | 2000 | British journal of ethnomusicology 9 (1): 61-94 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Gaucho musical regionalism | 2000 | British journal of ethnomusicology 9 (1): 41-60 | H6/KFYV [BRITISH-] | 0968-1221 | |||
The [origin of samba] as the invention of Brazil (why do songs have music?) | 1999 | British journal of ethnomusicology 8 (): 67-96 | 0968-1221 | ||||
Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory | 1999 | British journal of ethnomusicology 8 (): 97-111 | 0968-1221 |