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Singing a Chinese nation: heritage preservation, the Yuanshengtai Movement, and new trends in Chinese folk music in the twenty-first century |
2021 |
Ethnomusicology 65 (1): 1-31 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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The Rosalía polemic: defining genre boundaries and legitimacy in Flamenco |
2021 |
Ethnomusicology 65 (1): 32-61 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Awakening the soul with the left hand: narration and healing in Vietnam's diasporic traditional music |
2021 |
Ethnomusicology 65 (1): 62-85 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Tradicionalismo africano in Cuba: women, consecrated Batá, and the polemics of “re-Yorubization” in Cuban ritual music |
2021 |
Ethnomusicology 65 (1): 86-111 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Cultural intimacy at the conflicted borderlines of nation, ethnicity, and class in Israel: Jowan Safadi's music video “To Be an Arab" |
2021 |
Ethnomusicology 65 (1): 112-37 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Female street singers of Java: musical styles and life circumstances |
2021 |
Ethnomusicology 65 (1): 138-69 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnomusicology, Ayε Kradow? |
2021 |
Ethnomusicology 65 (2): 203-20 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Walking as fieldwork method in ethnomusicology |
2021 |
Ethnomusicology 65 (2): 221-58 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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“Out of time” and “out of tune”: reflections of an oud apprentice in Somaliland |
2021 |
Ethnomusicology 65 (2): 259-85 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Arching over the Atlantic: exploring links between Brazilian and Angolan musical bows |
2021 |
Ethnomusicology 65 (2): 286-323 |
- Gregory Beyer
- Juan Diego Diaz
- Matthias Röhrig Asunção
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Music under the ground: ethnomusicological research on the ground-bow in Africa |
2021 |
Ethnomusicology 65 (2): 324-58 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Whale calling |
2021 |
Ethnomusicology 65 (2): 350-73 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnomusicology and higher education: challenges, trends, and lessons from the humanities |
2021 |
Ethnomusicology 65 (3): 413-43 |
- Ashley Thornton
- Caroline Rohm
- John Bimbiras
- Luis Ricardo Silva Queiroz
- Robin Moore
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Yi Suyong and the quiet of “Korea's Hiroshima” |
2021 |
Ethnomusicology 65 (3): 444-70 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ann Flood, Mairéad Farrell, and the representation of armed femininity in Irish Republican ballads |
2021 |
Ethnomusicology 65 (3): 471-96 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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The crowd in flux: atmosphere and the governance of public affects at FC Union Berlin |
2021 |
Ethnomusicology 65 (3): 497-518 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Carnival brass bands in New Orleans and Rio de Janeiro: disinheritance, alternative Whiteness, and musical eclecticism |
2021 |
Ethnomusicology 65 (3): 519-48 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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A tale of two cities (and two ways of being inauthentic): the politics of college Jazz in “Official Cleveland” and in the “Other Cleveland” |
2021 |
Ethnomusicology 65 (3): 549-73 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Deep polyphony in the hymns of Julien Jouga |
2021 |
Ethnomusicology 65 (3): 574-604 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnography as a way of life |
2020 |
Ethnomusicology 64 (1): 1-18 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China |
2020 |
Ethnomusicology 64 (1): 23-55 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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"It's not a specific Klezmer thing, it's a specific me thing": Klezmer accordion in Berlin |
2020 |
Ethnomusicology 64 (1): 56-88 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia |
2020 |
Ethnomusicology 64 (1): 89-109 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
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A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera |
2020 |
Ethnomusicology 64 (1): 110-40 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
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Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis |
2020 |
Ethnomusicology 64 (1): 141-66 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
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"It's not a specific Klezmer thing, it's a specific me thing": Klezmer accordion in Berlin |
2020 |
Ethnomusicology 64 (1): 56-88 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
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“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China |
2020 |
Ethnomusicology 64 (1): 23-55 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
Ethnography as a way of life |
2020 |
Ethnomusicology 64 (1): 1-18 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia |
2020 |
Ethnomusicology 64 (1): 89-109 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
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A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera |
2020 |
Ethnomusicology 64 (1): 110-40 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
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Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis |
2020 |
Ethnomusicology 64 (1): 141-66 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Attending to the nightingale: on a multispecies ethnomusicology |
2020 |
Ethnomusicology 64 (2): 199-224 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnomusicology beyond #MeToo: listening for the violences of the field |
2020 |
Ethnomusicology 64 (2): 225-53 |
- Catherine M. Appert
- Sidra Lawrence
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Circulation, value, exchange, and music |
2020 |
Ethnomusicology 64 (2): 254-73 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Blackbirds in the archive: genealogy and media in a century of Georgian folk song |
2020 |
Ethnomusicology 64 (2): 274-300 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Call and response: SEM President's Roundtable 2018, “Humanities' Responses to the Anthropocene” |
2020 |
Ethnomusicology 64 (2): 301-30 |
- Aaron S. Allen
- Denise Von Glahn
- Jeff Todd
- Jennifer C. Post
- Mark Pedelty
- Ruth Hellier
- Timothy Cooley
- Titon Post
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnography as a way of life |
2020 |
Ethnomusicology 64 (1): 1-18 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
“A Weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China |
2020 |
Ethnomusicology 64 (1): 23-55 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
“It's not a specific Klezmer thing, it's a specific me thing”: Klezmer accordion in Berlin |
2020 |
Ethnomusicology 64 (1): 56-88 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia |
2020 |
Ethnomusicology 64 (1): 89-109 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera |
2020 |
Ethnomusicology 64 (1): 110-40 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
|
|
|
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis |
2020 |
Ethnomusicology 64 (1): 141-66 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Music that tears you apart: jazz manouche and the qualia of ethnorace |
2020 |
Ethnomusicology 64 (3): 369-93 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Ethnomusicology and the Indian Ocean: on the politics of area studies |
2020 |
Ethnomusicology 64 (3): 394-421 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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The dynamics of intercultural music making in Granada: everyday multiculturalism and Moroccan integration |
2020 |
Ethnomusicology 64 (3): 422-46 |
- Matthew Machin-Autenrieth
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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A mythical medieval hero in modern East Java: the masked dance Gunung Sari as an alternative model of masculinity |
2020 |
Ethnomusicology 64 (3): 447-72 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Between tribute and transformation: negotiating the expressive and ethical dynamics of experimental Afro-Brazilian songs |
2020 |
Ethnomusicology 64 (3): 473-97 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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Meeting the garden halfway: ethnographic encounters with a sound installation microculture |
2020 |
Ethnomusicology 64 (3): 498-521 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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My music |
2019 |
Ethnomusicology 63 (1): 1-18 |
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H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |
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On the politics of folk song theory in Edwardian England |
2019 |
Ethnomusicology 63 (1): 19-42 |
|
H6/KFYV [ETHNOMUSICOLOGY-] |
0014-1836 |