Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Rhythmic and strophic organization in mediaeval Hebrew poetry: (a cognitive approach) | 1996 | Empirical studies of the arts 14 (2): 183-206 | 0276-2374 | ||||
Affective and evaluative responses to the arts | 1996 | Empirical studies of the arts 14 (2): 207-22 | 0276-2374 | ||||
The contribution of eye-movement research to an understanding of the nature of pictorial balance perception: a review of the literature | 1996 | Empirical studies of the arts 14 (2): 143-63 | 0276-2374 | ||||
Color elements in national schools of painting: a statistical investigation | 1996 | Empirical studies of the arts 14 (2): 165-81 | 0276-2374 | ||||
Semantic fields and metaphor: going beyond theory | 1996 | Empirical studies of the arts 14 (1): 65-78 | |||||
On the development of prototypes and preferences | 1995 | Empirical studies of the arts 13 (2): 161-70 | *H6/KFY [EMPIRICAL-] | ||||
An empirical approach to representing patterns of consumer tastes, nostalgia, and hierarchy in the market for cultural products | 1995 | Empirical studies of the arts 13 (1): 55-71 | |||||
Contrast effects and social desirability in art appreciation | 1995 | Empirical studies of the arts 13 (2): 171-81 | *H6/KFY [EMPIRICAL-] | ||||
Simple pleasures: the psychological aesthetics of high and popular art | 1995 | Empirical studies of the arts 13 (2): 193-203 | *H6/KFY [EMPIRICAL-] | ||||
Differences in visual preferences and cognitive aptitudes of professional artists and nonartists | 1994 | Empirical studies of the arts 12 (1): 19-39 | |||||
On detecting the differences in jazz: a reassessment of comparative methods of measuring perceptual veridicality [with comments by MB Holbrook and J Huber, see below] | 1994 | Empirical studies of the arts 12 (1): 41-58 | |||||
Disjunctive ambiguity as a determinant of the aesthetic attractivity of visual patterns | 1994 | Empirical studies of the arts 12 (1): 85-94 | |||||
The taxonomy of visual aesthetic preferences: an empirical study | 1994 | Empirical studies of the arts 12 (1): 95-101 | |||||
Detecting the differences, indeed [comments on GH Blowers and J Bacon-Shone, see above] | 1994 | Empirical studies of the arts 12 (1): 59-61 | |||||
Experimentally elicited judgments of color harmony | 1994 | Empirical studies of the arts 12 (1): 63-83 | |||||
Preferability, pleasingness, and interestingness: relationships between evaluative judgements in empirical aesthetics | 1994 | Empirical studies of the arts 12 (2): 141-57 | |||||
Affective impact of music vs. lyrics | 1994 | Empirical studies of the arts 12 (2): 173-84 | |||||
Connectivity and metaphor comprehension | 1993 | Empirical studies of the arts 11 (2): 95-116 | |||||
Cross-cultural aesthetic contrasts and implications for aesthetic evolution and change | 1993 | Empirical studies of the arts 11 (1): 51-60 | |||||
Children's interpretations of dance expressions | 1993 | Empirical studies of the arts 11 (2): 117-33 | |||||
Parameters of aesthetic objects: applied aesthetics | 1991 | Empirical studies of the arts (): 105-114 | |||||
Understanding short stories: an American-Hungarian cross-cultural study | 1991 | Empirical studies of the arts (): 143-63 | |||||
An exploration of the impact of marketing mix variables on museum attendance | 1990 | Empirical studies of the arts (): 135-48 | |||||
Structural aspects of visual art design and their relation to broader sociocultural contexts | 1990 | Empirical studies of the arts (): 149-91 | |||||
Aesthetics and the cultural whole: a study of Kono dance occasions | 1988 | Empirical studies of the arts (): 35-57 | |||||
Art critics and art publics: a study in the sociology and politics of taste | 1988 | Empirical studies of the arts (): 127-48 | |||||
High circles, high art: an investigation of museums and urban conditions | 1987 | Empirical studies of the arts (): 79-86 | |||||
Puppet theatre: form and ideology in Bamana performances | 1986 | Empirical studies of the arts (): 131-50 | |||||
Symmetry analysis of Yurok, Karok, and Hupa Indian basket designs | 1986 | Empirical studies of the arts (): -45 | |||||
Symmetry and antisymmetry in Maori rafter designs | 1985 | Empirical studies of the arts (): 23-45 | |||||
Crimes against art: social meanings and symbolic attacks | 1985 | Empirical studies of the arts (): 135-52 | |||||
From symmetry to anthropophagy: the cultural context of Maori art | 1985 | Empirical studies of the arts (): 47-62 | |||||
Speech made visible: the irregular as a system of meaning ['bogolanfini' cloth, Mali] | 1984 | Empirical studies of the arts (): 127-47 | |||||
Dealers and collectors of Indian baskets at the turn of the century in California: their effect on the ethnographic sample | 1984 | Empirical studies of the arts (): 51-74 | |||||
The high tiger in south Nias, Indonesia | 1983 | Empirical studies of the arts (): 143-56 | |||||
Form and function of tridacna shell plaques from the western Solomon islands | 1983 | Empirical studies of the arts (): 55-74 |