Anthropological Index Online

Advanced search results

V Adjust search
X
Show me
of
sorted
that match
of the following
  • Remove
  • Remove
TitleDateReferenceAuthorsCall #ISSN
EDITOR’S DESK On your marks, get set: Ghanaian contemporary art is here with us 2019 Critical interventions: journal of African art history and visual culture 13 (1): 1-3
  • Kwame A. Labi
 H6/KFY [CRITICAL-] 1930-1944
“Young artists can try out everything”: redefining contemporary Ghanaian art in the 21st century 2019 Critical interventions: journal of African art history and visual culture 13 (1): 4-20
  • Rhoda Woets
 H6/KFY [CRITICAL-] 1930-1944
Black stars – Contextualizing the rise of blaxTARLINES: contemporary art of the late 20th to the early 21st centuries in Ghana 2019 Critical interventions: journal of African art history and visual culture 13 (1): 51-74
  • Kwami Atta
 H6/KFY [CRITICAL-] 1930-1944
Art historical research in Ghana: reflections on the state and direction of scholarship 2019 Critical interventions: journal of African art history and visual culture 13 (1): 75-96
  • Nii O. Quarcoopome
 H6/KFY [CRITICAL-] 1930-1944
Rita Fatric Bewong: fashioned from the environment, framed in time and finished in color 2019 Critical interventions: journal of African art history and visual culture 13 (1): 97-104
  • Ayine Akolgo
 H6/KFY [CRITICAL-] 1930-1944
Institutional activations and interventions in art practice in Ghana: the case of Nubuke Foundation 2019 Critical interventions: journal of African art history and visual culture 13 (1): 105-19
  • Odile Tevie
 H6/KFY [CRITICAL-] 1930-1944
Guest editor's introduction 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 121-30
  • Katharina Greven
  • Katrin Peters-Klaphake
  • Nadine Siegert
 H6/KFY [CRITICAL-] 1930-1944
Identity and the artistic process in Yoruba estetic concept of ÌwÀ 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 131-47
  • Rowland Abiodun
 H6/KFY [CRITICAL-] 1930-1944
Which art history in Africa? A question of method 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 148-57
  • Moses Serubiri
 H6/KFY [CRITICAL-] 1930-1944
“Traditional” paradigm as dividing wall: formal analysis in the study of African ceramic art modernism 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 158-79
  • Ozioma Onuzulike
 H6/KFY [CRITICAL-] 1930-1944
Toward a film-based “oral art history” in Benin: interviews and multi-sited knowledge production in African art contexts 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 180-96
  • Verena Rodatus
 H6/KFY [CRITICAL-] 1930-1944
Reaching for freedom, touching modernity: political and consumptive desire in Francophone African magazines, 1950 to the 1960s 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 197-212
  • InHae Yan
 H6/KFY [CRITICAL-] 1930-1944
Rossini Perez’ workshops and other artistic pedagogies at the École de Dakar (1970s): a methodological approach to an uncharted archive 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 213-27
  • Sabrina Moura
 H6/KFY [CRITICAL-] 1930-1944
African modernism: a comparative study of resistance in the modernist art of Nigeria and South Africa 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 228-53
  • Sule Ameh James
 H6/KFY [CRITICAL-] 1930-1944
Immy Mali: virtual becomings 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 254-8
  • Moses Serubiri
 H6/KFY [CRITICAL-] 1930-1944
Confronting contemporary artistic experience in Republic of Benin: the case of “Eclosion Urbaine” and Magou Amédée (1990–2017) 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 254-83
  • Romuald Tchibozo
 H6/KFY [CRITICAL-] 1930-1944
Between the rural and the urban: contemporary theater groups in Mali 2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 284-303
  • Melanie Sampaio Vidal
 H6/KFY [CRITICAL-] 1930-1944
Skipping the blockade run: Andile Dylavane and Camagu 2018 Critical interventions: journal of African art history and visual culture 12 (1): 97-106
  • Elizabeth Perrill
 H6/KFY [CRITICAL-] 1930-1944
Centers and peripheries: the emergence of a market for African art in South Africa 2018 Critical interventions: journal of African art history and visual culture 12 (1): 84-96
  • Paula Girshick
 H6/KFY [CRITICAL-] 1930-1944
The Frobenius effect: Frederick Starr in the Congo 2018 Critical interventions: journal of African art history and visual culture 12 (1): 71-83
  • Enid Schildkrout
 H6/KFY [CRITICAL-] 1930-1944
The market as "artist": the French origins of the obsession with provenance in historical African art 2018 Critical interventions: journal of African art history and visual culture 12 (1): 52-70
  • John Warne Monoroe
 H6/KFY [CRITICAL-] 1930-1944
The missionary as collector and dealer: Dr. George W. Harley in Liberia, 1925-1960 2018 Critical interventions: journal of African art history and visual culture 12 (1): 36-51
  • Christopher B. Steiner
 H6/KFY [CRITICAL-] 1930-1944
Of patterns and markets: the making and unmaking of Asafo flags 2018 Critical interventions: journal of African art history and visual culture 12 (1): 22-35
  • Silvia Forni
 H6/KFY [CRITICAL-] 1930-1944
Purloined provenance: reflections on authority and authenticity in African art 2018 Critical interventions: journal of African art history and visual culture 12 (1): 8-21
  • Monica Blackmun Visonà
 H6/KFY [CRITICAL-] 1930-1944
The African art market as ego-system 2018 Critical interventions: journal of African art history and visual culture 12 (1): 1-7
  • Christopher B. Steiner
  • Silvia Forni
 H6/KFY [CRITICAL-] 1930-1944
Sharing African photographic archives in the digital era: exploring their material and affective dimensions 2018 Critical interventions: journal of African art history and visual culture 12 (2): 109-16
  • Érika Nimis
  • Jürg Schneider
  • Marian Nur Goni
 H6/KFY [CRITICAL-] 1930-1944
The afterlife of a colonial photographic archive: the subjective legacy of InforCongo 2018 Critical interventions: journal of African art history and visual culture 12 (2): 117-39
  • Sandrine Colard
 H6/KFY [CRITICAL-] 1930-1944
Collectivize (re)sources: the photographic estate of Ulli Beier 2018 Critical interventions: journal of African art history and visual culture 12 (2): 140-57
  • Katharina Greven
  • Lena Naumann
  • Nadine Siegert
  • Siegrun Salmanian
 H6/KFY [CRITICAL-] 1930-1944
Repairing (with) the archive? Re-collecting dispersed Somali in photographs 2018 Critical interventions: journal of African art history and visual culture 12 (2): 158-83
  • Marian Nur Goni
 H6/KFY [CRITICAL-] 1930-1944
Archive, injury, and image: imaging freedom through the photographic archive of the racially oppressed 2018 Critical interventions: journal of African art history and visual culture 12 (2): 184-96
  • Siona O'Connell
 H6/KFY [CRITICAL-] 1930-1944
"Outside the framed image": an empirical perspective on/from the story of Félix Diallo and his archive 2018 Critical interventions: journal of African art history and visual culture 12 (2): 197-217
  • Érika Nimis
 H6/KFY [CRITICAL-] 1930-1944
Photography as apparatus: Akram Zakari in conversation with Anthony Downey 2018 Critical interventions: journal of African art history and visual culture 12 (2): 218-30
  • Akram Zaatari
  • Anthony Downey
 H6/KFY [CRITICAL-] 1930-1944
The FotoFactory.Lagos Project 2018 Critical interventions: journal of African art history and visual culture 12 (2): 231-9
  • Eva Maria Ocherbauer
  • Sylvester Okwunodu Ogbechie
 H6/KFY [CRITICAL-] 1930-1944
Rethinking the dialectics of rural and urban in African art and scholarship 2018 Critical interventions: journal of African art history and visual culture 12 (3): 241-50
  • Fiona Siegenthaler
  • Nadine Siegert
  • Ugochukwu-Smooth C. Nzewi
 H6/KFY [CRITICAL-] 1930-1944
Cosmolocal orientations: trickster spatialization and the politics of cultural bargaining in Zambia 2018 Critical interventions: journal of African art history and visual culture 12 (3): 251-74
  • Ruth Simbao
 H6/KFY [CRITICAL-] 1930-1944
Urban roots and rural routes: migrating masquerades of Freetown and beyond 2018 Critical interventions: journal of African art history and visual culture 12 (3): 275-93
  • Amanda M. Maples
 H6/KFY [CRITICAL-] 1930-1944
Village matters, city works: ideas, technologies, and dialogues in the work of Hervé Youmbi 2018 Critical interventions: journal of African art history and visual culture 12 (3): 294-305
  • Dominique Malaquais
  • Silvia Forni
 H6/KFY [CRITICAL-] 1930-1944
Imag[in]ing the in-between: toward the politics and aesthetics of space in Munir Abbar's Paris sur Mer 2018 Critical interventions: journal of African art history and visual culture 12 (3): 306-18
  • Larissa Mbobda
 H6/KFY [CRITICAL-] 1930-1944
"Rural" and "urban" locales as complements: reflections on the contexts of ceramic art practice in West Africa 2018 Critical interventions: journal of African art history and visual culture 12 (3): 319-39
  • Ozioma Onuzulike
 H6/KFY [CRITICAL-] 1930-1944
Conveying the mallet: barkcloth renewal and connectedness in Fred Mutebi's art practice 2018 Critical interventions: journal of African art history and visual culture 12 (3): 340-55
  • Margaret Nagawa
 H6/KFY [CRITICAL-] 1930-1944
What does "African" art mean for the Swiss public? A review of the ECAS7 Arts and cultural program 2018 Critical interventions: journal of African art history and visual culture 12 (3): 356-63
  • Sarah Thiele
 H6/KFY [CRITICAL-] 1930-1944
Institutionalism, public sphere, and artistic agency: a conversation on 32° East Ugandan Art Trust 2017 Critical interventions: journal of African art history and visual culture 11 (2): 116-31
  • Carlos Garrido Castellano
 H6/KFY [CRITICAL-] 1930-1944
"Oil is our doom": photographs of the Niger delta and beyond 2017 Critical interventions: journal of African art history and visual culture 11 (2): 155-70
  • Tobenna Okwuosa
 H6/KFY [CRITICAL-] 1930-1944
Kenyan art worlds 2017 Critical interventions: journal of African art history and visual culture 11 (1): 1-3
  • Elsbeth Joyce Court
  • Sylvester Okwunodu Ogbechie
 H6/KFY [CRITICAL-] 1930-1944
Political independence, personal independence: an art historical perspective on contemporary Kenya and the avant-gardes 2017 Critical interventions: journal of African art history and visual culture 11 (1): 4-23
  • Pierre-Nicolas Bounakoff
 H6/KFY [CRITICAL-] 1930-1944
Representations of nationhood in the displays of the National Museum of Kenya (NMK): the Nairobi National Museum 2017 Critical interventions: journal of African art history and visual culture 11 (1): 24-39
  • Kirprop Lagat
 H6/KFY [CRITICAL-] 1930-1944
Local voices in the scholarly discourse on art studies in Kenya: a postcolonial enigma 2017 Critical interventions: journal of African art history and visual culture 11 (1): 40-57
  • Kwame Amoah Labi
 H6/KFY [CRITICAL-] 1930-1944
Nai Ni who?: Exploring urban identity, place, and social (re)construction in Nairobi 2017 Critical interventions: journal of African art history and visual culture 11 (1): 58-72
  • Garnette Oluoch-Olunya
  • Joy Mboya
 H6/KFY [CRITICAL-] 1930-1944
Magdalene A.N. Odundo: pathways to path maker 2017 Critical interventions: journal of African art history and visual culture 11 (1): 77-104
  • Elsbeth Joyce Court
 H6/KFY [CRITICAL-] 1930-1944
Introduction 2017 Critical interventions: journal of African art history and visual culture 11 (3): 195-9
  • Alexie Tcheuyap
  • Sada Niang
  • Suzanne Crosta
 H6/KFY [CRITICAL-] 1930-1944
You are here: Home Anthropological Index Online
Copyright © 2014 Royal Anthropological Institute. All Rights Reserved. Based on a design by JoomlArt.com.
AIO application v1.2.1 by  Équit, 2022.