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TitleDateReferenceAuthorsCall #ISSN
The spiral and the crossroads: the dual universalisms of Senegal's first art museum 2025 African arts 57 (4): 44-59
  • Lauren Taylor
 H6/KFY [AFRICAN-] 0001-9933
Egúngún: reminiscence of colors, dance, and fun 2025 African arts 57 (4): 60-79
  • Bode Oje
  • Henry John Drewal
 H6/KFY [AFRICAN-] 0001-9933
Reconstituting fragments 2025 African arts 58 (1): 1-5
  • J.C. Niala
 H6/KFY [AFRICAN-] 0001-9933
Expanded range: projects on African material from Wellcome's Historical Medical Museum 2025 African arts 58 (1): 5-6
  • Carlee S. Forbes
 H6/KFY [AFRICAN-] 0001-9933
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project 2025 African arts 58 (1): 6-7
  • Catherine Elliott Weinberg
 H6/KFY [AFRICAN-] 0001-9933
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project 2025 African arts 58 (1): 6-7
  • Erica P. Jones
  • William Nsuiban Gmayi
 H6/KFY [AFRICAN-] 0001-9933
"Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum 2025 African arts 58 (1): 10-25
  • Abigail Hawkins
  • Njabulo Chipangura
  • Patricia Chipangura
  • Raymond Mashizha
  • Sophie Everest
 H6/KFY [AFRICAN-] 0001-9933
Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library 2025 African arts 58 (1): 26-43
  • Alexandra Eveleigh
  • Ruth Horry
 H6/KFY [AFRICAN-] 0001-9933
The early Egyptian and Sudanese collections of Sir Henry Wellcome 2025 African arts 58 (1): 44-63
  • Kenneth Griffin
 H6/KFY [AFRICAN-] 0001-9933
Beyond narratives: intersitial provenance as a methodology for transfers of African arts 2025 African arts 58 (1): 64-79
  • Carlee S. Forbes
  • Erica P. Jones
 H6/KFY [AFRICAN-] 0001-9933
ACASA's collaboration, collections, and restitution best practices report 2025 African arts 58 (2): 1-7
  • Amanda Gilvin
  • Erica P. Jones
 H6/KFY [AFRICAN-] 0001-9933
Simon Ottenberg: his life and legacy 2025 African arts 58 (2): 8-16
  • Christine Mullen Kreamer
  • Herbert M. Cole
 H6/KFY [AFRICAN-] 0001-9933
Simon Ottenberg's contribution to Coast Salish arts 2025 African arts 58 (2): 16-17
  • Crisca Bierwert
 H6/KFY [AFRICAN-] 0001-9933
The collapse of time and space in Aro Ikeji Festival 2025 African arts 58 (2): 19-28
  • Eli Bentor
 H6/KFY [AFRICAN-] 0001-9933
A six-decade friendship 2025 African arts 58 (2): 28
  • Herbert M. Cole
 H6/KFY [AFRICAN-] 0001-9933
For professor chief Simon Ottenberg 2025 African arts 58 (2): 29
  • Tayo Adenayke
 H6/KFY [AFRICAN-] 0001-9933
Things fall apart at the Seattle Art Museum 2025 African arts 58 (2): 30-8
  • Pamela McClusky
 H6/KFY [AFRICAN-] 0001-9933
Professor Simon Ottenberg: memoirs of Hon. Nnachi Enwo as narrated by his son, Dr. Otu Nnachi Enwo 2025 African arts 58 (2): 38-9
  • Otu Nnachi Enwo
 H6/KFY [AFRICAN-] 0001-9933
Transactional acts: sculpture in the Nsukka School 2025 African arts 58 (2): 40-52
  • Iheanyichukwu Onwuegbucha
 H6/KFY [AFRICAN-] 0001-9933
A transformative gift 2025 African arts 58 (2): 52-3
  • Christa Clarke
 H6/KFY [AFRICAN-] 0001-9933
Ledu: a prestigious yam title and its roots (Middle Cross River region, Nigeria) 2025 African arts 58 (2): 54-64
  • Gitti Salami
 H6/KFY [AFRICAN-] 0001-9933
Remembering Simon 2025 African arts 58 (2): 65
  • Mary Jo Arnoldi
 H6/KFY [AFRICAN-] 0001-9933
Do masquerade: reflections on history, ethnicity, and religion in the Bandouku region of Côte d’Ivoire and beyond 2025 African arts 58 (2): 66-76
  • Raymond Silverman
 H6/KFY [AFRICAN-] 0001-9933
Headnotes, fieldnotes and field photos: reflections on the Simon Ottenberg archives 2025 African arts 58 (2): 76-8
  • Amy J. Staples
 H6/KFY [AFRICAN-] 0001-9933
In memory of Simon Ottenberg, colleague and friend 2025 African arts 58 (2): 78-9
  • David A. Binkey
 H6/KFY [AFRICAN-] 0001-9933
Nsibidi knowledge: the artistic philosophy of the Ekpe secret society 2025 African arts 58 (2): 80-90
  • Jordan A. Fenton
 H6/KFY [AFRICAN-] 0001-9933
Simon Ottenberg, the man 2025 African arts 58 (2): 91
  • Sam Irem
 H6/KFY [AFRICAN-] 0001-9933
Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée 2024 African arts 57 (1): 32-45
  • Abigail Celis
 H6/KFY [AFRICAN-] 0001-9933
In memoriam Atta Kwami, September 14, 1956–October 6, 2021 2024 African arts 57 (1): 4-7
  • John Picton
 H6/KFY [AFRICAN-] 0001-9933
That the House May Stand Again: veranda posts in Ọyọ́ Palace 2024 African arts 57 (1): 46-63
  • Stephen Fọlárànmí
 H6/KFY [AFRICAN-] 0001-9933
Tragedy of the nation in Ndidi Dike’s State of the Nation 2024 African arts 57 (1): 64-75
  • Okechukwu Nwafor
 H6/KFY [AFRICAN-] 0001-9933
Egypt in/and Africa exhibitions, questions and complexities in American art museums 2024 African arts 57 (2): 1-9
  • Ashely F. Arico
  • Janet Marion Purdy
 H6/KFY [AFRICAN-] 0001-9933
Risks, challenges, and possibilities building a future in African arts 2024 African arts 57 (2): 9-15
  • Aaron Samuel Mulenga
  • Álvaro Luís Lima
  • Amanda M. Maples
  • Genevieve Hill-Thomas
  • Rachel Dixon Kabukala
 H6/KFY [AFRICAN-] 0001-9933
Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship 2024 African arts 57 (2): 16-33
  • Christopher O. Adejumo
 H6/KFY [AFRICAN-] 0001-9933
Panoramas from the periphery: women's history tapestries at Rorke's drift 2024 African arts 57 (2): 34-47
  • Philippa Hobbs
 H6/KFY [AFRICAN-] 0001-9933
Contemporary myths of spirits and genies. An interview with Ibrahima Thiam 2024 African arts 57 (2): 48-75
  • Ibrahima Thiam
  • Joseph L. Underwood interv
 H6/KFY [AFRICAN-] 0001-9933
An ancient terracotta figure from Sierra Leone 2024 African arts 57 (2): 76-85
  • William Hart
 H6/KFY [AFRICAN-] 0001-9933
Shifting paradigms and practice. An ethical rerturn from the Fowleer Museum at UCLA 2024 African arts 57 (4): 1-2, 4-7
  • Erica P. Jones
 H6/KFY [AFRICAN-] 0001-9933
Sankofa conversations - a conversation with Herbert M. Cole 2024 African arts 57 (4): 8-15
  • Herbert M. Cole
  • Peter Probst interv
 H6/KFY [AFRICAN-] 0001-9933
Hilaire Balu Kuyagiko's reverse appropriation as counter discourse of African art 2024 African arts 57 (4): 16-27
  • Alison Kearney
 H6/KFY [AFRICAN-] 0001-9933
Public art forms as image and cultural identity of indigenous towns in the Òkè-Ògùn regions of Òyó state, Nigeria 2024 African arts 57 (4): 28-43
  • Isaiah Túndé Ògúnfìmí
 H6/KFY [AFRICAN-] 0001-9933
We made It in Venice! But then …? Reversing notions of center and periphery 2023 African arts 56 (1): 1-9
  • Stephan Köhler
 H6/KFY [AFRICAN-] 0001-9933
The long view: leadership at a critical juncture for "African art" in America 2023 African arts 56 (1): 10-12
  • Susan Mullin Vogel
 H6/KFY [AFRICAN-] 0001-9933
"Knowledge" or "progress?" Do they have to be mutually exclusive? 2023 African arts 56 (1): 12-13
  • Amanda H. Hellman
 H6/KFY [AFRICAN-] 0001-9933
A museum of Black civilizations in the contemporary world: in conversation with Hamady Bacoum 2023 African arts 56 (1): 14-19
  • Adriano Mixinge interv
  • Hamady Bacoum
 H6/KFY [AFRICAN-] 0001-9933
The flip-flop toys of Saarenald T.S. Yaawaisan in the Bryn Mawr art and artifact collections 2023 African arts 56 (1): 20-5
  • Adeline Hagerman
  • Nina Owczarek
 H6/KFY [AFRICAN-] 0001-9933
Breathing room: working principles of indipendent art spaces in African cities 2023 African arts 56 (1): 26-41
  • Kim Gurney
 H6/KFY [AFRICAN-] 0001-9933
Urban taxi slogans: the people's arts 2023 African arts 56 (1): 42-61
  • Daniel E. Agbiboa
 H6/KFY [AFRICAN-] 0001-9933
Remembering the Herero-Nama genocide in Namibia 2023 African arts 56 (1): 62-81
  • Paul Wilson
 H6/KFY [AFRICAN-] 0001-9933
Touched and changed: self-reflexivity and reciprocity in fieldwork 2023 African arts 56 (2): 1-9
  • Jordan A. Fenton
 H6/KFY [AFRICAN-] 0001-9933
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