| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Elephant and leopard symbols in the Cross River Region and its Caribbean diaspora | 2026 | African arts 59 (1): 10-27 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Between a torch and wing: liberating women in two public sculptures in Johannesburg | 2026 | African arts 59 (1): 28-47 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Kwame Nkrumah and the artistic nation: a cultural history of Ghana's first republic with emphasis on music | 2026 | African arts 59 (1): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The idea of Africa: queer visual arts, time, and the postcolonial archive | 2026 | African arts 59 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Arts across Africa before 1600: an ever-growing void? | 2026 | African arts 59 (2): 1-2, 4-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In Memoriam Professor Michael Rowlands 1944-2025 | 2026 | African arts 59 (2): 9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Painting the marvelous: digital humanities approaches to Our Lady Mary illuminations in highland Ethiopian Tä'ammarä Maryam manuscripts before 1600 | 2026 | African arts 59 (2): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Traces, clues, and details: from attribution to visual circulation. Painted manuscripts from the late thirteenth to the early fifteenth century and the rule of the Ethiopian kingdom | 2026 | African arts 59 (2): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The trials and tribulations of exile. The Ethiopian story of Mary [Nägärä Maryam] | 2026 | African arts 59 (2): 44-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Early modern raffia textiles from West Central Africa: reconsidering technical variety and material literacies of European commentators | 2026 | African arts 59 (2): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Treasures of the Pharaohs. Exhibiting Ancient Egypt in Rome and beyond | 2026 | African arts 59 (2): 78-93 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Are we ready not to know, to unlearn, and to learn anew? | 2026 | African arts 59 (3): 1-2, 4-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Art in the public trust: curating African art in American museums | 2026 | African arts 59 (3): 9-13 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Johannes Fabian 1937-2026 | 2026 | African arts 59 (3): 14-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Negotiating faith, fashion, and memory: Egúngún costume transformations in Abẹ́òkúta | 2026 | African arts 59 (3): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond the patriarchal frame: an analysis of portraits of Black women in the work of Kudzanai Chiurai through the framework of the (in)visibility continuum | 2026 | African arts 59 (3): 34-51 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Afro-Portuguese ivories since Bassani and Fagg (1988) | 2026 | African arts 59 (3): 52-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Nigerian modernism: art and independence. Perspectives on an exhibition | 2026 | African arts 59 (3): 64-85 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The spiral and the crossroads: the dual universalisms of Senegal's first art museum | 2025 | African arts 57 (4): 44-59 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Egúngún: reminiscence of colors, dance, and fun | 2025 | African arts 57 (4): 60-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Reconstituting fragments | 2025 | African arts 58 (1): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Expanded range: projects on African material from Wellcome's Historical Medical Museum | 2025 | African arts 58 (1): 5-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| "Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The early Egyptian and Sudanese collections of Sir Henry Wellcome | 2025 | African arts 58 (1): 44-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| ACASA's collaboration, collections, and restitution best practices report | 2025 | African arts 58 (2): 1-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Simon Ottenberg: his life and legacy | 2025 | African arts 58 (2): 8-16 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Simon Ottenberg's contribution to Coast Salish arts | 2025 | African arts 58 (2): 16-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The collapse of time and space in Aro Ikeji Festival | 2025 | African arts 58 (2): 19-28 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| A six-decade friendship | 2025 | African arts 58 (2): 28 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| For professor chief Simon Ottenberg | 2025 | African arts 58 (2): 29 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Things fall apart at the Seattle Art Museum | 2025 | African arts 58 (2): 30-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Professor Simon Ottenberg: memoirs of Hon. Nnachi Enwo as narrated by his son, Dr. Otu Nnachi Enwo | 2025 | African arts 58 (2): 38-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Transactional acts: sculpture in the Nsukka School | 2025 | African arts 58 (2): 40-52 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| A transformative gift | 2025 | African arts 58 (2): 52-3 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Ledu: a prestigious yam title and its roots (Middle Cross River region, Nigeria) | 2025 | African arts 58 (2): 54-64 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Remembering Simon | 2025 | African arts 58 (2): 65 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Do masquerade: reflections on history, ethnicity, and religion in the Bandouku region of Côte d’Ivoire and beyond | 2025 | African arts 58 (2): 66-76 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Headnotes, fieldnotes and field photos: reflections on the Simon Ottenberg archives | 2025 | African arts 58 (2): 76-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In memory of Simon Ottenberg, colleague and friend | 2025 | African arts 58 (2): 78-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Nsibidi knowledge: the artistic philosophy of the Ekpe secret society | 2025 | African arts 58 (2): 80-90 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Simon Ottenberg, the man | 2025 | African arts 58 (2): 91 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| What is their secret? Artists from KNUST at American universities | 2025 | African arts 58 (3): 1-2, 4-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (De)colonial deal at the Musée National des Arts, Rites, et Traditions. The Franco-Gabonese heritage in transit | 2025 | African arts 58 (3): 12-31 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Sufi paintings in Kano and the visual representation of Sheikh Ibrahim Niasse, 1995-2016 | 2025 | African arts 58 (3): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dancing with smoke: Géraldine Tobe in conversation with Z.S. Strother and Toma Muteba Luntumbue | 2025 | African arts 58 (3): 46-59 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The art of singing at night: the Dogon Baja Ni performance | 2025 | African arts 58 (3): 60-79 | H6/KFY [AFRICAN-] | 0001-9933 |