Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Iconografía y escritura jeroglífica maya: rituales, mitos y gobernantes | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 9-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
Image and word in Maya sculpture of the Classic Period: the case of the Tikal steles | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 19-37 | H6/KE [BOLETIN-] | 0716-1530 | |||
Codex style ceramics of Popul Vuh Museum | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 38-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
Iconography, composition, and support of Maya Flood Dragon from the Preclassic to Postclassic periods (400 BC-AD 1500) | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 52-76 | H6/KE [BOLETIN-] | 0716-1530 | |||
The impersonation of Ë€Ahkan as depicted on Lintel 3 of Temple IV at Tikal | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 77-95 | H6/KE [BOLETIN-] | 0716-1530 | |||
The Maya K'UH hieroglyphic sign in emblem glyphs: a visual culture approach | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 96-112 | H6/KE [BOLETIN-] | 0716-1530 | |||
A syllabic sign and the name of Teotihuacan ruler Spearthrower-Owl in Maya writing | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 113-33 | H6/KE [BOLETIN-] | 0716-1530 | |||
The women of Uhx TeË€ K’uh in Palenque court. A new approach through their representations | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 134-53 | H6/KE [BOLETIN-] | 0716-1530 | |||
Women, lineage and local nobility in Yaxchilan | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 154-75 | H6/KE [BOLETIN-] | 0716-1530 | |||
Building to remember: types and location of burials in Residential Group IV and other complexes of the nobility at Palenque, Chiapas | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 116-42 | H6/KE [BOLETIN-] | 0716-1530 | |||
The complex of human figures associated with bearded ophidians in the statuary of central Veracruz cultures | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 78-96 | H6/KE [BOLETIN-] | 0716-1530 | |||
Creating sacred images. The elaboration of effigy-censers from the Maya site of Palenque | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 34-54 | H6/KE [BOLETIN-] | 0716-1530 | |||
Disentangling iconography in borderlands: nonhuman actors and authority in Honduran Classic polychromes | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 97-115 | H6/KE [BOLETIN-] | 0716-1530 | |||
La Desconocida: Cartography in Diego de Landa’s Relación de las cosas de Yucatán | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 12-33 | H6/KE [BOLETIN-] | 0716-1530 | |||
Maya instruments and their sound symbolism in Naachtun, Guatemala | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 158-79 | H6/KE [BOLETIN-] | 0716-1530 | |||
Maya rituals associated to the passage of hotun in Quirigua | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 55-77 | H6/KE [BOLETIN-] | 0716-1530 | |||
Mayas: espacio, tiempo y manifestaciones artísticas | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 7-11 | H6/KE [BOLETIN-] | 0716-1530 | |||
“They drip pain upon everything, the pain falls upon the people”. Sickness and fateful times in a fragment of the Chilam Balam de Kaua | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 143-57 | H6/KE [BOLETIN-] | 0716-1530 | |||
Editorial | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 11-19 | H6/KE [BOLETIN-] | 0716-1530 | |||
Altered states of consciousness in the post Paleolithic art of the Iberian Peninsula: rituals of ecstasy, psychoactive plants, and social dynamics | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 41-61 | H6/KE [BOLETIN-] | 0716-1530 | |||
Art and shamanism. An approach to a hermeneutic of visionary images | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 21-39 | H6/KE [BOLETIN-] | 0716-1530 | |||
Sacred plants in Mexico: past and present | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 63-82 | H6/KE [BOLETIN-] | 0716-1530 | |||
Huichol shamanism: traditional wisdom in a modern world | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 83-102 | H6/KE [BOLETIN-] | 0716-1530 | |||
The statuette of the Osvaldo site in the Central Amazon. Evaluation of the presence of shamanism in a 7th century AD circular village | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 103-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
Shamanism, ontologies of art, and transcorporeality: bridges between Diaguita art and bailes chinos in the Chilean semi-arid north | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 119-40 | H6/KE [BOLETIN-] | 0716-1530 | |||
Humans, camelids and artifacts in a transformational universe: funerary rituals at El Olivar site | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 141-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
Plants, animals, minerals and blows: tobacco and cebil implements in Pampa Grande, Salta, Argentina (AD 0-1000) | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 169-93 | H6/KE [BOLETIN-] | 0716-1530 | |||
The shapes of things that were: applying Huarpa art (AD 250-700) to the Lewis-Williams and Dowson entoptic model for shamanism | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 195-219 | H6/KE [BOLETIN-] | 0716-1530 | |||
Representations of the san Pedro (Trichocereus spp.) cactus flower and the Anadenanthera colubrina plant in Wari textiles and Tiwanaku art | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 221-46 | H6/KE [BOLETIN-] | 0716-1530 | |||
Unveiling the shamanic identity of the Tiahuanaco Sacrificer in south-central Andean iconography (AD 400-1000) | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 247-73 | H6/KE [BOLETIN-] | 0716-1530 | |||
Ethnography, shamanism, and Far Western North American rock art | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 275-99 | H6/KE [BOLETIN-] | 0716-1530 | |||
Bird representations on ceramics from the El Caño site, Panama (AD 780-1000) | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 9-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
Weaving Huancavilca memory. Co-design experience for the conservation of ancestral textile practices | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 31-49 | H6/KE [BOLETIN-] | 0716-1530 | |||
The puma and the snake. Interpretation of the mural painting of the church of Parinacota, Northern Chile | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 51-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
In the footsteps of the Inka: pottery, interaction and the reconfiguration of the social landscape in Antofagasta de la Sierre (Catamarca, Argentina) | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
On the question of returning: production and meaning in the rock art of Cueva de las Manos, southern Andean Patagonia | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 91-110 | H6/KE [BOLETIN-] | 0716-1530 | |||
Anthropomorphs with raised arms in Andean iconography (ca. 4000-500 years BP). A comparative analysis from the Puna de Salta, Argentina | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 111-28 | H6/KE [BOLETIN-] | 0716-1530 | |||
The capacocha of Esmeralda Hill. Textile identity, and ideological relations around the cult of Huantajaya | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 129-47 | H6/KE [BOLETIN-] | 0716-1530 | |||
An approach to the stylization and schematism in the zoomorphic ceramics from the Paraná lowlands | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 11-28 | H6/KE [BOLETIN-] | 0716-1530 | |||
The heavens in the highlands: archaeoastronomical and topographical analysis of the churches of Nuestra Señora de La Paz, Bolivia | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 29-46 | H6/KE [BOLETIN-] | 0716-1530 | |||
Between pachamama and the stars...pastoralist fertility rite, rock art, and gender | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 47-66 | H6/KE [BOLETIN-] | 0716-1530 | |||
Forgotten marks: a study on the historical rock art of Los Fierros site, Andacollo (semiarid northern Chile) | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 67-86 | H6/KE [BOLETIN-] | 0716-1530 | |||
Rock art in the sites Tres Lagunas 1 and Las Tres Marías (Genoa valley, Chubut, Argentina): a methodological contribution | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 87-105 | H6/KE [BOLETIN-] | 0716-1530 | |||
Prehispanic metals in central Argentina: access, handling, and representations | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 107-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
Guanacos engravings in the interfluvium of the Gallegos-Chico (Santa Cruz, Argentina): its southernmost distribution in Patagonia | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 131-49 | H6/KE [BOLETIN-] | 0716-1530 | |||
The lords of the Butterfly Bird God: a new group of the Teotihuacan elite | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 151-66 | H6/KE [BOLETIN-] | 0716-1530 | |||
Symbolic lineage of sun and moon in Chon language family cultures and its calques | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 11-31 | H6/KE [BOLETIN-] | 0716-1530 | |||
Encyclopedic knowledge of Nahua medicine. An approach to chapter 28, book X of Historia General de las Cosas de Nueva España (1577) | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 33-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
The historical song about the Inca rulers of the Galvin manuscript (1590) | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 53-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
Harps on stone. Their presence in colonial churches of northern Chile | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 |