Title | Date | Reference | Authors | Call # | ISSN | ||
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Painting with sound: performing cultural memory through Kazakh Sybyzghy cassettes in northern Xinjiang | 2024 | Asian music 55 (1): 4-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
'You know nothing except how to read musical notation!': rethinking the use of notation in jinghu accompaniment | 2024 | Asian music 55 (1): 38-72 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reimagining the past in the construction of the present: visuality in neo-traditional guqin performances in twenty-first century China | 2024 | Asian music 55 (1): 73-125 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Performing indigeneity through the musical piece 'Miti Sunai' on Yonaguni Island, Okinawa | 2024 | Asian music 55 (1): 126-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Listenting to Amīt Ḳhusraw in the Mughal court: Indian sultanate epistemologies of Persian music and the construction of Hindustani music history in the Mughal imaginary | 2024 | Asian music 55 (2): 5-39 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Toward a dialectical understanding of North Indian drumming traditions: musical labor, dance, and the folk/classical distinction in Banaras | 2024 | Asian music 55 (2): 40-74 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Archival care at Arsip Jazz Indonesia | 2024 | Asian music 55 (2): 75-113 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Hakka blues and jazz: the inspiration of Black music in the Hakka Taiwanese musical revitalization movement in postdictatorial Taiwan | 2024 | Asian music 55 (2): 114-49 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Remembering my teachers - Bruno Nettl and Sabri Khan: Society for Asian Music 2022 Keynote Address | 2023 | Asian music 54 (1): 4-27 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Neşet Ertaş and the ontologies of Turkey's folk music | 2023 | Asian music 54 (1): 28-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The exceptional Fauziah Gambus: negotiating novelty, piety, and self-promotion in an androcentric Malaysian musical scene | 2023 | Asian music 54 (1): 60-91 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Staging noh performance in contemporary opera: the dance of the shite in Toshio Hosokawa's The maiden from the sea (2017) | 2023 | Asian music 54 (1): 92-119 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
On the threshold between different worlds: the symbolic rloe of gongs in the final mortuary ritual of the Jarai (Central Highlands of Vietnam) | 2023 | Asian music 54 (1): 120-44 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The pleasures of Parikan in Malang, East Java: an analysis of text and music in the dance Ngremo putri | 2023 | Asian music 54 (2): 6-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reclaiming the legacy of Merdana, a Kebyar master | 2023 | Asian music 54 (2): 38-56 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Engaging ronggeng community - Reviving Malay social dance and music practices in the twenty-first century: a keynote address | 2023 | Asian music 54 (2): 57-76 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The ethnographic selfie - When the lens is on your own culture: a keynote address | 2023 | Asian music 54 (2): 77-100 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Asian music, the Asian scholar, and modern Asia: a keynote address | 2023 | Asian music 54 (2): 101-17 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Affective hermeneutics: love, mugham, and post-soviet Azerbaijani subjectivities | 2022 | Asian music 53 (1): 5-33 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Burmese Buddhist monks, the seventh precept, and cognitive dissonance | 2022 | Asian music 53 (1): 34-55 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Sonic benefit: Buddhist ontologies of chant and the supramundane in Bengaluru | 2022 | Asian music 53 (1): 56-79 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Poetic text and melodic text: text-setting in two song traditions of Timor | 2022 | Asian music 53 (1): 80-126 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Negating nationalist frameworks: aesthetics of Unsuk Chin's musical individualism in twenty-first-century East Asian composition | 2022 | Asian music 53 (1): 127-52 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Rethinking the Viruttam in Karnatak music: music for poetry | 2022 | Asian music 53 (2): 5-32 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Status, prejudice, and hierarchical differences in the communities of the urban Burmese spirit cult | 2022 | Asian music 53 (2): 33-65 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
'Our divine ancestor Jesus Christ': performing arts and Catholic missiology in Bali | 2022 | Asian music 53 (2): 66-109 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Feeling time in Indonesian langgam Jawa | 2022 | Asian music 53 (2): 110-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Listening to Arab women's voices: society for Asian music 2018. Keynote address | 2020 | Asian music 51 (1): 4-26 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Man Yar Pyae U Tin and the Burmese slide guitar: constructing and deconstructing narratives of cultural exchange | 2020 | Asian music 51 (1): 27-58 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The doors of melody: the Iraqi maqām as a tradition of process | 2020 | Asian music 51 (1): 59-93 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Knowledge transmission in Javanese karawitan: is it time for an ontological turn? | 2020 | Asian music 51 (1): 94-117 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
No notation needed: the construction and politics of transnational Thai identity through the oral transmission of classic music | 2020 | Asian music 51 (2): 5-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Teaching Islam in song: storytelling and Islamic meaning in Sindhi Sufi poetry performance | 2020 | Asian music 51 (2): 39-71 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Continuity and changes in Cambodian lkhaon bassac (lakhon baasaq) opera | 2020 | Asian music 51 (2): 72-104 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
From folk musicians to popular icons: the resilient uṟumi mēḷam Tamil folk drumming ensemble in Singapore | 2020 | Asian music 51 (2): 105-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
In search of asylum: solitary singing practice in Koin Norae-Bang by contemporary Korean young people | 2019 | Asian music 50 (1): 3-27 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Capturing sound or history? Understanding the 1928 Minzoku Geijutsu transcription debate | 2019 | Asian music 50 (1): 28-46 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Mobilities, experienced and performed, in Mongolia's Urtyn Duu tradition | 2019 | Asian music 50 (1): 47-77 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Sound spectrum analysis: Ryūteki and Hichirijki techniques as performers of structure and mode in Etenraku | 2019 | Asian music 50 (1): 78-117 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Asakusa-Tsugaru-jamisen: musical place making and conceptual blending in twenty-first century Tokyo | 2019 | Asian music 50 (2): 58-89 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
"Doing Rano" among the Kaili of central Sulawesi: a choreomusicological analysis of the body as cultural locus of the sound-movement continuum | 2019 | Asian music 50 (2): 33-57 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The funeral of King Rama IX: mourning and the Thai state | 2019 | Asian music 50 (2): 122-60 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Gifts from the waves? Cultural identity, the rise of performing arts communities, and women's performance practice in post-tsunami Aceh | 2019 | Asian music 50 (2): 90-121 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Neutralizing temporary inequities in moral status: Chinese steet singers and the gift economy | 2019 | Asian music 50 (2): 3-32 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Listening to the voice in kumiudui: representations of social class and gender through speech, song, and prosody | 2018 | Asian music 49 (1): 4-33 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The constraied position of young musicians in the Yogyakarta jazz community | 2018 | Asian music 49 (1): 34-57 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Embodied orality: transmission in traditional Japanese music | 2018 | Asian music 49 (1): 58-79 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
State, song, and shabāb in Syria's prewar radioscape | 2018 | Asian music 49 (1): 80-119 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
"You can't sing Urtyn Duu if you don't know how to ride a horse": Urtyn Duu in Alshaa, Inner Mongolia | 2018 | Asian music 49 (2): 4-33 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Bringing the music out, bringing the listener in: the Gérong in Javanese Gamelan | 2018 | Asian music 49 (2): 34-70 | *H6/KFYV [ASIAN-] | 0044-9202 |