Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Plastic attunements: ambiguity, creativity and performing materiality in environmental dance in the UK | 2024 | Anthropology and art (9): 1-16 | 2397-1754 | ||||
Redefining curatorship as skilled practice | 2023 | Anthropology and art (7): 1-19 | 2397-1754 | ||||
Catalogue of correspondence: a collection of rocks found in the Gothenburg Museum of World Culture | 2023 | Anthropology and art (8): 1-45 | 2397-1754 | ||||
'Such intimate relations': on the process of collecting string figures and the paradigm of participant observation fieldwork | 2022 | Anthropology and art 4 (): 1-23 | 2397-1754 | ||||
Some ethical implications of re-materializing Tonga PÅ«oro | 2022 | Anthropology and art 5 (): 1-20 | 2397-1754 | ||||
Socio-creativity in the Neolithic | 2022 | Anthropology and art 5 (): 1-19 | 2397-1754 | ||||
Moulding Quilombola identities and ethnic politics: understandings and practices around 'Quilombo heritage' in Brazil | 2021 | Anthropology and art 2 (): 1-26 | 2397-1754 | ||||
Animism and the Mbya-Guarani cinema | 2021 | Anthropology and art 3 (): 1-21 | 2397-1754 | ||||
Stories in the making: what artists made of the 2018 RAI Art, Materiality and Representation conference | 2020 | Anthropology and art 1 (): 1-39 | 2397-1754 |