Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Exploring creativity in traditional music | 2019 | Yearbook for traditional music 51 (): 1-15 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Sustainability and Indigenous aesthetics: musical resilience in Sámi and Indigenous Canadian theatre | 2019 | Yearbook for traditional music 51 (): 17-48 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
When K-Pop and Kugak meet: popularising P’ansori in modern Korea | 2019 | Yearbook for traditional music 51 (): 49-71 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Ratoeh Jaroe: Islam, youth, and popular dance in Jakarta, Indonesia | 2019 | Yearbook for traditional music 51 (): 73-101 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Ancient sounds in the new world: Syro-Maronite chant in Lebanese Maronite communities in the United States | 2019 | Yearbook for traditional music 51 (): 103-38 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
On diasporic generation and Syrian-Argentine musicking in Buenos Aires, Argentina | 2019 | Yearbook for traditional music 51 (): 139-65 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
“Nothing happened without music”: teaching and learning the Anatolian bağlama in Berlin | 2019 | Yearbook for traditional music 51 (): 167-85 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Contraculture: bird names and the degendering of Contra Dance | 2019 | Yearbook for traditional music 51 (): 187-215 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Subjunctive masculinities: making men through music and ritual in northern Ghana | 2019 | Yearbook for traditional music 51 (): 217-45 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Policing space and defying mainstream: gender and the creation of traditional music public sphere in twentieth-century Ireland | 2019 | Yearbook for traditional music 51 (): 247-68 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
The redress of music: music, mediation, and parity of esteem | 2018 | Yearbook for traditional music 50 (): 1-14 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
The Music and Memory Project: understanding music and dementia through applied ethnomusicology and experiental filmmaking | 2018 | Yearbook for traditional music 50 (): 15-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
A sea of voices: perfromance, relations, and belonging in saltwater places | 2018 | Yearbook for traditional music 50 (): 41-69 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
IFMC, Masu Genjiro, Kurosawa Takatomo, and their recordings of Taiwanese music | 2018 | Yearbook for traditional music 50 (): 71-90 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
“From identity to alliance”: challenging Métis “inauthenticity” through alliance studies | 2018 | Yearbook for traditional music 50 (): 91-117 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
The significance of Ìrìráábú musical satire in the Ékpè Dance Festival amongst the Obohia-Ndoki oeople of Nigeria | 2018 | Yearbook for traditional music 50 (): 119-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Why is uncle paintbrush so funny? The case of YouTube translation of a Syrian Kurdish wedding song into Finnish | 2018 | Yearbook for traditional music 50 (): 141-64 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Squaring off: the forgotten caller in Cape Breton square dancing | 2018 | Yearbook for traditional music 50 (): 165-86 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Politely different: queer presence in country dancing and music | 2018 | Yearbook for traditional music 50 (): 187-209 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Guest editors' preface: speech, song, and in-between | 2017 | Yearbook for traditional music 49 (): xv-xix | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Traditional music and the work-concept: the Kayagŭm Sanjo of Hwang Byungki | 2017 | Yearbook for traditional music 49 (): 1-25 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Making traditions: girls' carnival Morris Dancing and material practice | 2017 | Yearbook for traditional music 49 (): 26-47 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Stomping on the ground: dancing Flamenco through Tokyo's soundscape | 2017 | Yearbook for traditional music 49 (): 48-66 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Dancing the archive: rhythms of change in Montserrat's masquerades | 2017 | Yearbook for traditional music 49 (): 67-91 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Conceptualizing Noongar song | 2017 | Yearbook for traditional music 49 (): 92-113 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Music spirits and powerful voices: on the origins of song | 2017 | Yearbook for traditional music 49 (): 114-28 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Liminal utterances and shapes of sadness: local and acoustic perspectives on vocal production among the Yezidis of Armenia | 2017 | Yearbook for traditional music 49 (): 129-48 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Unimagining song: making kin in the vocal scene | 2017 | Yearbook for traditional music 49 (): 149-61 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Gauging music vitality and viability: three cases from Cambodia | 2016 | Yearbook for traditional music 48 (): 25-47 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Safeguarding intangible cultural heritage in the Republic of Macedonia | 2016 | Yearbook for traditional music 48 (): 1-24 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Xeremiers de sa Calatrava, from heydey to unemployment: lives dedicated to the Mallorcan bagpipes | 2016 | Yearbook for traditional music 48 (): 48-70 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Multiple authenticities in motion: styles and stances in Sikh Sabad Kīrtan | 2016 | Yearbook for traditional music 48 (): 71-93 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Stories of differentiation and association: narrative identity and the Jola Ekonting | 2016 | Yearbook for traditional music 48 (): 94-114 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
"The land of our origin": music and history in the Norway-Azerbaijan connection | 2016 | Yearbook for traditional music 48 (): 115-35 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Computer sound analysis of traditional music of Transcaucasia and Central Asia | 2016 | Yearbook for traditional music 48 (): 136-45 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Negotiating the personal and professional: ethnomusicologists and uncomfortable truths | 2016 | Yearbook for traditional music 48 (): 186-203 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
A computer-based study of scales on the Kazakh Dombra and Kyl-kobyz | 2016 | Yearbook for traditional music 48 (): 146-66 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Spiraling to redefine (dis)ability: a case study in summer music programming for children | 2016 | Yearbook for traditional music 48 (): 167-85 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
“The one who knows the value of words”: the Aşiq of Azerbaijan | 2015 | Yearbook for traditional music 47 (): 116-40 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Cultural tourism, meitheal, and re-presentation of heritage traditional step dancing and Siamsa Tíre, the national folk dance theatre of Ireland | 2015 | Yearbook for traditional music 47 (): 141-60 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Syriac chant at the negotiation of source and method in the two music-"ologies" | 2015 | Yearbook for traditional music 47 (): 45-63 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Collaborative fieldwork, "stance" and ethnography | 2015 | Yearbook for traditional music 47 (): 64-81 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Landscape, urbanization, and capitalist modernity: exploring the "great transformation" of Tibet through its songs | 2015 | Yearbook for traditional music 47 (): 161-89 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Music and dance and dance as music: interdependence and dialogue in Baganda Baakisimba performance | 2015 | Yearbook for traditional music 47 (): 82-96 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Pain, rhythm, and relation: funerary lament among the Punu of Congo-Brazzaville | 2015 | Yearbook for traditional music 47 (): 97-115 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Dancing in place: mythopoetics and the production of history in Kuchipudy | 2015 | Yearbook for traditional music 47 (): 1-26 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Ethnochoreology as an interdiscipline in a postdisciplinary era: a historiography of dance scholarship in Serbia | 2015 | Yearbook for traditional music 47 (): 27-44 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
More than two Koreas: cultural intersections and Chinese Korean musicians in contemporary South Korean music scenes | 2014 | Yearbook for traditional music 46 (): 1-21 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Facing the predicament of wordlessness: when we speak of certain musical sounds | 2014 | Yearbook for traditional music 46 (): 22-42 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Performing transition in Mongolia: repatriation and loss in the music of Kazakh mobile pastoralists | 2014 | Yearbook for traditional music 46 (): 43-61 | H6/KFYV [YEARBOOK-] | 0740-1558 |