Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Fieldwork through filmmaking: listening to narrative medicine in "Tåhdong Marianas" | 2023 | The World of Music 12 (1): 119-46 | H6/KFY [WORLD-] | 0043-8774 | |||
Intercultural music engagement over electronic bridges | 2023 | The World of Music 12 (1): 43-80 | H6/KFY [WORLD-] | 0043-8774 | |||
Introduction: Surmounting physical distance | 2023 | The World of Music 12 (1): 7-14 | H6/KFY [WORLD-] | 0043-8774 | |||
Islamic music and Qur'anic arts in the time of the Corona pandemic | 2023 | The World of Music 12 (1): 15-42 | H6/KFY [WORLD-] | 0043-8774 | |||
Music and sound in Toyama city up-close and from afar | 2023 | The World of Music 12 (1): 147-74 | H6/KFY [WORLD-] | 0043-8774 | |||
"Music as method" in Marshallese community-driven research & outreach during the COVID-19 pandemic | 2023 | The World of Music 12 (1): 81-118 | H6/KFY [WORLD-] | 0043-8774 | |||
Korean traditional music on global stages | 2022 | The World of Music 11 (1): 5-21 | H6/KFY [WORLD-] | 0043-8774 | |||
For the glory of the nation | 2022 | The World of Music 11 (1): 23-44 | H6/KFY [WORLD-] | 0043-8774 | |||
The Little Angels | 2022 | The World of Music 11 (1): 45-62 | H6/KFY [WORLD-] | 0043-8774 | |||
"I'm a New Yorker" | 2022 | The World of Music 11 (1): 63-86 | H6/KFY [WORLD-] | 0043-8774 | |||
Towards one Korea | 2022 | The World of Music 11 (1): 87-108 | H6/KFY [WORLD-] | 0043-8774 | |||
The p’ansori experience in Europe | 2022 | The World of Music 11 (1): 109-32 | H6/KFY [WORLD-] | 0043-8774 | |||
Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
Introduction | 2022 | The World of Music 11 (2): 5-24 | H6/KFY [WORLD-] | 0043-8774 | |||
Shifts in the stature of professional music-making in Kurdistan (or how Kurds from around Mardin became professional musicians) | 2022 | The World of Music 11 (2): 25-64 | H6/KFY [WORLD-] | 0043-8774 | |||
The role of women in Kurdish cultural heritage | 2022 | The World of Music 11 (2): 65-72 | H6/KFY [WORLD-] | 0043-8774 | |||
Broadcasting the nation: the importance of radio in Kurdish music history | 2022 | The World of Music 11 (2): 73-89 | H6/KFY [WORLD-] | 0043-8774 | |||
Mersin and the Çukurova region as emerging spaces for Kurdish music production | 2022 | The World of Music 11 (2): 113-39 | H6/KFY [WORLD-] | 0043-8774 | |||
The commemorative power of Govend dances for a Kurdish community in transition | 2022 | The World of Music 11 (2): 91-111 | H6/KFY [WORLD-] | 0043-8774 | |||
Kurdish music?… Music from Dersim?…: Conflicting identities and the challenge of categorization in Central-Eastern Anatolia | 2022 | The World of Music 11 (2): 141-68 | H6/KFY [WORLD-] | 0043-8774 | |||
Postcolonial sound archives: challenges and potentials. An introduction | 2021 | The World of Music 10 (1): 5-20 | H6/KFY [WORLD-] | 0043-8774 | |||
Sound collections and postcolonial India’s cultural politics | 2021 | The World of Music 10 (1): 21-38 | H6/KFY [WORLD-] | 0043-8774 | |||
The persistent refrain of the colonial archival logic/colonial entanglements and sonic transgressions | 2021 | The World of Music 10 (1): 39-70 | H6/KFY [WORLD-] | 0043-8774 | |||
“One of the richest and most refined forms of art in the world.” Alain Daniélou, the IICMSD Archive, and Indian music | 2021 | The World of Music 10 (1): 71-92 | H6/KFY [WORLD-] | 0043-8774 | |||
Potentials and challenges of repatriation | 2021 | The World of Music 10 (1): 93-104 | H6/KFY [WORLD-] | 0043-8774 | |||
Marathi sangeet natak and the affirmation of Hindu nationalist cultural politics in Western India | 2021 | The World of Music 10 (1): 105-30 | H6/KFY [WORLD-] | 0043-8774 | |||
The white ethnomusicologist’s burden. White innocence and the archive in music studies | 2021 | The World of Music 10 (1): 131-68 | H6/KFY [WORLD-] | 0043-8774 | |||
Introduction | 2021 | The World of Music 10 (2): 5-20 | H6/KFY [WORLD-] | 0043-8774 | |||
“We Are Losing Our Encantados because we can’t hear them anymore.” Silence, extractivism, and politics of listening in/to the Brazilian Amazon | 2021 | The World of Music 10 (2): 21-50 | H6/KFY [WORLD-] | 0043-8774 | |||
“So nicely in harmony with the tropical nature.” Listening to the cultural and the natural in Suriname, 1883–2020 | 2021 | The World of Music 10 (2): 51-78 | H6/KFY [WORLD-] | 0043-8774 | |||
Hearing the given and the made in South African Maskanda music | 2021 | The World of Music 10 (2): 79-106 | H6/KFY [WORLD-] | 0043-8774 | |||
Coffee and music | 2021 | The World of Music 10 (2): 107-38 | H6/KFY [WORLD-] | 0043-8774 | |||
Introduction: choreological perspectives | 2020 | The World of Music 9 (1): 7-24 | H6/KFY [WORLD-] | 0043-8774 | |||
The corporeality of sound and movement in performance | 2020 | The World of Music 9 (1): 25-46 | H6/KFY [WORLD-] | 0043-8774 | |||
The body visualising the music: seeing and showing body movement in Balinese gender wayang | 2020 | The World of Music 9 (1): 47-66 | H6/KFY [WORLD-] | 0043-8774 | |||
The corporeal dynamics of choreomusical interactions in sabar dance events | 2020 | The World of Music 9 (1): 67-81 | H6/KFY [WORLD-] | 0043-8774 | |||
Choreomusical interactions, hierarchical structures, and social relations | 2020 | The World of Music 9 (1): 83-94 | H6/KFY [WORLD-] | 0043-8774 | |||
Musical dancers and dancing musicians, who's in charge? Choreomusical analysis of pols performances in Haltdalen, Norway | 2020 | The World of Music 9 (1): 95-116 | H6/KFY [WORLD-] | 0043-8774 | |||
Peasant dancers and Gypsy musicians | 2020 | The World of Music 9 (1): 117-38 | H6/KFY [WORLD-] | 0043-8774 | |||
The separation of music and dance in translocal contexts | 2020 | The World of Music 9 (2): 5-30 | H6/KFY [WORLD-] | 0043-8774 | |||
Tango musicality and Tango danceability | 2020 | The World of Music 9 (2): 51-68 | H6/KFY [WORLD-] | 0043-8774 | |||
Temporalities of appropriation of Salsa music and dance in Benin | 2020 | The World of Music 9 (2): 31-50 | H6/KFY [WORLD-] | 0043-8774 | |||
Beyond the binary of choreomusicology: moving from ethnotheory towards local ontologies | 2020 | The World of Music 9 (2): 69-88 | H6/KFY [WORLD-] | 0043-8774 | |||
Dancing lo típico: a choreomusical perspective on Merengue | 2020 | The World of Music 9 (2): 89-107 | H6/KFY [WORLD-] | 0043-8774 | |||
Separating intertwined traditions into Balinese music and dance | 2020 | The World of Music 9 (2): 109-30 | H6/KFY [WORLD-] | 0043-8774 | |||
Introduction: brass bands in the Pacific | 2019 | The World of Music 8 (2): 5-12 | H6/KFY [WORLD-] | 0043-8774 | |||
"We are like someone completely dead and lack a father, Your Exellency;' bandsmen sucking up and blowing out in German Samoa | 2019 | The World of Music 8 (2): 13-26 | H6/KFY [WORLD-] | 0043-8774 | |||
Exploring Samoan brass bands: notes on their development and performance practices after independence | 2019 | The World of Music 8 (2): 27-38 | H6/KFY [WORLD-] | 0043-8774 | |||
Tongan brass bands: an expanding tradition | 2019 | The World of Music 8 (2): 39-56 | H6/KFY [WORLD-] | 0043-8774 | |||
A brief history of brass bands in Palau | 2019 | The World of Music 8 (2): 57-72 | H6/KFY [WORLD-] | 0043-8774 |