| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Introduction | 2025 | The World of Music 14 (1): 5-22 | H6/KFY [WORLD-] | 0043-8774 | |||
| The Sunjata Fasa; performance and social identity in the Mande world | 2025 | The World of Music 14 (1): 23-30 | H6/KFY [WORLD-] | 0043-8774 | |||
| Tradition, transnational connections, and teaching through Sunjata’s Story: interview with Hawa Kassé, Mady Diabaté and Lassana Diabaté | 2025 | The World of Music 14 (1): 31-40 | H6/KFY [WORLD-] | 0043-8774 | |||
| Filming The Sunjata Story – glimpse of a Mande epic | 2025 | The World of Music 14 (1): 55-76 | H6/KFY [WORLD-] | 0043-8774 | |||
| West Africa: word, symbol, song – the place of the Sunjata Story in the British Library’s exhibition | 2025 | The World of Music 14 (1): 77-102 | H6/KFY [WORLD-] | 0043-8774 | |||
| Connecting through Sunjata’s Story: ancestors and inheritances – Conversation with Afua Cooper | 2025 | The World of Music 14 (1): 103-16 | H6/KFY [WORLD-] | 0043-8774 | |||
| Ten years of the Sunjata Project in Unama’ki/Cape Breton: long term impacts on community engagement, artistic production, and collaborative research | 2025 | The World of Music 14 (1): 117-54 | H6/KFY [WORLD-] | 0043-8774 | |||
| Ecomusicology, performance and environmental crises: nurturing human relationships with the environment | 2025 | The World of Music 14 (2): 1-18 | H6/KFY [WORLD-] | 0043-8774 | |||
| Country, family and perfromance traditions: global challenges and local responses from Kurrindju and Garfagnana | 2025 | The World of Music 14 (2): 1-37 | H6/KFY [WORLD-] | 0043-8774 | |||
| He Whiringa Hīnaki: a Kaupapa Māori ecomusicological framework | 2025 | The World of Music 14 (2): 1-36 | H6/KFY [WORLD-] | 0043-8774 | |||
| Ngapa manu Warlu–Rain and fire: Central Australian women’s songlines and biocultural connections | 2025 | The World of Music 14 (2): 1-35 | H6/KFY [WORLD-] | 0043-8774 | |||
| Ceremony and sentient ecology | 2025 | The World of Music 14 (2): 1-30 | H6/KFY [WORLD-] | 0043-8774 | |||
| Noongar ecomusicology in Southwest Australia | 2025 | The World of Music 14 (2): 1-31 | H6/KFY [WORLD-] | 0043-8774 | |||
| Wunguwarnu Wantarri Milpirri ecosomatics: Hip Hop and Warlpiri embodied senses of place | 2025 | The World of Music 14 (2): 1-38 | H6/KFY [WORLD-] | 0043-8774 | |||
| Intertidal conversations: on developing a practice of listening to earth | 2025 | The World of Music 14 (2): 1-38 | H6/KFY [WORLD-] | 0043-8774 | |||
| Resounding 1923: musical modernities from the Ottoman Empire to the Turkish Republic | 2024 | The World of Music 13 (1): 5-49 | H6/KFY [WORLD-] | 0043-8774 | |||
| "Foreigners in their homeland": song writing, musical estrangement, and subjecthood formation in late Ottoman Istanbul | 2024 | The World of Music 13 (1): 51-81 | H6/KFY [WORLD-] | 0043-8774 | |||
| Joking aside: European music and the dislocation of modernity in nineteenth-century Ottoman satire | 2024 | The World of Music 13 (1): 83-122 | H6/KFY [WORLD-] | 0043-8774 | |||
| Transcultural memory in the study of folk music in Turkey: 78-rmp records of the Ottoman American diaspora | 2024 | The World of Music 13 (1): 123-66 | H6/KFY [WORLD-] | 0043-8774 | |||
| Self-Orientalist representations of Turkish classical music in the republican era: Orientalism and Orientalism in reverse | 2024 | The World of Music 13 (1): 167-208 | H6/KFY [WORLD-] | 0043-8774 | |||
| Rauf Yekta's notes on the 1932 Congress of Arab Music: being a mediator in a dual musical universe | 2024 | The World of Music 13 (1): 209-41 | H6/KFY [WORLD-] | 0043-8774 | |||
| Institutionalizing opera in Turkey: Carl Ebert and the opera studio | 2024 | The World of Music 13 (1): 243-74 | H6/KFY [WORLD-] | 0043-8774 | |||
| Provincializing acoustics, feeling Europe: heritage and sonic atmosphere in Istanbul | 2024 | The World of Music 13 (1): 275-310 | H6/KFY [WORLD-] | 0043-8774 | |||
| Afterword: Istanbul, Cairo, and the "demography of Babel" | 2024 | The World of Music 13 (1): 311-29 | H6/KFY [WORLD-] | 0043-8774 | |||
| Data diplomacy | 2024 | The World of Music 13 (2): 5-10 | H6/KFY [WORLD-] | 0043-8774 | |||
| The Berlin Phonogramm-Archiv collections | 2024 | The World of Music 13 (2): 11-38 | H6/KFY [WORLD-] | 0043-8774 | |||
| Copyright issues: sound recordings from German prisoners of camps of World War I and World War II | 2024 | The World of Music 13 (2): 39-66 | H6/KFY [WORLD-] | 0043-8774 | |||
| Open access publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv | 2024 | The World of Music 13 (2): 67-88 | H6/KFY [WORLD-] | 0043-8774 | |||
| Prolegomena to the study of historical sound recordings from colonial contexts | 2024 | The World of Music 13 (2): 89-105 | H6/KFY [WORLD-] | 0043-8774 | |||
| Fieldwork through filmmaking: listening to narrative medicine in "Tåhdong Marianas" | 2023 | The World of Music 12 (1): 119-46 | H6/KFY [WORLD-] | 0043-8774 | |||
| Intercultural music engagement over electronic bridges | 2023 | The World of Music 12 (1): 43-80 | H6/KFY [WORLD-] | 0043-8774 | |||
| Introduction: Surmounting physical distance | 2023 | The World of Music 12 (1): 7-14 | H6/KFY [WORLD-] | 0043-8774 | |||
| Islamic music and Qur'anic arts in the time of the Corona pandemic | 2023 | The World of Music 12 (1): 15-42 | H6/KFY [WORLD-] | 0043-8774 | |||
| Music and sound in Toyama city up-close and from afar | 2023 | The World of Music 12 (1): 147-74 | H6/KFY [WORLD-] | 0043-8774 | |||
| "Music as method" in Marshallese community-driven research & outreach during the COVID-19 pandemic | 2023 | The World of Music 12 (1): 81-118 | H6/KFY [WORLD-] | 0043-8774 | |||
| Korean traditional music on global stages | 2022 | The World of Music 11 (1): 5-21 | H6/KFY [WORLD-] | 0043-8774 | |||
| For the glory of the nation | 2022 | The World of Music 11 (1): 23-44 | H6/KFY [WORLD-] | 0043-8774 | |||
| The Little Angels | 2022 | The World of Music 11 (1): 45-62 | H6/KFY [WORLD-] | 0043-8774 | |||
| "I'm a New Yorker" | 2022 | The World of Music 11 (1): 63-86 | H6/KFY [WORLD-] | 0043-8774 | |||
| Towards one Korea | 2022 | The World of Music 11 (1): 87-108 | H6/KFY [WORLD-] | 0043-8774 | |||
| The p’ansori experience in Europe | 2022 | The World of Music 11 (1): 109-32 | H6/KFY [WORLD-] | 0043-8774 | |||
| Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
| Introduction | 2022 | The World of Music 11 (2): 5-24 | H6/KFY [WORLD-] | 0043-8774 | |||
| Shifts in the stature of professional music-making in Kurdistan (or how Kurds from around Mardin became professional musicians) | 2022 | The World of Music 11 (2): 25-64 | H6/KFY [WORLD-] | 0043-8774 | |||
| The role of women in Kurdish cultural heritage | 2022 | The World of Music 11 (2): 65-72 | H6/KFY [WORLD-] | 0043-8774 | |||
| Broadcasting the nation: the importance of radio in Kurdish music history | 2022 | The World of Music 11 (2): 73-89 | H6/KFY [WORLD-] | 0043-8774 | |||
| Mersin and the Çukurova region as emerging spaces for Kurdish music production | 2022 | The World of Music 11 (2): 113-39 | H6/KFY [WORLD-] | 0043-8774 | |||
| The commemorative power of Govend dances for a Kurdish community in transition | 2022 | The World of Music 11 (2): 91-111 | H6/KFY [WORLD-] | 0043-8774 | |||
| Kurdish music?… Music from Dersim?…: Conflicting identities and the challenge of categorization in Central-Eastern Anatolia | 2022 | The World of Music 11 (2): 141-68 | H6/KFY [WORLD-] | 0043-8774 | |||
| Postcolonial sound archives: challenges and potentials. An introduction | 2021 | The World of Music 10 (1): 5-20 | H6/KFY [WORLD-] | 0043-8774 |