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TitleDateReferenceAuthorsCall #ISSN
Korean traditional music on global stages 2022 The World of Music 11 (1): 5-21
  • Anna Yates-Lu
  • Jan Creutzenberg
 H6/KFY [WORLD-] 0043-8774
For the glory of the nation 2022 The World of Music 11 (1): 23-44
  • Hee-sum Kim
 H6/KFY [WORLD-] 0043-8774
The Little Angels 2022 The World of Music 11 (1): 45-62
  • Sang-Yeon Sung
 H6/KFY [WORLD-] 0043-8774
"I'm a New Yorker" 2022 The World of Music 11 (1): 63-86
  • Ju-Yong Ha
 H6/KFY [WORLD-] 0043-8774
Towards one Korea 2022 The World of Music 11 (1): 87-108
  • Cholong Sung
 H6/KFY [WORLD-] 0043-8774
The p’ansori experience in Europe 2022 The World of Music 11 (1): 109-32
  • Jan Creutzenberg
 H6/KFY [WORLD-] 0043-8774
Hallyu through the grassroots 2022 The World of Music 11 (1): 133-56
  • Anna Yates-Lu
 H6/KFY [WORLD-] 0043-8774
Introduction 2022 The World of Music 11 (2): 5-24
  • Argun Çakır
  • George Mürer
 H6/KFY [WORLD-] 0043-8774
Shifts in the stature of professional music-making in Kurdistan (or how Kurds from around Mardin became professional musicians) 2022 The World of Music 11 (2): 25-64
  • Argun Çakır
 H6/KFY [WORLD-] 0043-8774
The role of women in Kurdish cultural heritage 2022 The World of Music 11 (2): 65-72
  • Zeyneb Yaş
 H6/KFY [WORLD-] 0043-8774
Broadcasting the nation: the importance of radio in Kurdish music history 2022 The World of Music 11 (2): 73-89
  • Jon E. Bullock
 H6/KFY [WORLD-] 0043-8774
Mersin and the Çukurova region as emerging spaces for Kurdish music production 2022 The World of Music 11 (2): 113-39
  • George Mürer
 H6/KFY [WORLD-] 0043-8774
The commemorative power of Govend dances for a Kurdish community in transition 2022 The World of Music 11 (2): 91-111
  • Sara Islán Fernández
 H6/KFY [WORLD-] 0043-8774
Kurdish music?… Music from Dersim?…: Conflicting identities and the challenge of categorization in Central-Eastern Anatolia 2022 The World of Music 11 (2): 141-68
  • Martin Greve
 H6/KFY [WORLD-] 0043-8774
Postcolonial sound archives: challenges and potentials. An introduction 2021 The World of Music 10 (1): 5-20
  • Eva-Maria Alexandra van Straaten
  • Rasika Ajotikar
 H6/KFY [WORLD-] 0043-8774
Sound collections and postcolonial India’s cultural politics 2021 The World of Music 10 (1): 21-38
  • Felix van Lamsweerde
  • Rasika Ajotikar interv
 H6/KFY [WORLD-] 0043-8774
The persistent refrain of the colonial archival logic/colonial entanglements and sonic transgressions 2021 The World of Music 10 (1): 39-70
  • meLê yamomo
  • Barbara Titus
 H6/KFY [WORLD-] 0043-8774
“One of the richest and most refined forms of art in the world.” Alain Daniélou, the IICMSD Archive, and Indian music 2021 The World of Music 10 (1): 71-92
  • Linda Cimardi
 H6/KFY [WORLD-] 0043-8774
Potentials and challenges of repatriation 2021 The World of Music 10 (1): 93-104
  • Shubha Chaudhuri
 H6/KFY [WORLD-] 0043-8774
Marathi sangeet natak and the affirmation of Hindu nationalist cultural politics in Western India 2021 The World of Music 10 (1): 105-30
  • Rasika Ajotikar
 H6/KFY [WORLD-] 0043-8774
The white ethnomusicologist’s burden. White innocence and the archive in music studies 2021 The World of Music 10 (1): 131-68
  • Eva-Maria Alexandra van Straaten
 H6/KFY [WORLD-] 0043-8774
Introduction 2021 The World of Music 10 (2): 5-20
  • Emily Hansell-Clark
 H6/KFY [WORLD-] 0043-8774
“We Are Losing Our Encantados because we can’t hear them anymore.” Silence, extractivism, and politics of listening in/to the Brazilian Amazon 2021 The World of Music 10 (2): 21-50
  • Maria Fantinato Géo de Siqueira
 H6/KFY [WORLD-] 0043-8774
“So nicely in harmony with the tropical nature.” Listening to the cultural and the natural in Suriname, 1883–2020 2021 The World of Music 10 (2): 51-78
  • Emily Hansell Clark
 H6/KFY [WORLD-] 0043-8774
Hearing the given and the made in South African Maskanda music 2021 The World of Music 10 (2): 79-106
  • Barbara Titus
 H6/KFY [WORLD-] 0043-8774
Coffee and music 2021 The World of Music 10 (2): 107-38
  • Sean Colonna
 H6/KFY [WORLD-] 0043-8774
Introduction: choreological perspectives 2020 The World of Music 9 (1): 7-24
  • Elina Seye
  • Kendra Stepputat
 H6/KFY [WORLD-] 0043-8774
The corporeality of sound and movement in performance 2020 The World of Music 9 (1): 25-46
  • Ako Mashino
  • Elina Seye
 H6/KFY [WORLD-] 0043-8774
The body visualising the music: seeing and showing body movement in Balinese gender wayang 2020 The World of Music 9 (1): 47-66
  • Ako Mashino
 H6/KFY [WORLD-] 0043-8774
The corporeal dynamics of choreomusical interactions in sabar dance events 2020 The World of Music 9 (1): 67-81
  • Elina Seye
 H6/KFY [WORLD-] 0043-8774
Choreomusical interactions, hierarchical structures, and social relations 2020 The World of Music 9 (1): 83-94
  • Colin Quigley
  • Siri Mæland
 H6/KFY [WORLD-] 0043-8774
Musical dancers and dancing musicians, who's in charge? Choreomusical analysis of pols performances in Haltdalen, Norway 2020 The World of Music 9 (1): 95-116
  • Siri Mæland
 H6/KFY [WORLD-] 0043-8774
Peasant dancers and Gypsy musicians 2020 The World of Music 9 (1): 117-38
  • Colin Quigley
  • Sándor Varga
 H6/KFY [WORLD-] 0043-8774
The separation of music and dance in translocal contexts 2020 The World of Music 9 (2): 5-30
  • Elina Djebbari
  • Kendra Stepputat
 H6/KFY [WORLD-] 0043-8774
Tango musicality and Tango danceability 2020 The World of Music 9 (2): 51-68
  • Kendra Stepputat
 H6/KFY [WORLD-] 0043-8774
Temporalities of appropriation of Salsa music and dance in Benin 2020 The World of Music 9 (2): 31-50
  • Elina Djebbari
 H6/KFY [WORLD-] 0043-8774
Beyond the binary of choreomusicology: moving from ethnotheory towards local ontologies 2020 The World of Music 9 (2): 69-88
  • Made Mantle Hood
  • Sidney Hutchinson
 H6/KFY [WORLD-] 0043-8774
Dancing lo típico: a choreomusical perspective on Merengue 2020 The World of Music 9 (2): 89-107
  • Sidney Hutchinson
 H6/KFY [WORLD-] 0043-8774
Separating intertwined traditions into Balinese music and dance 2020 The World of Music 9 (2): 109-30
  • Made Mantle Hood
 H6/KFY [WORLD-] 0043-8774
Introduction: brass bands in the Pacific 2019 The World of Music 8 (2): 5-12
  • Dan Bendrups
 H6/KFY [WORLD-] 0043-8774
"We are like someone completely dead and lack a father, Your Exellency;' bandsmen sucking up and blowing out in German Samoa 2019 The World of Music 8 (2): 13-26
  • Richard Moyle
 H6/KFY [WORLD-] 0043-8774
Exploring Samoan brass bands: notes on their development and performance practices after independence 2019 The World of Music 8 (2): 27-38
  • Sala Seutatia Telesia Mata'utia Pene Solomona
  • Dan Bendrups
 H6/KFY [WORLD-] 0043-8774
Tongan brass bands: an expanding tradition 2019 The World of Music 8 (2): 39-56
  • Adrienne L. Kaeppler
 H6/KFY [WORLD-] 0043-8774
A brief history of brass bands in Palau 2019 The World of Music 8 (2): 57-72
  • Birgit Abels
 H6/KFY [WORLD-] 0043-8774
Brass band music in the Cook Islands: a biographical account 2019 The World of Music 8 (2): 73-84
  • Dan Bendrups
  • Stephen Cuttriss
 H6/KFY [WORLD-] 0043-8774
Introduction: dwelling in musical movement 2019 The World of Music 8 (1): 7-22
  • Barbara Titus
 H6/KFY [WORLD-] 0043-8774
Orientation through instruments: the 'ūd, the Palestinian home, and Kamīlyā Jubrān 2019 The World of Music 8 (1): 23-48
  • Rachel Beckles Willson
 H6/KFY [WORLD-] 0043-8774
A poetics of dwelling with music and dance: le hip hop as homing practice 2019 The World of Music 8 (1): 49-64
  • Birgit Abels
 H6/KFY [WORLD-] 0043-8774
States of play/ing: sonic dwellings on a music tour 2019 The World of Music 8 (1): 65-86
  • Anna Lisa Ramella
 H6/KFY [WORLD-] 0043-8774
Making pathways while walking and singing in Shimshal Valley, Pakistan 2019 The World of Music 8 (1): 87-104
  • Thibault Fontanari
 H6/KFY [WORLD-] 0043-8774
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