Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
What time is the visual? Photography and the history of the future | 2023 | Visual anthropology review 39 (1): 24-56 | H6 [PROGRAM-] | 1053-7147 | |||
Seeing gaslighting: photo-dialogues and structural injustice | 2023 | Visual anthropology review 39 (1): 58-81 | H6 [PROGRAM-] | 1053-7147 | |||
Endurance of difference: insights from contemporary native Hawaiian media | 2023 | Visual anthropology review 39 (1): 82-102 | H6 [PROGRAM-] | 1053-7147 | |||
That interim period: England's agricultural transition | 2023 | Visual anthropology review 39 (1): 104-27 | H6 [PROGRAM-] | 1053-7147 | |||
Producing indigenous media: protocols, circulation, and the politics of accountability | 2023 | Visual anthropology review 39 (1): 128-43 | H6 [PROGRAM-] | 1053-7147 | |||
Bureaucratic portraiture and practices of citizenship | 2023 | Visual anthropology review 39 (1): 168-76 | H6 [PROGRAM-] | 1053-7147 | |||
Identity cards, semiotic instability, and signs of state recognition for Indonesian Warias | 2023 | Visual anthropology review 39 (1): 178-98 | H6 [PROGRAM-] | 1053-7147 | |||
Looking together as method. Encounters with Ottoman Armenian expatriation photographs | 2023 | Visual anthropology review 39 (1): 200-29 | H6 [PROGRAM-] | 1053-7147 | |||
The impossible portrait: networked image-events, counter-bureaucratic traces, and anti-Blackness in Delhi, India | 2023 | Visual anthropology review 39 (1): 230-48 | H6 [PROGRAM-] | 1053-7147 | |||
Capturing the spirit of bureaucratic images: photo IDs, biometrics, and passing in border-free Europe | 2023 | Visual anthropology review 39 (1): 250-67 | H6 [PROGRAM-] | 1053-7147 | |||
Visualizing citizenship in a bureaucratic frame | 2023 | Visual anthropology review 39 (1): 268-87 | H6 [PROGRAM-] | 1053-7147 | |||
'Found objectionable' | 2023 | Visual anthropology review 39 (2): 298-324 | H6 [PROGRAM-] | 1053-7147 | |||
Embodying place | 2023 | Visual anthropology review 39 (2): 326-49 | H6 [PROGRAM-] | 1053-7147 | |||
Monuments to mestizaje and the commemoration of racial democracy in Puerto Rico | 2023 | Visual anthropology review 39 (2): 350-87 | H6 [PROGRAM-] | 1053-7147 | |||
Catching the urban atmosphere of Taichung, Taiwan | 2023 | Visual anthropology review 39 (2): 388-415 | H6 [PROGRAM-] | 1053-7147 | |||
Hshouma: corps et sexualité au Maroc (Shame: body and sexuality in Morocco) | 2023 | Visual anthropology review 39 (2): 416-23 | H6 [PROGRAM-] | 1053-7147 | |||
Anthropology of the artificial: material encounters among humans and sentient machines | 2023 | Visual anthropology review 39 (2): 448-56 | H6 [PROGRAM-] | 1053-7147 | |||
The artificial as an intelligent indigenous/indigenizing system: the experiment art and artifice of r e a | 2023 | Visual anthropology review 39 (2): 476-95 | H6 [PROGRAM-] | 1053-7147 | |||
Encountering spiking neural networks | 2023 | Visual anthropology review 39 (2): 476-95 | H6 [PROGRAM-] | 1053-7147 | |||
Glacial sensing: entanglements of sound and vision | 2023 | Visual anthropology review 39 (2): 496-517 | H6 [PROGRAM-] | 1053-7147 | |||
Translating the field: the abundance of possibilities in Maria Czaplicka's Siberian expedition (1914-1915) photographs | 2022 | Visual anthropology review 38 (1): 8-33 | H6 [PROGRAM-] | 1053-7147 | |||
On 'finishing': a visual memoir of care and death on an Irish cattle farm | 2022 | Visual anthropology review 38 (1): 34-59 | H6 [PROGRAM-] | 1053-7147 | |||
What do museum objects want? Re-thinking photographic conventions in ethnographic museums | 2022 | Visual anthropology review 38 (1): 60-84 | H6 [PROGRAM-] | 1053-7147 | |||
Fragments of memory: on revisiting fieldnotes and sensing traumatic pasts | 2022 | Visual anthropology review 38 (1): 86-112 | H6 [PROGRAM-] | 1053-7147 | |||
Fragments of memory: on revisiting fieldnotes and sensing traumatic pasts | 2022 | Visual anthropology review 38 (1): 86-112 | H6 [PROGRAM-] | 1053-7147 | |||
Collaboration and friendship in the photography of Juno Gemes | 2022 | Visual anthropology review 38 (1): 114-40 | H6 [PROGRAM-] | 1053-7147 | |||
A conversation with Nora de Izcue: Runan Caycu, new Latin American cinema, and the Peruvian documentary tradition | 2022 | Visual anthropology review 38 (1): 142-62 | H6 [PROGRAM-] | 1053-7147 | |||
Feminist sensory ethnography: embodied filmmaking aas a politic of necessity | 2022 | Visual anthropology review 38 (2): 184-210 | H6 [PROGRAM-] | 1053-7147 | |||
Extending the frame: ethnographic film and the potential of multipart work | 2022 | Visual anthropology review 38 (2): 212-32 | H6 [PROGRAM-] | 1053-7147 | |||
A chronology of seeing: subverting gender norms through a long-term participatory video project with rural women in Iran | 2022 | Visual anthropology review 38 (2): 234-54 | H6 [PROGRAM-] | 1053-7147 | |||
Granular activisms: women's vocality and multimodality in rural North India | 2022 | Visual anthropology review 38 (2): 256-78 | H6 [PROGRAM-] | 1053-7147 | |||
Under the shadow of the wall | 2022 | Visual anthropology review 38 (2): 280-97 | H6 [PROGRAM-] | 1053-7147 | |||
Collaborations across cinematic objects: a conversation between Pong and Sensory Ethnography Lab, mediated by the Graduate Research Training Group 'Documentary practices: excess and privation' | 2022 | Visual anthropology review 38 (2): 298-319 | H6 [PROGRAM-] | 1053-7147 | |||
Paraethnographic film: virtual enactment and collaboration in Our digital selves | 2021 | Visual anthropology review 37 (1): 8-30 | H6 [PROGRAM-] | 1053-7147 | |||
Satirical antiracism: digital protest images in Afro-Brazilian media | 2021 | Visual anthropology review 37 (1): 31-51 | H6 [PROGRAM-] | 1053-7147 | |||
Internet memes as protest media in populist Hungary | 2021 | Visual anthropology review 37 (1): 52-76 | H6 [PROGRAM-] | 1053-7147 | |||
The picture as a moving image: visual politics in contemporary China | 2021 | Visual anthropology review 37 (1): 77-99 | H6 [PROGRAM-] | 1053-7147 | |||
Producing journalistic authority in the age of digital media: temporality, media affordance, and ethical reflexivity in Turkey's media sphere | 2021 | Visual anthropology review 37 (1): 100-19 | H6 [PROGRAM-] | 1053-7147 | |||
Anthropology's prophecy for #MeToo: from Hollywood to Hong Kong | 2021 | Visual anthropology review 37 (1): 120-41 | H6 [PROGRAM-] | 1053-7147 | |||
Glamorous work: notes from the red carpet | 2021 | Visual anthropology review 37 (1): 142-63 | H6 [PROGRAM-] | 1053-7147 | |||
In galleries and beer cans: experimental photography in explorations of northern Swedish landscapes | 2021 | Visual anthropology review 37 (1): 164-92 | H6 [PROGRAM-] | 1053-7147 | |||
A street view of occupation: getting around Hebron on Google Maps | 2021 | Visual anthropology review 37 (2): 225-45 | H6 [PROGRAM-] | 1053-7147 | |||
View from the hilltop: settler-colonial visuality in Palestine | 2021 | Visual anthropology review 37 (2): 246-66 | H6 [PROGRAM-] | 1053-7147 | |||
Pedagogies of the senses. Multimodal strategies for unsettling visual anthropology | 2021 | Visual anthropology review 37 (2): 267-89 | H6 [PROGRAM-] | 1053-7147 | |||
Sensing the night: nocturnal filmmaking in Guantánamo, Cuba | 2021 | Visual anthropology review 37 (2): 290-309 | H6 [PROGRAM-] | 1053-7147 | |||
Environmental futures through children's eyes: slow observational participatory videomaking and multi-sited ethnography | 2021 | Visual anthropology review 37 (2): 310-32 | H6 [PROGRAM-] | 1053-7147 | |||
The right to change. Co-producing ethnographic animation with indigenous youth in Amazonia | 2021 | Visual anthropology review 37 (2): 333-55 | H6 [PROGRAM-] | 1053-7147 | |||
Drawing perspectives together: what happens when researchers draw with children? | 2021 | Visual anthropology review 37 (2): 356-79 | H6 [PROGRAM-] | 1053-7147 | |||
Non fi daffa métti | 2021 | Visual anthropology review 37 (2): 380-400 | H6 [PROGRAM-] | 1053-7147 | |||
The future of visual anthropology in the wake of Black Lives Matter | 2021 | Visual anthropology review 37 (2): 401-21 | H6 [PROGRAM-] | 1053-7147 |