Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Walls of cloth: tentergrounds and cloth production in Bruges, c. 1200-1600 | 2022 | Textile history 53 (1): 7-31 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Engineering Brussels tapestry: development, uses and effects of the privilege system, 1600-1700 | 2022 | Textile history 53 (1): 32-55 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Women's ready-to-wear multiple retailers 1860-1914: H. J. Nicoll and Alfred Stedall | 2022 | Textile history 53 (1): 56-80 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
'Be sure to incorporate a little history': nostalgia and stories of place in Cape Breton overshot weaving | 2022 | Textile history 53 (1): 81-100 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Weaving connections: Sicilian silk in the medieval Mediterranean | 2021 | Textile history 52 (1-2): 5-22 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Women's dress and the demise of the tailoring monopoly: farthingale-makers, body-makers and the changing textile marketplace of seventeenth-century London | 2021 | Textile history 52 (1-2): 23-55 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Behind the seams: global circulations in a group of Japanese-inspired cotton nightgowns c. 1700 | 2021 | Textile history 52 (1-2): 56-77 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Check shirts, flannel jackets, canvas trousers: the trade in slops from eighteenth-century Liverpool | 2021 | Textile history 52 (1-2): 78-100 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Production of uniform cloth and military uniforms in Russia (1698-1762) | 2021 | Textile history 52 (1-2): 101-21 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Why early modern English clothiers started using Spanish wool | 2021 | Textile history 52 (1-2): 122-43 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
The stocking knitting industry of later sixteenth-century Norwich | 2021 | Textile history 52 (1-2): 144-64 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Recognising the co-dependence of machine and hand in the Scottish knitwear industry | 2021 | Textile history 52 (1-2): 165-89 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Introduction: missing persons and hidden heritages in European lace making | 2020 | Textile history 18 (1): 2-11 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Principles and pilfering: Nottingham lace design pedagogy | 2020 | Textile history 18 (1): 12-23 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Unravelling the Battle of Britain lace panel | 2020 | Textile history 18 (1): 24-38 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Hidden hands and missing persons | 2020 | Textile history 18 (1): 39-52 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Working, singing, and telling in the 19th-century Flemish pillow-lace industry | 2020 | Textile history 18 (1): 53-68 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Lace industry in Britain and France (1810-60) | 2020 | Textile history 18 (1): 69-91 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Reflection on Bummock: the Lace Archive symposium | 2020 | Textile history 18 (1): 92-9 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Dressed 'as if for a carnival': solving the mystery of the origins of children's fashion. A new perspective on the history and historiography of children's dress | 2020 | Textile history 51 (1): 5-28 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
From kings to kids: refashioning Akan adinkra symbols as 'African' motifs in a nineteenth-century British cloth design | 2020 | Textile history 51 (1): 29-59 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Reinterpreting adire cloth in northern Nigeria | 2020 | Textile history 51 (1): 60-85 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
The Crutcheley archive: red colours on wool fabrics from master dyers, London 1716-1744 | 2020 | Textile history 51 (2): 119-66 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
The rise and fall of the spinning jenny: domestic mechanisation in eighteenth-century cotton spinning | 2020 | Textile history 51 (2): 195-236 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
From Senegal to Augsburg: gum arabic and the Central European textiles industry in the eighteenth century | 2019 | Textile history 50 (1): 4-22 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Textiles as the face of modernity: artistry and industry in mid-century America | 2019 | Textile history 50 (1): 23-40 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Business history | 2019 | Textile history 50 (1): 55-61 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Conservation | 2019 | Textile history 50 (1): 62-72 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Design | 2019 | Textile history 50 (1): 73-81 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Dress | 2019 | Textile history 50 (1): 82-6 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Material culture | 2019 | Textile history 50 (1): 87-92 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Value | 2019 | Textile history 50 (1): 93-8 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Material messagees: a reassessment of the double portrait of Mary Tudor and Charles Brandon | 2019 | Textile history 50 (2): 128-42 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
'Knitting needles, knotting shuttles, and totums e cards and counters': the bluestockings and the material culture of fibre arts | 2019 | Textile history 50 (2): 143-62 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Transatlantic textiles: Ireland's Dun Emer textiles in America during the first decade of the twentieth century | 2019 | Textile history 50 (2): 163-86 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Cabbage, tradition and bounce: Marion Donaldson and the black economy of the British rag trade in the 1970s | 2019 | Textile history 50 (2): 187-205 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Fashion | 2019 | Textile history 50 (2): 206-11 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Gender | 2019 | Textile history 50 (2): 212-17 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Cultural heritage | 2019 | Textile history 50 (2): 218-24 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Dyes and dyeing | 2019 | Textile history 50 (2): 225-31 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Global trade | 2019 | Textile history 50 (2): 232-6 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Consumption | 2019 | Textile history 50 (2): 237-43 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Craft | 2019 | Textile history 50 (2): 244-8 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
The colour purple? Reconsidering the Greek word halourgos (ἁλουργóς) and its relation to ancient textiles | 2018 | Textile history 49 (1): 22-43 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Dyes and dyeing in the Ming and Qing dynasties in China: preliminary evidence based on primary sources of documented recipes | 2018 | Textile history 49 (1): 44-70 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
'None but Abigails appeared in white aprons': the apron as an elite garment in eighteenth-century England | 2018 | Textile history 49 (2): 164-90 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
An occupational study to track the rise of adult male mule spinning in Lancashire and Cheshire, 1777-1813 | 2017 | Textile history 48 (2): 160-75 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
A descriptive language of dominion? Curial inventories, clothing, and papal monarchy, c. 1300 | 2017 | Textile history 48 (2): 176-91 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Textiles and the making of sacred space | 2017 | Textile history 48 (2): 192-210 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Embroidery as a means of diplomacy: the artistans' part in a royal marriage proposal, 1560-1561 | 2017 | Textile history 48 (2): 211-32 | H6/KGGT [TEXTILES-] | 0040-4969 |