Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Forming a profession: ethical implications of photojournalistic practice on German picture magazines, 1926-1933 | 1985 | Studies in visual communication 11 (): 44-60 | |||||
Zone V: photojournalism, ethics, and the electronic age | 1985 | Studies in visual communication 11 (): 22-32 | |||||
Visual contexts: a photographic research method in anthropology | 1985 | Studies in visual communication 11 (): 33-53 | |||||
Life vs. art: the interpretation of visual narratives | 1985 | Studies in visual communication 11 (): 2-11 | |||||
'Imitation white man': images of transformation at the Carlisle Indian school | 1985 | Studies in visual communication 11 (): 54-75 | |||||
Seeking a better life: Jewish poultry farmers in New Jersey | 1985 | Studies in visual communication 11 (): 54-77 | |||||
Francis L. Cooper, Spruce Hill photographer | 1985 | Studies in visual communication 11 (): 12-29 | |||||
An interpretation of 'Man with the movie camera' | 1985 | Studies in visual communication 11 (): 30-53 | |||||
Graphics in demography | 1985 | Studies in visual communication 11 (): 2-21 | |||||
Hollywood addresses Indian reform: 'The Vanishing American' | 1984 | Studies in visual communication 10 (): 53-60 | |||||
[The 'chaser theory']. 2, Looking at 'Another look at the "chaser theory"' [by C. Musser] | 1984 | Studies in visual communication 10 (): 45-50 | |||||
Torrentius and his camera | 1984 | Studies in visual communication 10 (): 22-9 | |||||
Frank Sadorus: photographer (photo essay) | 1984 | Studies in visual communication 10 (): 34-43 | |||||
Muybridge's scientific fictions | 1984 | Studies in visual communication 10 (): 2-21 | |||||
Why dance films do not look right: a study in the nature of the documentary of movement as visual communication | 1984 | Studies in visual communication 10 (): 44-67 | |||||
The redemption of leisure: the National Board of Censorship and the rise of motion pictures in New York City, 19OO-192O | 1984 | Studies in visual communication 10 (): 2-6 | |||||
Vitagraph before Griffith: forging ahead in the Nickelodeon era | 1984 | Studies in visual communication 10 (): 7-23 | |||||
Drawing a circle in Washington Square park [street performers] | 1984 | Studies in visual communication 10 (): 68-83 | |||||
Franz Boas and photography | 1984 | Studies in visual communication 10 (1): 2-60 | |||||
Enlightened women in darkened lands - a lantern slide lecture | 1984 | Studies in visual communication 10 (1): 61-77 | |||||
The painted ricksha as culture theater | 1984 | Studies in visual communication 10 (): 73-85 | |||||
Pop art as consumerist realism | 1984 | Studies in visual communication 10 (): 16-33 | |||||
Ethnocriticism: Israelis of Moroccan ethnicity negotiate the meaning of 'Dallas' | 1984 | Studies in visual communication 10 (): 46-72 | |||||
Visual language in science and the exercise of power: the case of cartography in early modern Europe | 1984 | Studies in visual communication 10 (): 30-45 | |||||
The 'chaser theory'. l, Another look at the 'chaser theory' | 1984 | Studies in visual communication 10 (): 24-44 | |||||
[The 'chaser theory']. 3, Musser's reply to Allen [The 'chaser theory'. 3, Looking at 'Another look at the "chaser theory"' by R.C. Allen] | 1984 | Studies in visual communication 10 (): 51-2 | |||||
The other world of Joe Steinmetz | 1984 | Studies in visual communication 10 (): 61-75 | |||||
Art and communications in the West Bank: visual dimensions of Palestinian nation building | 1984 | Studies in visual communication 10 (): 2-15 | |||||
Documentary without ontology | 1984 | Studies in visual communication 10 (1): 78-95 | |||||
Lesbian photography-seeing through our own eyes | 1983 | Studies in visual communication 9 (2): 81-96 | |||||
The photographic work of E.J. Marey | 1983 | Studies in visual communication 9 (4): 2-23 | |||||
Exploiting the vernacular: studies of snapshot photography | 1983 | Studies in visual communication 9 (3): 70-84 | |||||
Ukrainian-Americans: an ethnic portrait | 1983 | Studies in visual communication 9 (1): 36-52 | |||||
Ethnographic filmmaking in Australia: the first seventy years (1898-1968) | 1983 | Studies in visual communication 9 (1): 11-18 | |||||
Vito Russo, 'The celluloid closet: homo-sexuality in the movies' | 1983 | Studies in visual communication 9 (2): 52-6 | |||||
Seen to be believed: some problems in the representation of gay people as typical | 1983 | Studies in visual communication 9 (2): 2-19 | |||||
Sutton-Smith B and Griffin M. Filmmaking by 'Young Filmmakers' | 1983 | Studies in visual communication 9 (4): 65-75 | |||||
Returning photographs to the Indians | 1983 | Studies in visual communication 9 (3): 2-14 | |||||
Fieldwork with a cinema | 1983 | Studies in visual communication 9 (1): 2-10 | |||||
The United States View Company of Richfield, Pennsylvania (photo essay) | 1983 | Studies in visual communication 9 (4): 45-64 | |||||
Wilhelm von Pluschow and Wilhelm von Gloeden: two photo essays | 1983 | Studies in visual communication 9 (2): 57-80 | |||||
Iconography of a scandal: political cartoons and the Eulenburg affair | 1983 | Studies in visual communication 9 (2): 20-51 | |||||
The selling of the Empire: the Imperial Film Unit, 1926-1933 | 1983 | Studies in visual communication 9 (3): 15-24 | |||||
The development of standards for scientific films in German ethnography | 1983 | Studies in visual communication 9 (1): 19-29 | |||||
Vernacular photography: FSA images of depression leisure | 1983 | Studies in visual communication 9 (1): 53-75 | |||||
Comments on work with film preliterates in Africa | 1983 | Studies in visual communication 9 (1): 30-5 | |||||
White reconsidered: an alternative to the modernist aesthetic of straight photography | 1983 | Studies in visual communication 9 (4): 24-44 | |||||
The nude as a metaphor | 1983 | Studies in visual communication 9 (3): 25-49 | |||||
A microanalysis of performance structure and time in Kathakali dance-drama | 1983 | Studies in visual communication 9 (3): 50-69 | |||||
The case of the A-bomb footage | 1982 | Studies in visual communication 8 (1): 7-14 |