Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Systematic musicology past and present | 2005 | Selected reports in ethnomusicology 12 (): 1-10 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
How music influences the interpretation of film and video: approaches from experimental psychology | 2005 | Selected reports in ethnomusicology 12 (): 15-36 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
The perception of audio-visual composites: accent structure alignment of simple stimuli | 2005 | Selected reports in ethnomusicology 12 (): 37-67 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Empirical approaches to musical meaning | 2005 | Selected reports in ethnomusicology 12 (): 69-102 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Subjective evaluation of tuning systems for piano | 2005 | Selected reports in ethnomusicology 12 (): 103-18 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Auditory roughness as a means of musical expression | 2005 | Selected reports in ethnomusicology 12 (): 119-44 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Reflections on the nature of music learning | 2005 | Selected reports in ethnomusicology 12 (): 145-54 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Aesthetic and philosophical perspectives in systematic musicology | 2005 | Selected reports in ethnomusicology 12 (): 157-61 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
The roots of autonomous music: rethinking autonomy before and after formalism | 2005 | Selected reports in ethnomusicology 12 (): 163-82 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Cuma agus Craiceann/shape and skin: metaphor and musical aesthetics in Tory Island | 2005 | Selected reports in ethnomusicology 12 (): 183-202 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
The "superman" and the "normal people": music, politics, and tradition in 1990s Serbia | 2005 | Selected reports in ethnomusicology 12 (): 203-18 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Hieroglyph, gesture, sign, meaning: Bussotti's pièces de chair II | 2005 | Selected reports in ethnomusicology 12 (): 219-27 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Hermeneutics, Adorno, and the new musicology | 2005 | Selected reports in ethnomusicology 12 (): 229-41 | H6/KFVY [CALIFORNIA-] | ONLY ISBN | |||
Latin America, the globe, mestizaje, and the myth of development | 2003 | Selected reports in ethnomusicology 11 (): 5-16 | |||||
The beat and the rhythm of mestizaje as hybridity in selected texts in Mexican historiography | 2003 | Selected reports in ethnomusicology 11 (): 19-22 | |||||
Music that makes you wonder: mestizaje and nationalism in Mitote, fandango, y mariacheros by Alvaro Ochoa Serrano | 2003 | Selected reports in ethnomusicology 11 (): 23-33 | |||||
Mariacumbeche, mestizo Charros, and Mariacheros | 2003 | Selected reports in ethnomusicology 11 (): 35-8 | |||||
El son jarocho como expresión musical afromestiza | 2003 | Selected reports in ethnomusicology 11 (): 39-56 | |||||
Occidentalización, mestizaje y [guerra de los sonidos]: hacia una historia de las músicas mestizas de México | 2003 | Selected reports in ethnomusicology 11 (): 57-78 | |||||
The New Mexico, Texas, and Mexico borderlands, and the concept of Indio in the Matachine dance | 2003 | Selected reports in ethnomusicology 11 (): 81-7 | |||||
Indigenous visibility and invisibility as adopted or imposed strategies: the case of Argentina | 2003 | Selected reports in ethnomusicology 11 (): 89-97 | |||||
Perspectives on Brazilian Rap: MC Orpheu and pluralismo | 2003 | Selected reports in ethnomusicology 11 (): 101-10 | |||||
Rap, Reggae, Rock, or Samba: the local and the global in Brazilian popular music, 1985-1995 | 2003 | Selected reports in ethnomusicology 11 (): 111-20 | |||||
A globalization from a local perspective in Brazil: the Suyá Indians and Música Sertaneja | 2003 | Selected reports in ethnomusicology 11 (): 121-8 | |||||
Plena vieja, plena nueva | 2003 | Selected reports in ethnomusicology 11 (): 129-40 | |||||
Articulating blackness in Afro-Ecuadorian marimba performance | 2003 | Selected reports in ethnomusicology 11 (): 143-53 | |||||
The international soul of black Peru | 2003 | Selected reports in ethnomusicology 11 (): 155-61 | |||||
Roots, tradition, and the mass media: the future of criollo popular music | 2003 | Selected reports in ethnomusicology 11 (): 163-71 | |||||
Celebrating the Orixás: the influence of African religion and music in Salvador, Bahia, Brazil | 2003 | Selected reports in ethnomusicology 11 (): 175-86 | |||||
Vem arrasta-pé: commoditizing Forró culture in Pernambuco, Brazil | 2003 | Selected reports in ethnomusicology 11 (): 187-96 | |||||
Refiguring the familiar in Hermeto Pascoal's [Som da Aura] | 2003 | Selected reports in ethnomusicology 11 (): 197-203 | |||||
Chiclete com banana: us and the Other in Brazilian popular music | 2003 | Selected reports in ethnomusicology 11 (): 205-15 | |||||
A diaspora reconnected: Cuba, Brazil, scolarship, and identity in the music of Beta Ketu | 2003 | Selected reports in ethnomusicology 11 (): 219-24 | |||||
The globalization of Cuban music through Mexican film | 2003 | Selected reports in ethnomusicology 11 (): 225-31 | |||||
On the road to Latin jazz | 2003 | Selected reports in ethnomusicology 11 (): 233-7 | |||||
Building bridges with music: spanning Latin music's diversity of culture, geography, art, and science | 2003 | Selected reports in ethnomusicology 11 (): 241-4 | |||||
Latin American music: the political frontiers | 2003 | Selected reports in ethnomusicology 11 (): 245-8 | |||||
Music and globalization: the Chilean case | 2003 | Selected reports in ethnomusicology 11 (): 251-70 | |||||
Taki Ñan: South American affinity interculture in Santa Cruz, California | 2003 | Selected reports in ethnomusicology 11 (): 271-84 | |||||
Keeping up traditions, breaking down barriers: a century of Nikkei music in South America | 2003 | Selected reports in ethnomusicology 11 (): 285-91 | |||||
Musical mestizaje in the pearl of the Orient | 2003 | Selected reports in ethnomusicology 11 (): 295-300 | |||||
Free flow energy conflicted exchange form: formations and relationships in Afro-family musical cultures of Nigeria and Latin America | 2003 | Selected reports in ethnomusicology 11 (): 301-8 | |||||
Intercultural music in Africa and Latin America: a comparative view of Fela Sowande and Carlos Chávez | 2003 | Selected reports in ethnomusicology 11 (): 309-20 | |||||
From Lima to Koza: diamantes and the blurred identity of Okinawan-Peruvian [reverse Migrants] | 2003 | Selected reports in ethnomusicology 11 (): 321-34 | |||||
Carlos Vives and Colombian Vallenato music | 2003 | Selected reports in ethnomusicology 11 (): 337-45 | |||||
Social aspects of Persian music in Los Angeles | 1994 | Selected reports in ethnomusicology 10 (): 163-81 | |||||
Outside-in: lost in L.A. with Bobby Bradford | 1994 | Selected reports in ethnomusicology 10 (): 223-33 | |||||
The evolution of banda music and the current banda movement in Los Angeles | 1994 | Selected reports in ethnomusicology 10 (): 59-71 | |||||
Music in the Chinese community of Los Angeles: an overview | 1994 | Selected reports in ethnomusicology 10 (): 105-27 | |||||
The bands of tomorrow are here today: the proud, progressive, and postmodern sounds of Las Tres and Goddess 13 | 1994 | Selected reports in ethnomusicology 10 (): 139-47 |