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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Elfriede Kaethe Bednarik (1945-2023) | 2024 | Rock art research 41 (1): 3-4 | H6/KE [ROCK-] | 0813-0426 | |||
| Rock painting within southern Peru in the context of physiochemical analysis of pigments | 2024 | Rock art research 41 (1): 5-27 | H6/KE [ROCK-] | 0813-0426 | |||
| Categorising catfish, jewfish and eel motifs in Laura (Quinkan) rock art, Cape York peninsula, Australia | 2024 | Rock art research 41 (1): 28-40 | H6/KE [ROCK-] | 0813-0426 | |||
| Wurranderra's symbols: an exploration and contextualisation of the Thurk petroglyph site (Kingston-on-Murray) on the Murray River, South Australia | 2024 | Rock art research 41 (1): 41-57 | H6/KE [ROCK-] | 0813-0426 | |||
| A puported Pleistocene sand sculpture from South Africa | 2024 | Rock art research 41 (1): 58-73 | H6/KE [ROCK-] | 0813-0426 | |||
| Stretching the surrogate: an initial test combining Dstretch image enhancement with photogrammetry modelling at Bunjil's shelter and Gulgurn Manya, Australia | 2024 | Rock art research 41 (1): 74-87 | H6/KE [ROCK-] | 0813-0426 | |||
| Shamanism and brain illness in rock art production | 2024 | Rock art research 41 (1): 89-107 | H6/KE [ROCK-] | 0813-0426 | |||
| Analysing the black pictograms of Takhte Chan, Pol-e Dokhtar, Iran | 2024 | Rock art research 41 (1): 108-11 | H6/KE [ROCK-] | 0813-0426 | |||
| Scientific research at the Hongshangkou petroglyphs site complex in the eastern Tianshan range, northwest China | 2023 | Rock art research 40 (1): 3-12 | H6/KE [ROCK-] | 0813-0426 | |||
| Discovery of a new genre of rock paintings at Luobiao Town, Sichuan province, China | 2023 | Rock art research 40 (1): 13-18 | H6/KE [ROCK-] | 0813-0426 | |||
| Ichnology in rock art science: examples from Southern Africa | 2023 | Rock art research 40 (1): 19-31 | H6/KE [ROCK-] | 0813-0426 | |||
| Regional trends in rock art production across Andean foothill valleys on north-central Chile | 2023 | Rock art research 40 (1): 32-44 | H6/KE [ROCK-] | 0813-0426 | |||
| Images of stone in Sharjah Emirate and reverse engineering technologies | 2023 | Rock art research 40 (1): 45-56 | H6/KE [ROCK-] | 0813-0426 | |||
| Stranger than fiction: distinguishing between anthropogenic and non-anthropogenic rock markings | 2023 | Rock art research 40 (1): 57-69 | H6/KE [ROCK-] | 0813-0426 | |||
| Birds, dream-flying, avian metaphors and rock art | 2023 | Rock art research 40 (1): 70-88 | H6/KE [ROCK-] | 0813-0426 | |||
| Negotiating, interpreting and representing the natural world: cognitive aspects of indigenous Australian dreamings | 2023 | Rock art research 40 (1): 89-101 | H6/KE [ROCK-] | 0813-0426 | |||
| A new calibration coefficient for microerosion analysis secured in sotheast China | 2023 | Rock art research 40 (1): 102-5 | H6/KE [ROCK-] | 0813-0426 | |||
| Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
| A new look at the rock art on the island of Gökçeada, northeast Aegean | 2023 | Rock art research 40 (1): 107-9 | H6/KE [ROCK-] | 0813-0426 | |||
| Image analysis and treatment for the detection of petroglyphs and their superimpositions: rediscovering rock art in the Balos Ravine, Gran Canaria Island | 2023 | Rock art research 40 (2): 121-30 | H6/KE [ROCK-] | 0813-0426 | |||
| New rock art site complex in the Aruák River valley, southeastern Venezuela | 2023 | Rock art research 40 (2): 131-44 | H6/KE [ROCK-] | 0813-0426 | |||
| Preserving Australia's cave art | 2023 | Rock art research 40 (2): 145-58 | H6/KE [ROCK-] | 0813-0426 | |||
| Seeing beyond pareidolia: implications for palaeoart | 2023 | Rock art research 40 (2): 159-85 | H6/KE [ROCK-] | 0813-0426 | |||
| Pareidolia: a power that gives us the gift to see | 2023 | Rock art research 40 (2): 169-71 | H6/KE [ROCK-] | 0813-0426 | |||
| On pictures as perceptual stimuli - a marginal note | 2023 | Rock art research 40 (2): 171-2 | H6/KE [ROCK-] | 0813-0426 | |||
| Jumping the gun | 2023 | Rock art research 40 (2): 172-4 | H6/KE [ROCK-] | 0813-0426 | |||
| Protologisms and palaeoart | 2023 | Rock art research 40 (2): 174-5 | H6/KE [ROCK-] | 0813-0426 | |||
| Beyond the visual brain | 2023 | Rock art research 40 (2): 175-8 | H6/KE [ROCK-] | 0813-0426 | |||
| More to pareidolia than meets the eye | 2023 | Rock art research 40 (2): 178-85 | H6/KE [ROCK-] | 0813-0426 | |||
| Cupules in Cuba: a review | 2023 | Rock art research 40 (2): 186-204 | H6/KE [ROCK-] | 0813-0426 | |||
| Future direction of rock art research: an Indian perspective | 2023 | Rock art research 40 (2): 205-11 | H6/KE [ROCK-] | 0813-0426 | |||
| Evaluating the motifs and pigments of Mehrdad pictograms in Kudasht, Lorestan, Iran | 2023 | Rock art research 40 (2): 212-15 | H6/KE [ROCK-] | 0813-0426 | |||
| Multi-view 3D recording of Jiangjunya rock art | 2023 | Rock art research 40 (2): 215-18 | H6/KE [ROCK-] | 0813-0426 | |||
| Cross-verification between micro-erosion analysis and archaeological inference: a case study of a dated stone menhir at Khonakhai, Zinjiang, northwest China | 2023 | Rock art research 40 (2): 219-23 | H6/KE [ROCK-] | 0813-0426 | |||
| The impact of industrial pollution on the rock art of Murujuga, Western Australia | 2022 | Rock art research 39 (1): 3-14 | H6/KE [ROCK-] | 0813-0426 | |||
| The Western influence on the study of Chinese rock art | 2022 | Rock art research 39 (1): 15-21 | H6/KE [ROCK-] | 0813-0426 | |||
| Is rock art science regional or universal? A discussion based on the development of the discipline in China | 2022 | Rock art research 39 (1): 22-31 | H6/KE [ROCK-] | 0813-0426 | |||
| Pleistocene rock art discovered in Central Europe | 2022 | Rock art research 39 (1): 32-40 | H6/KE [ROCK-] | 0813-0426 | |||
| Dating pre-historic painted figures from the Serra da Capivara National Park, Piauí, Brazil | 2022 | Rock art research 39 (1): 41-51 | H6/KE [ROCK-] | 0813-0426 | |||
| Embodiment and fashionabe colours in rock paintings of the Atacama Desert, northern Chile | 2022 | Rock art research 39 (1): 52-68 | H6/KE [ROCK-] | 0813-0426 | |||
| The newly discovered indigenous rock art from the Kinta Valley, West Malaysia | 2022 | Rock art research 39 (1): 69-82 | H6/KE [ROCK-] | 0813-0426 | |||
| The Bronze and Iron Age rock art of Altay Prefecture, Xinjiang: a synthesis | 2022 | Rock art research 39 (1): 83-96 | H6/KE [ROCK-] | 0813-0426 | |||
| A new set of rock engravings close to the Forêt de Fontainbleau's Malmontagne style found in France's Yonne department | 2022 | Rock art research 39 (1): 97-103 | H6/KE [ROCK-] | 0813-0426 | |||
| Flute playing in the rock art of the Klein Karoo and Cederberg, South Africa - a potential link to ancient sound | 2022 | Rock art research 39 (1): 104-13 | H6/KE [ROCK-] | 0813-0426 | |||
| Dating mud-wasp nests associated with rock art | 2022 | Rock art research 39 (1): 114-20 | H6/KE [ROCK-] | 0813-0426 | |||
| Contextualisation of petroglyps at Shatial Das, upper Khoistan, Pakistan | 2022 | Rock art research 39 (2): 130-42 | H6/KE [ROCK-] | 0813-0426 | |||
| The 2019 survey of petroglyphs in the Qinghai-Tibet plateau, western China | 2022 | Rock art research 39 (2): 143-54 | H6/KE [ROCK-] | 0813-0426 | |||
| Picturing Nayombolmi: the most prolific known rock art artist in the world | 2022 | Rock art research 39 (2): 155-67 | H6/KE [ROCK-] | 0813-0426 | |||
| Boorpeck: its significance in Gariwerd rock art | 2022 | Rock art research 39 (2): 168-81 | H6/KE [ROCK-] | 0813-0426 | |||
| Variation and age of the Gran Mural rock paintings of Baja California Sur, Mexico | 2022 | Rock art research 39 (2): 182-94 | H6/KE [ROCK-] | 0813-0426 |
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