Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Reframing the liubo game board as a kinesthetic diagram | 2024 | Res 81-82 (): 4-21 | *H6 [RES-] | 0277-1322 | |||
A grammar of the labyrinth: turning word to image in late antiquity and the Middle Ages | 2024 | Res 81-82 (): 22-37 | *H6 [RES-] | 0277-1322 | |||
Diagramming the One. Lacan with Cusa | 2024 | Res 81-82 (): 38-47 | *H6 [RES-] | 0277-1322 | |||
Real world, real time. Georg Hartmann's Nuremberg-Jerusalem sundial | 2024 | Res 81-82 (): 48-60 | *H6 [RES-] | 0277-1322 | |||
The mirror and the knot. The soul's recursive action in early Lullian figures | 2024 | Res 81-82 (): 61-77 | *H6 [RES-] | 0277-1322 | |||
Sensing touch. Haptic experience and object manipulation in ancient Maya art | 2024 | Res 81-82 (): 78-96 | *H6 [RES-] | 0277-1322 | |||
Connecting with corpse and tomb. Greek mortuary objects as tools of haptic mediation | 2024 | Res 81-82 (): 97-118 | *H6 [RES-] | 0277-1322 | |||
Making, replication, and quality in late antique art | 2024 | Res 81-82 (): 119-40 | *H6 [RES-] | 0277-1322 | |||
Rendering the word of God. The art of Qu'rans with interlinear Persian and Turkish translations | 2024 | Res 81-82 (): 141-62 | *H6 [RES-] | 0277-1322 | |||
The sympathetic cannibal: an Antipodean satire | 2024 | Res 81-82 (): 163-83 | *H6 [RES-] | 0277-1322 | |||
From Ninevah to Pergamon and back: animal hybrids in German historiography of the nineteenth century | 2024 | Res 81-82 (): 184-98 | *H6 [RES-] | 0277-1322 | |||
George Kubler and serial appreciation | 2024 | Res 81-82 (): 199-211 | *H6 [RES-] | 0277-1322 | |||
Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
Fiction, time, and room-space in three pictures by Geff Wall | 2024 | Res 81-82 (): 229-44 | *H6 [RES-] | 0277-1322 | |||
Owners of their faces: privacy, copyright, and Africa's portrait photography | 2024 | Res 81-82 (): 245-56 | *H6 [RES-] | 0277-1322 | |||
Francesco Pellizzi's eyes | 2023 | Res 79-80 (): 1-2 | *H6 [RES-] | 0277-1322 | |||
The afternoon of August 17, 2023 | 2023 | Res 79-80 (): 3-4 | *H6 [RES-] | 0277-1322 | |||
Innumerable illusions: anthropology and aesthetics, a new line | 2023 | Res 79-80 (): 5-13 | *H6 [RES-] | 0277-1322 | |||
Duplication and intersemiotic translation. A comparative approach to Amazonian iconography | 2023 | Res 79-80 (): 14-33 | *H6 [RES-] | 0277-1322 | |||
Figures, patterns, and songs. Traditional knowledge and contemporary art movements in the Amazon | 2023 | Res 79-80 (): 34-51 | *H6 [RES-] | 0277-1322 | |||
Images, unsaid words, and chants of love and grief in the Peruvian Amazon. A pragmatics of imagined interactions | 2023 | Res 79-80 (): 52-64 | *H6 [RES-] | 0277-1322 | |||
Feathers, crosses, mirrors, and gourds. Embedding words and images in a Wixárika ritual chant | 2023 | Res 79-80 (): 65-80 | *H6 [RES-] | 0277-1322 | |||
The Codex Mendoza and Lienzo de Tlaxcala, two examples of codigophagy | 2023 | Res 79-80 (): 81-98 | *H6 [RES-] | 0277-1322 | |||
Sticks as scripts. Literacy, celestial order, and ritual artifacts in Pawnee ceremonies | 2023 | Res 79-80 (): 99-113 | *H6 [RES-] | 0277-1322 | |||
Ephemeral images, lasting memories. The sand-drawings of Ambrym Island, Vanuatu | 2023 | Res 79-80 (): 114-32 | *H6 [RES-] | 0277-1322 | |||
Breaking the ground, breaking the sky. Plants, human spirits, and the work of memory for royal ancestors among the Sakalava of Madagascar | 2023 | Res 79-80 (): 133-44 | *H6 [RES-] | 0277-1322 | |||
'You have to enter the scene'. Ritual imagination and memory in the Catholic rosary | 2023 | Res 79-80 (): 145-60 | *H6 [RES-] | 0277-1322 | |||
The geometrization of maize and its landscape in Inca ceramic art | 2023 | Res 79-80 (): 161-82 | *H6 [RES-] | 0277-1322 | |||
Fragmentation as skilled practice. The aesthetics of making and breaking at Sitio Conte, Panama (750-1050 CE) | 2023 | Res 79-80 (): 183-96 | *H6 [RES-] | 0277-1322 | |||
Art at breaking point. Iconoclasm and play in a stoneware vessel of the Reformation | 2023 | Res 79-80 (): 197-207 | *H6 [RES-] | 0277-1322 | |||
'Fetish burning' at Kibokolo. Missionary photography, Zombo resistance | 2023 | Res 79-80 (): 208-26 | *H6 [RES-] | 0277-1322 | |||
Ekphrasis and encounter. The making of the Holy Tear of Christ at the abbey of La Trinité, Vendôme | 2023 | Res 79-80 (): 227-43 | *H6 [RES-] | 0277-1322 | |||
Animism, naturalism, and miraculous icons in the Venetian Bay of Kotor | 2023 | Res 79-80 (): 244-54 | *H6 [RES-] | 0277-1322 | |||
Communication as mental touch. Jack Burnham and the end of art | 2023 | Res 79-80 (): 255-69 | *H6 [RES-] | 0277-1322 | |||
The salmon hook speech. Íxtik' Éesh A. P. Johnson's theory of language | 2023 | Res 79-80 (): 270-6 | *H6 [RES-] | 0277-1322 | |||
A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns | 2023 | Res 79-80 (): 277-98 | *H6 [RES-] | 0277-1322 | |||
The prehistoric secret of Magritte's boulders. The handaxe paintings | 2023 | Res 79-80 (): 299-312 | *H6 [RES-] | 0277-1322 | |||
Fetishism and aesthetics. Kant, Marx, and the post-Enlightenment problematic | 2023 | Res 79-80 (): 313-17 | *H6 [RES-] | 0277-1322 | |||
Narratives of a reluctant modernist. Rethinking William Fagg's Africa | 2022 | Res 77-78 (): 1-14 | *H6 [RES-] | 2327-9621 | |||
The origins of art around 1900: gesture, drawing, and the ethnographic imagination | 2022 | Res 77-78 (): 15-30 | *H6 [RES-] | 2327-9621 | |||
The myth of Iphigenia in fourth-century funerary vases of southern Italy | 2022 | Res 77-78 (): 31-47 | *H6 [RES-] | 2327-9621 | |||
Myth, ritual, and the Classic-period Maya sweat bath | 2022 | Res 77-78 (): 48-68 | *H6 [RES-] | 2327-9621 | |||
Gorgeous to gaze upon: forests as liminal spaces and boundary zones in Akkadian literary texts | 2022 | Res 77-78 (): 69-80 | *H6 [RES-] | 2327-9621 | |||
Early modern Rome on the move: ecological contradictions in the representation of a reemerging city | 2022 | Res 77-78 (): 100-19 | *H6 [RES-] | 2327-9621 | |||
Emerging from stupor: a chapter in the cultural history of thunder | 2022 | Res 77-78 (): 120-32 | *H6 [RES-] | 2327-9621 | |||
From Crete to Singapore via Rome and St. Louis: an Orthodox icon becomes Catholic | 2022 | Res 77-78 (): 141-56 | *H6 [RES-] | 2327-9621 | |||
When shrines and images grow tired: toward a theory of devotional conservation | 2022 | Res 77-78 (): 157-66 | *H6 [RES-] | 2327-9621 | |||
Rethinking Coptic art: the allusive aesthetics of a thirteenth-century key | 2022 | Res 77-78 (): 167-83 | *H6 [RES-] | 2327-9621 | |||
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style | 2022 | Res 77-78 (): 184-201 | *H6 [RES-] | 2327-9621 | |||
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style | 2022 | Res 77-78 (): 184-201 | *H6 [RES-] | 2327-9621 |