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TitleDateReferenceAuthorsCall #ISSN
Reframing the liubo game board as a kinesthetic diagram 2024 Res 81-82 (): 4-21
  • Sophie Xiaofei Lei
*H6 [RES-] 0277-1322
A grammar of the labyrinth: turning word to image in late antiquity and the Middle Ages 2024 Res 81-82 (): 22-37
  • Timothy J. Hampshire
*H6 [RES-] 0277-1322
Diagramming the One. Lacan with Cusa 2024 Res 81-82 (): 38-47
  • Matthew Lopez
*H6 [RES-] 0277-1322
Real world, real time. Georg Hartmann's Nuremberg-Jerusalem sundial 2024 Res 81-82 (): 48-60
  • Cecilia Y. Zhou
*H6 [RES-] 0277-1322
The mirror and the knot. The soul's recursive action in early Lullian figures 2024 Res 81-82 (): 61-77
  • Eleanor Goerss
*H6 [RES-] 0277-1322
Sensing touch. Haptic experience and object manipulation in ancient Maya art 2024 Res 81-82 (): 78-96
  • Megane E. O'Neil
*H6 [RES-] 0277-1322
Connecting with corpse and tomb. Greek mortuary objects as tools of haptic mediation 2024 Res 81-82 (): 97-118
  • Nathan T. Arrington
*H6 [RES-] 0277-1322
Making, replication, and quality in late antique art 2024 Res 81-82 (): 119-40
  • Jaś Elsner
*H6 [RES-] 0277-1322
Rendering the word of God. The art of Qu'rans with interlinear Persian and Turkish translations 2024 Res 81-82 (): 141-62
  • Ünver Rüstem
*H6 [RES-] 0277-1322
The sympathetic cannibal: an Antipodean satire 2024 Res 81-82 (): 163-83
  • Ben Pollitt
*H6 [RES-] 0277-1322
From Ninevah to Pergamon and back: animal hybrids in German historiography of the nineteenth century 2024 Res 81-82 (): 184-98
  • Caroline van Eck
*H6 [RES-] 0277-1322
George Kubler and serial appreciation 2024 Res 81-82 (): 199-211
  • Ancuta Mortu
*H6 [RES-] 0277-1322
Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross 2024 Res 81-82 (): 212-28
  • Juan José Lahuerta
*H6 [RES-] 0277-1322
Fiction, time, and room-space in three pictures by Geff Wall 2024 Res 81-82 (): 229-44
  • Daniel Spaulding
*H6 [RES-] 0277-1322
Owners of their faces: privacy, copyright, and Africa's portrait photography 2024 Res 81-82 (): 245-56
  • John Peffer
*H6 [RES-] 0277-1322
Francesco Pellizzi's eyes 2023 Res 79-80 (): 1-2
  • Francesco Clemente
*H6 [RES-] 0277-1322
The afternoon of August 17, 2023 2023 Res 79-80 (): 3-4
  • Emanuele Dattilo
*H6 [RES-] 0277-1322
Innumerable illusions: anthropology and aesthetics, a new line 2023 Res 79-80 (): 5-13
  • Carlo Severi
*H6 [RES-] 0277-1322
Duplication and intersemiotic translation. A comparative approach to Amazonian iconography 2023 Res 79-80 (): 14-33
  • Pedro de Niemeyer Cesarino
*H6 [RES-] 0277-1322
Figures, patterns, and songs. Traditional knowledge and contemporary art movements in the Amazon 2023 Res 79-80 (): 34-51
  • Els Lagrou
*H6 [RES-] 0277-1322
Images, unsaid words, and chants of love and grief in the Peruvian Amazon. A pragmatics of imagined interactions 2023 Res 79-80 (): 52-64
  • Paul Codjia
*H6 [RES-] 0277-1322
Feathers, crosses, mirrors, and gourds. Embedding words and images in a Wixárika ritual chant 2023 Res 79-80 (): 65-80
  • Regina Lira Larios
*H6 [RES-] 0277-1322
The Codex Mendoza and Lienzo de Tlaxcala, two examples of codigophagy 2023 Res 79-80 (): 81-98
  • Federico Navarrete
*H6 [RES-] 0277-1322
Sticks as scripts. Literacy, celestial order, and ritual artifacts in Pawnee ceremonies 2023 Res 79-80 (): 99-113
  • Benjamin Valloy
*H6 [RES-] 0277-1322
Ephemeral images, lasting memories. The sand-drawings of Ambrym Island, Vanuatu 2023 Res 79-80 (): 114-32
  • Jacopo Baron
*H6 [RES-] 0277-1322
Breaking the ground, breaking the sky. Plants, human spirits, and the work of memory for royal ancestors among the Sakalava of Madagascar 2023 Res 79-80 (): 133-44
  • Maurizio Esposito La Rossa
*H6 [RES-] 0277-1322
'You have to enter the scene'. Ritual imagination and memory in the Catholic rosary 2023 Res 79-80 (): 145-60
  • Ottavia Paternò
*H6 [RES-] 0277-1322
The geometrization of maize and its landscape in Inca ceramic art 2023 Res 79-80 (): 161-82
  • Bat-Ami Artzi
*H6 [RES-] 0277-1322
Fragmentation as skilled practice. The aesthetics of making and breaking at Sitio Conte, Panama (750-1050 CE) 2023 Res 79-80 (): 183-96
  • Juliana Ramírez Herrera
*H6 [RES-] 0277-1322
Art at breaking point. Iconoclasm and play in a stoneware vessel of the Reformation 2023 Res 79-80 (): 197-207
  • David Zagoury
*H6 [RES-] 0277-1322
'Fetish burning' at Kibokolo. Missionary photography, Zombo resistance 2023 Res 79-80 (): 208-26
  • Michael Kurtz
*H6 [RES-] 0277-1322
Ekphrasis and encounter. The making of the Holy Tear of Christ at the abbey of La Trinité, Vendôme 2023 Res 79-80 (): 227-43
  • Anne Heath
*H6 [RES-] 0277-1322
Animism, naturalism, and miraculous icons in the Venetian Bay of Kotor 2023 Res 79-80 (): 244-54
  • Milena Ulčar
*H6 [RES-] 0277-1322
Communication as mental touch. Jack Burnham and the end of art 2023 Res 79-80 (): 255-69
  • Vered Maimon
*H6 [RES-] 0277-1322
The salmon hook speech. Íxtik' Éesh A. P. Johnson's theory of language 2023 Res 79-80 (): 270-6
  • Matthew Spellberg
*H6 [RES-] 0277-1322
A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns 2023 Res 79-80 (): 277-98
  • Robert M. Schoch
  • Tomi S. Melka
*H6 [RES-] 0277-1322
The prehistoric secret of Magritte's boulders. The handaxe paintings 2023 Res 79-80 (): 299-312
  • Duncan Caldwell
*H6 [RES-] 0277-1322
Fetishism and aesthetics. Kant, Marx, and the post-Enlightenment problematic 2023 Res 79-80 (): 313-17
  • William Pietz
*H6 [RES-] 0277-1322
Narratives of a reluctant modernist. Rethinking William Fagg's Africa 2022 Res 77-78 (): 1-14
  • Elizabeth Harney
*H6 [RES-] 2327-9621
The origins of art around 1900: gesture, drawing, and the ethnographic imagination 2022 Res 77-78 (): 15-30
  • Matthew Vollgraff
*H6 [RES-] 2327-9621
The myth of Iphigenia in fourth-century funerary vases of southern Italy 2022 Res 77-78 (): 31-47
  • Gretel Rodríguez
*H6 [RES-] 2327-9621
Myth, ritual, and the Classic-period Maya sweat bath 2022 Res 77-78 (): 48-68
  • Mary E. Clarke
*H6 [RES-] 2327-9621
Gorgeous to gaze upon: forests as liminal spaces and boundary zones in Akkadian literary texts 2022 Res 77-78 (): 69-80
  • Gina Konstantopoulos
*H6 [RES-] 2327-9621
Early modern Rome on the move: ecological contradictions in the representation of a reemerging city 2022 Res 77-78 (): 100-19
  • Niall Atkinson
  • Susanna Caviglia
*H6 [RES-] 2327-9621
Emerging from stupor: a chapter in the cultural history of thunder 2022 Res 77-78 (): 120-32
  • Nicola Gess
*H6 [RES-] 2327-9621
From Crete to Singapore via Rome and St. Louis: an Orthodox icon becomes Catholic 2022 Res 77-78 (): 141-56
  • Robert S. Nelson
*H6 [RES-] 2327-9621
When shrines and images grow tired: toward a theory of devotional conservation 2022 Res 77-78 (): 157-66
  • Maurizio Peleggi
*H6 [RES-] 2327-9621
Rethinking Coptic art: the allusive aesthetics of a thirteenth-century key 2022 Res 77-78 (): 167-83
  • Heather A. Badamo
*H6 [RES-] 2327-9621
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style 2022 Res 77-78 (): 184-201
  • Kristen Windmuller-Luna
*H6 [RES-] 2327-9621
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style 2022 Res 77-78 (): 184-201
  • Kristen Windmuller-Luna
*H6 [RES-] 2327-9621