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TitleDateReferenceAuthorsCall #ISSN
Francesco Pellizzi's eyes 2023 Res 79-80 (): 1-2
  • Francesco Clemente
 *H6 [RES-] 0277-1322
The afternoon of August 17, 2023 2023 Res 79-80 (): 3-4
  • Emanuele Dattilo
 *H6 [RES-] 0277-1322
Innumerable illusions: anthropology and aesthetics, a new line 2023 Res 79-80 (): 5-13
  • Carlo Severi
 *H6 [RES-] 0277-1322
Duplication and intersemiotic translation. A comparative approach to Amazonian iconography 2023 Res 79-80 (): 14-33
  • Pedro de Niemeyer Cesarino
 *H6 [RES-] 0277-1322
Figures, patterns, and songs. Traditional knowledge and contemporary art movements in the Amazon 2023 Res 79-80 (): 34-51
  • Els Lagrou
 *H6 [RES-] 0277-1322
Images, unsaid words, and chants of love and grief in the Peruvian Amazon. A pragmatics of imagined interactions 2023 Res 79-80 (): 52-64
  • Paul Codjia
 *H6 [RES-] 0277-1322
Feathers, crosses, mirrors, and gourds. Embedding words and images in a Wixárika ritual chant 2023 Res 79-80 (): 65-80
  • Regina Lira Larios
 *H6 [RES-] 0277-1322
The Codex Mendoza and Lienzo de Tlaxcala, two examples of codigophagy 2023 Res 79-80 (): 81-98
  • Federico Navarrete
 *H6 [RES-] 0277-1322
Sticks as scripts. Literacy, celestial order, and ritual artifacts in Pawnee ceremonies 2023 Res 79-80 (): 99-113
  • Benjamin Valloy
 *H6 [RES-] 0277-1322
Ephemeral images, lasting memories. The sand-drawings of Ambrym Island, Vanuatu 2023 Res 79-80 (): 114-32
  • Jacopo Baron
 *H6 [RES-] 0277-1322
Breaking the ground, breaking the sky. Plants, human spirits, and the work of memory for royal ancestors among the Sakalava of Madagascar 2023 Res 79-80 (): 133-44
  • Maurizio Esposito La Rossa
 *H6 [RES-] 0277-1322
'You have to enter the scene'. Ritual imagination and memory in the Catholic rosary 2023 Res 79-80 (): 145-60
  • Ottavia Paternò
 *H6 [RES-] 0277-1322
The geometrization of maize and its landscape in Inca ceramic art 2023 Res 79-80 (): 161-82
  • Bat-Ami Artzi
 *H6 [RES-] 0277-1322
Fragmentation as skilled practice. The aesthetics of making and breaking at Sitio Conte, Panama (750-1050 CE) 2023 Res 79-80 (): 183-96
  • Juliana Ramírez Herrera
 *H6 [RES-] 0277-1322
Art at breaking point. Iconoclasm and play in a stoneware vessel of the Reformation 2023 Res 79-80 (): 197-207
  • David Zagoury
 *H6 [RES-] 0277-1322
'Fetish burning' at Kibokolo. Missionary photography, Zombo resistance 2023 Res 79-80 (): 208-26
  • Michael Kurtz
 *H6 [RES-] 0277-1322
Ekphrasis and encounter. The making of the Holy Tear of Christ at the abbey of La Trinité, Vendôme 2023 Res 79-80 (): 227-43
  • Anne Heath
 *H6 [RES-] 0277-1322
Animism, naturalism, and miraculous icons in the Venetian Bay of Kotor 2023 Res 79-80 (): 244-54
  • Milena Ulčar
 *H6 [RES-] 0277-1322
Communication as mental touch. Jack Burnham and the end of art 2023 Res 79-80 (): 255-69
  • Vered Maimon
 *H6 [RES-] 0277-1322
The salmon hook speech. Íxtik' Éesh A. P. Johnson's theory of language 2023 Res 79-80 (): 270-6
  • Matthew Spellberg
 *H6 [RES-] 0277-1322
A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns 2023 Res 79-80 (): 277-98
  • Robert M. Schoch
  • Tomi S. Melka
 *H6 [RES-] 0277-1322
The prehistoric secret of Magritte's boulders. The handaxe paintings 2023 Res 79-80 (): 299-312
  • Duncan Caldwell
 *H6 [RES-] 0277-1322
Fetishism and aesthetics. Kant, Marx, and the post-Enlightenment problematic 2023 Res 79-80 (): 313-17
  • William Pietz
 *H6 [RES-] 0277-1322
Narratives of a reluctant modernist. Rethinking William Fagg's Africa 2022 Res 77-78 (): 1-14
  • Elizabeth Harney
 *H6 [RES-] 2327-9621
The origins of art around 1900: gesture, drawing, and the ethnographic imagination 2022 Res 77-78 (): 15-30
  • Matthew Vollgraff
 *H6 [RES-] 2327-9621
The myth of Iphigenia in fourth-century funerary vases of southern Italy 2022 Res 77-78 (): 31-47
  • Gretel Rodríguez
 *H6 [RES-] 2327-9621
Myth, ritual, and the Classic-period Maya sweat bath 2022 Res 77-78 (): 48-68
  • Mary E. Clarke
 *H6 [RES-] 2327-9621
Gorgeous to gaze upon: forests as liminal spaces and boundary zones in Akkadian literary texts 2022 Res 77-78 (): 69-80
  • Gina Konstantopoulos
 *H6 [RES-] 2327-9621
Early modern Rome on the move: ecological contradictions in the representation of a reemerging city 2022 Res 77-78 (): 100-19
  • Niall Atkinson
  • Susanna Caviglia
 *H6 [RES-] 2327-9621
Emerging from stupor: a chapter in the cultural history of thunder 2022 Res 77-78 (): 120-32
  • Nicola Gess
 *H6 [RES-] 2327-9621
From Crete to Singapore via Rome and St. Louis: an Orthodox icon becomes Catholic 2022 Res 77-78 (): 141-56
  • Robert S. Nelson
 *H6 [RES-] 2327-9621
When shrines and images grow tired: toward a theory of devotional conservation 2022 Res 77-78 (): 157-66
  • Maurizio Peleggi
 *H6 [RES-] 2327-9621
Rethinking Coptic art: the allusive aesthetics of a thirteenth-century key 2022 Res 77-78 (): 167-83
  • Heather A. Badamo
 *H6 [RES-] 2327-9621
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style 2022 Res 77-78 (): 184-201
  • Kristen Windmuller-Luna
 *H6 [RES-] 2327-9621
Ethiopian architecture during the reign of Emperor Susǝnyos (1607-1632): combatting the myth of Jesuit style 2022 Res 77-78 (): 184-201
  • Kristen Windmuller-Luna
 *H6 [RES-] 2327-9621
Documentation and decontextualization in Nora Okka's spolia 2022 Res 77-78 (): 202-13
  • Eric W. Driscoll
 *H6 [RES-] 2327-9621
Five invisible lines, before and after the Reformation 2022 Res 77-78 (): 214-32
  • Andrew Chen
 *H6 [RES-] 2327-9621
Who wrote Renaissance art? Johan Neudörffer and the calligraphic revolution 2022 Res 77-78 (): 233-49
  • Kirsten J. Burke
 *H6 [RES-] 2327-9621
Sourcing novelty: on the 'secondary invention' of writing 2022 Res 77-78 (): 250-66
  • Felipe Rojas
  • Stephen Houston
 *H6 [RES-] 2327-9621
Nose ornaments: a general typology and Moche case study 2022 Res 77-78 (): 283-302
  • Alexis Hartford
  • Jeffrey Quilter
 *H6 [RES-] 2327-9621
A wooden hand from Easter Island (Rapa Nui), part I 2022 Res 77-78 (): 303-17
  • Robert M. Schoch
  • Tomi S. Melka
 *H6 [RES-] 2327-9621
Editorial: holy matter and the semantics of image-making 2021 Res 75-76 (): 1-9
  • Annette Hoffmann
  • Jessica N. Richardson
 *H6 [RES-] 0277-1322
Beneath ground: image-making and the poetics of wood in thirteenth-century Italy 2021 Res 75-76 (): 10-28
  • Jessica N. Richardson
 *H6 [RES-] 0277-1322
A cane and a Ka'ba model: mediated experiences in the early modern Ottoman empire 2021 Res 75-76 (): 29-44
  • Gül Kale
 *H6 [RES-] 0277-1322
Written on a Bodhi tree leaf 2021 Res 75-76 (): 45-58
  • Michele Matteini
 *H6 [RES-] 0277-1322
The thing itself: images of architecture and their power in early Deccan India 2021 Res 75-76 (): 59-73
  • Subhashini Kaligotla
 *H6 [RES-] 0277-1322
Flesh and stone: interpreting the sacred in Dakota and Euro-American art 2021 Res 75-76 (): 74-90
  • Annika K. Johnson
 *H6 [RES-] 0277-1322
Icons made of relics: creating holy matter in Byzantium 2021 Res 75-76 (): 91-100
  • Alexei Lidov
 *H6 [RES-] 0277-1322
Liquid holy sites 2021 Res 75-76 (): 101-13
  • Michele Bacci
 *H6 [RES-] 0277-1322
Afterword: matter, image, object 2021 Res 75-76 (): 114-17
  • Gerhard Wolf
 *H6 [RES-] 0277-1322
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