Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Magic, diversity and interpretations of San rock paintings in southern Africa | 2001 | Pictogram 12 (): 52-8 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
Paintings of cow's udders in twisted persepctive: a regional phenomenon in the rock art of the eastern Sahara, reviewed in a wider context | 2001 | Pictogram 12 (): 36-51 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
Rock art and environment: some examples from the Brandberg, Namibia | 2001 | Pictogram 12 (): 29-35, [i-xviii] | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
The problems and potentials of developing and managing public rock art sites in southern Africa | 2001 | Pictogram 12 (): 4-11 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
Rock art and motivation: the evidence from Magageng | 2001 | Pictogram 12 (): 14-18 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
Rock paintings and the instinct of reflection: a perspective of a Jungian psychologist | 2001 | Pictogram 12 (): 19-22 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
A pictorial device: the dynamic action of water in a few depictions of rain animals | 2001 | Pictogram 12 (): 23-8 | *H6/KE [PICTOGRAM-] | 1028-7485 | |||
Phenomenal attributes and elemental forms in the rock art ritualism of western South Dakota and eastern Wyoming, U.S.A | 2000 | Pictogram 11 (2): 6-11 | 1028-7485 | ||||
Management, conservation and presentation of indigenous rock art in Queensland, Australia | 2000 | Pictogram 11 (2): 1-5 | 1028-7485 | ||||
Will the Brandberg survive as a rock art paradise in Namibia? | 2000 | Pictogram 11 (2): 22-4 | 1028-7485 | ||||
Rock art site management in Namibia with particular focus at Twyfelfontein | 2000 | Pictogram 11 (2): 16-22 | 1028-7485 | ||||
Pigment and paint analyses and their potential in San rock art research | 2000 | Pictogram 11 (2): 12-16 | 1028-7485 | ||||
Petroglyphs 'old' and [new]: some photographs and comments | 1999 | Pictogram 10 (2): 27-33 | |||||
Baboons (Papio ursinus) in the rock art of southern Africa | 1999 | Pictogram 10 (2): 20-4 | |||||
The Melikane rock painting in Lesotho, compared to a photograph of a [buckjumper] recorded in the southern Kalahari in 1934 | 1999 | Pictogram 10 (2): 25-7 | |||||
Thoughts on therianthropes, myth and method | 1999 | Pictogram 10 (2): 10-16 | |||||
The petroglyphs and rock art inscriptions of Fuerteventura, Canary islands | 1999 | Pictogram 11 (1): 54-6 | 1028-7455 | ||||
Mysticism, myth or misconception an important, previously unrecorded site in the Matopo, Zimbabwe | 1999 | Pictogram 11 (1): 45-53 | 1028-7455 | ||||
Rock engravings - ancient and modern | 1999 | Pictogram 10 (2): 16-20 | |||||
Domestic dogs in South African rock art | 1999 | Pictogram 10 (2): 1-9 | |||||
Images of shamans or imaginary shamanism? | 1999 | Pictogram 11 (1): 20-44 | 1028-7455 | ||||
Zuuerberg: the art gallery of prehistoric engravings | 1999 | Pictogram 11 (1): 59-63 | 1028-7455 | ||||
Engraved chariots of Fezzan (Libya) | 1999 | Pictogram 11 (1): 1-19 | 1028-7455 | ||||
The australopithecine [art] manuport from Makapansgat: an analysis | 1999 | Pictogram 11 (1): 56-8 | 1028-7455 | ||||
Tessa's pool (eastern Zimbabwe): a possible [self portrait] of an artist | 1998 | Pictogram 10 (1): 36-42 | |||||
Do polar bears attack penguins? Rock art research in northern and southern Africa | 1998 | Pictogram 10 (1): 17-21 | |||||
The rock art of the Limpopo-Shashi confluence, South Africa and Zimbabwe: an overview | 1998 | Pictogram 10 (1): 1-17 | |||||
Images chamaniques dans l'art rupestre du Sahara | 1998 | Pictogram 10 (1): 22-36 | |||||
Rock art in Namibia | 1995 | Pictogram 7 (2): 12-13, 15 | |||||
The empiricist impasse revisited [reply to S Hall and others, see below] | 1995 | Pictogram 7 (2): 17-21 | |||||
'Bas-reliefs' cut into silicaceous deposits on quartsitic sandstones in the rock art of the Soutpansberg | 1995 | Pictogram 7 (2): 10-11 | |||||
Another trumpeter in the Matopos | 1995 | Pictogram 7 (2): 11-12 | |||||
[Comments on 'A.R. Willcox and J.D. Lewis-Williams: crucial differences' by RG Bednarik in Pictogram 1994 (6:2) 23-5; with reply by Bednarik, see above] | 1995 | Pictogram 7 (2): 16-17 | |||||
The petroglyphs of Kalaoa O'oma, Hawai'i island | 1995 | Pictogram 7 (2): 4-8 | |||||
Some expressions of San derived concepts in the beliefs of Nguni traditionalists | 1995 | Pictogram 7 (2): 1-3 | |||||
'Ginger' Townley Johnson - a tribute | 1995 | Pictogram 7 (2): 23 | |||||
Disselfontein and a rock art mystery reviewed | 1994 | Pictogram 6 (2): 10-13 | |||||
Source figures | 1994 | Pictogram 7 (1): 23 | |||||
Squatting figures in the rock art of southern Africa | 1994 | Pictogram 6 (2): 40-44 | |||||
Obituary: Alex Willcox [1911 - 1.9.1993] | 1994 | Pictogram 6 (2): 3 | |||||
Early copies as an indicator of rock art deterioration | 1994 | Pictogram 6 (2): 36-7 | |||||
Battle scene from Marondera, Zimbabwe | 1994 | Pictogram 6 (2): 38-9 | |||||
A Namibian remembers [AR Willcox, 1911-1993] | 1994 | Pictogram 6 (2): 25 | |||||
On painters and paintings: the implications of identity and ideological change at Ngcengane | 1994 | Pictogram 6 (2): 4-9 | |||||
The Canadian ribstone petroglyphs | 1994 | Pictogram 7 (1): 12-17 | |||||
Colour rendition in the photography of painted rock art | 1994 | Pictogram 6 (2): 14-15 | |||||
Dating the Collingham Shelter rock paintings | 1994 | Pictogram 6 (2): 33-5 | |||||
A.R. Willcox and J.D. Lewis-Williams: crucial differences | 1994 | Pictogram 6 (2): 23-25 | |||||
Rock art analysis, recording and conservation conflict | 1994 | Pictogram 7 (1): 7-12 | |||||
Arrows in bandeaux | 1994 | Pictogram 6 (2): 26-31 |