Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Aitutaki patterns of searching for our future in the discoveries of our past | 2017 | Pacific arts 16 (2): 5-19 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
John La Farge, a contemporary artist in Samoa, 1890-1891 | 2017 | Pacific arts 16 (2): 20-30 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The protective function of anthropomorphic artworks in Kiriwina, Trobriand Islands, Papula New Guinea | 2017 | Pacific arts 16 (2): 31-45 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Malinowski on primitive art: 'Art notes and suggestions' of 1921. Bronislaw Malinowski | 2016 | Pacific arts 16 (1): 5-7 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Art notes and suggestions | 2016 | Pacific arts 16 (1): 9-30 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Pacific intersections and cross-currents: uncharted histories and future trends | 2015 | Pacific arts 14 (1-2): 5-11 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Pasin Pasifik - Bifo, Nau na Bihain: Wanem Rot? Ways of the Pacific - Before, now and the future: which way? | 2015 | Pacific arts 14 (1-2): 13-17 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Creating space/s for contemporary Pacific arts; locally, regionally - globally | 2015 | Pacific arts 14 (1-2): 18-33 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Art in movement: a case history from Papua New Guinea. Papua New Guinea art at Australia's Asia Pacific Triennale of Contemporary Art, 1993-2012 | 2015 | Pacific arts 14 (1-2): 34-49 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Indigenous histories, local practices: Niu Pasifik Warriors in Sidney | 2015 | Pacific arts 14 (1-2): 50-61 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Tifaifai of French Polynesia and the internet | 2015 | Pacific arts 14 (1-2): 69-77 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The mis-education of Moana arts | 2015 | Pacific arts 14 (1-2): 62-8 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Lost objects, questionable localities and other Cook-voyage enigmas | 2015 | Pacific arts 14 (1-2): 78-84 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Objects (and museums) in motion: the journey of a Nuu-cha-nulth club | 2015 | Pacific arts 14 (1-2): 85-95 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Scottish-Pacific diasporas: creating identity and influence in Scotland | 2015 | Pacific arts 14 (1-2): 96-105 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Seeing through Spencer: Gabriel Maralngurra's paintings of Baldwin Spencer | 2015 | Pacific arts 14 (1-2): 106-19 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Expressing nationalism, ethnicity, and "tradition" in post-independence dances of Fiji and Fiji's Canadian diaspora | 2015 | Pacific arts 14 (1-2): 120-8 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Perpetuating Hula: globalization and the traditional art | 2015 | Pacific arts 14 (1-2): 129-40 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
What's in the map? Remapping Oceania in Taiwan museums through exhibitions | 2015 | Pacific arts 15 (1-2): 8-20 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Observation and thinking: the Austronesian Contemporary Art Project of the Kaohsiung Museum of Fine Arts | 2015 | Pacific arts 15 (1-2): 21-32 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Searching for a footpath: indigenous artists as ethnographers | 2015 | Pacific arts 15 (1-2): 33-7 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The rhizome as creative act: the art of An, Sheng-Hui (Eleng Luluan) | 2015 | Pacific arts 15 (1-2): 38-44 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Code of aesthetics in culture: indigenous art of Taiwan | 2015 | Pacific arts 15 (1-2): 44-50 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Perspectives on the spiritual life in the context of modernity - on the Invisible Project and its discourse of creativity | 2015 | Pacific arts 15 (1-2): 51-60 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Where do mainland New Guineans get their circular boars' tusks from? | 2014 | Pacific arts 13 (2): 5-20 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
What possible connection can there be between a woman and a frog? Paddles of the Kamoro and the Asmat of the Southwest Coast of New Guinea | 2014 | Pacific arts 13 (2): 21-32 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Kanaka portraits: indentured labor in colonial Australia | 2014 | Pacific arts 13 (2): 33-44 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Bodily transformations: the politics and art of men as pigs and pigs as men on Manam Island, Papua New Guinea | 2013 | Pacific arts 13 (1): 5-13 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Hawaiian bodyscape: hair rituals circa 1800 | 2013 | Pacific arts 13 (1): 14-26 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
From personal ornaments to canoe carvings and shields: re-presentations and translations of personal ornaments as social markers, Western and Central Provinces, Solomon Islands | 2013 | Pacific arts 13 (1): 27-39 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Sago bark painting and the transformation of community identity on the Arafundi River, East Sepik Province, Papua New Guinea | 2012 | Pacific arts 12 (2): 5-23 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
'O le Tino ma le Galu: the body and the wave. An autobiography of my artistic practice | 2012 | Pacific arts 12 (2): 24-30 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Kuai Maueha: Solomon Islands sculptor (1933-1981) | 2012 | Pacific arts 12 (2): 31-40 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Carved and painted works of the Torricellis, West Sepik Province, Papua New Guinea | 2012 | Pacific arts 12 (1): 5-19 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Gender encompassment, and ritual: sago panel paintings of the Sawiyanoo of East Sepik province, Papua New Guinea | 2012 | Pacific arts 12 (1): 20-34 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
From the island of the people to the people of the land: houses and boats in Austronesia | 2012 | Pacific arts 12 (1): 35-48 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Collections across the divide; the ethnographic collections of James Edge-Partington (1854-1930) and William Ocklefor Oldman (1879-1949) | 2011 | Pacific arts 11 (1): 5-17 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Traveling ahead with the ancestors: re-directing tertiary art education in Papua New Guinea (PNG) and the promotion of contemporary PNG art (1972-2009) | 2011 | Pacific arts 11 (1): 18-32 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The iconography of the war shields of the Trobriand Islands of Papua New Guinea: an interpretation recorded by Malinowski and explained by paramount chief Pulayasi | 2011 | Pacific arts 11 (1): 33-45 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Interpreting New Guinea sculpture: the case of Kwoma Nokwi figures | 2011 | Pacific arts 11 (2): 5-18 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Serembule/Vavoso and other sticks with shell valuables: part of a dialectic with Barava openwork plaques | 2011 | Pacific arts 11 (2): 19-35 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The fertile land of the ancestors in the architecture of south Nias, Indonesia | 2011 | Pacific arts 11 (2): 36-45 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Painting's changing role in shaping our understanding of Sepik art (part II) | 2010 | Pacific arts 9 (): 5-14 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Face to time: a tattooed Maori gourd | 2010 | Pacific arts 9 (): 15-21 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
"Compelled to record my impressions": an artist's view of the Pacific shipping world | 2010 | Pacific arts 9 (): 22-9 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
More than simply traditional - the Pacific Sisters | 2010 | Pacific arts 10 (2): 5-15 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Spacifically being herself: language and identity in the art of Rosanna Raymond | 2010 | Pacific arts 10 (2): 16-22 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Shigeyuki Kihara's Fa'a fafin; in a manner of a woman: the photographic theater of cross-cultural encounter | 2010 | Pacific arts 10 (2): 23-33 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Exhibiting art, eliding community: Tongan barkcloth, identity, and otherness in a community arts | 2010 | Pacific arts 10 (2): 34-46 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Painting's changing role in shaping our understanding of Sepik art (part I) | 2009 | Pacific arts 8 (): 6-16 | *H6/KFY [PACIFIC-] | 1018-4252 |