| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Remembering Adrienne L. Kaeppler (1935-2022) | 2022 | Pacific arts 22 (1): 1-3 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| From the edge through the Vā: Introduction to “Pacific island worlds: Oceanic dis/positions” | 2022 | Pacific arts 22 (1): 4-19 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| A river runs through us all: Asian and Pacific linkages in contemporary performance from Aotearoa | 2022 | Pacific arts 22 (1): 20-57 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| ʻAe Kai rising: trans-Oceanic communities of cultural imagination | 2022 | Pacific arts 22 (1): 58-78 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Project Banaba: a dialogue on exhibition collaboration and methods | 2022 | Pacific arts 22 (1): 79-97 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| 'I sengsong San Diego': the Chamoru cultural festival and the formation of Chamoru diasporic community | 2022 | Pacific arts 22 (1): 114-29 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Home and belonging: an interview with Jewel Block | 2022 | Pacific arts 22 (1): 98-113 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| SALTWATER/Interconnectivity | 2022 | Pacific arts 22 (1): 130-55 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| The ASB Polyfest: the construction of transnational Pacific cultural spaces in Auckland, Aotearoa New Zealand | 2022 | Pacific arts 22 (1): 156-88 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Hawaiian island pidgin visual and textual poetry | 2022 | Pacific arts 22 (1): 203-26 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Kaili Chun: the Native artist as storyteller and steward of the land and water | 2022 | Pacific arts 22 (1): 190-202 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| The collection: curated architecture and design in Kaka'ako, Hawai'i | 2022 | Pacific arts 22 (1): 223-49 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| About the art: Carl Franklin Kaʻailāʻau Pao’s Kiʻi Kupuna: ʻO ʻAilāʻau (Ancestral Images: Forest Eater) series | 2022 | Pacific arts 22 (1): 227-33 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Watsonville in the heart: documenting histories of transpacific Filipino migration in the Pajaro Valley | 2022 | Pacific arts 22 (1): 250-61 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Erasing the empire through the restitution of military land: military bases and processes of re-appropriation in French Polynesia | 2022 | Pacific arts 22 (1): 262-75 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Grounded in place: dialogues between First Nations artists from Australia, Taiwan, and Aotearoa | 2022 | Pacific arts 22 (2): 1-8 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| nothing important happened today: an interview with Vernon Ah-Kee | 2022 | Pacific arts 22 (2): 11-26 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Snail paradise trilogy: a series by Chang En-man | 2022 | Pacific arts 22 (2): 27-40 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Mana i te Wenuha: relationship with place and sovereignty | 2022 | Pacific arts 22 (2): 41-54 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Across country: Waterlines | 2022 | Pacific arts 22 (2): 57-66 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Traditional Amis architecture and its environment in a contemporary context | 2022 | Pacific arts 22 (2): 67-81 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Preparations for landing - Paemanu: Tauraka Toi | 2022 | Pacific arts 22 (2): 82-110 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Ground into place | 2022 | Pacific arts 22 (2): 113-26 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| The future of our roots and the land: the revival of Atayal weaving material ramie | 2022 | Pacific arts 22 (2): 127-46 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Seeking gender identity in the contexts of Atayal: an art project | 2022 | Pacific arts 22 (2): 156-65 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Coastal cannibals: industry and occupation on Whangārei Te Rerenga Paraoa | 2022 | Pacific arts 22 (2): 166-82 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Belatedly and finally: the early time of the Indigenous in the concurrent contemporary | 2022 | Pacific arts 22 (2): 183-203 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Introduction to this special issue on "Art and environment in Oceania" | 2021 | Pacific arts 20 (1): 1-5 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Gestures of survivance: Angela Tiatia’s Lick and feminist environmental performance art in Oceania | 2021 | Pacific arts 20 (1): 6-22 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| ʻĀina in contemporary art of Hawaiʻi | 2021 | Pacific arts 20 (1): 23-41 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Making room for earth in Hawaiʻi: Sean Connelly’s A Small Area of Land | 2021 | Pacific arts 20 (1): 42-75 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| T-shirts and turtles: art and environmental activism on Erub, Torres Strait | 2021 | Pacific arts 20 (1): 76-87 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Artists concern: visualising environmental destruction in Papua New Guinea | 2021 | Pacific arts 20 (1): 88-104 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Natalie Robertson: Toxic Waters | 2021 | Pacific arts 20 (1): 105-20 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Negotiating the ecology of place | 2021 | Pacific arts 20 (1): 121-30 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Duty-free paradise | 2021 | Pacific arts 20 (1): 141-52 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Madang Art Maniacs and the COVID-19 pandemic in Papua New Guinea | 2021 | Pacific arts 20 (1): 132-9 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Teaching the future of Pacific arts | 2021 | Pacific arts 21 (1): 2-4 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| An evolution of teaching art in Sāmoa: a personal journey—The history, insights, challenges, and successes of teaching visual art at the tertiary level | 2021 | Pacific arts 21 (1): 5-23 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Singing in harmony: reflections on forty years of teaching art in New Zealand schools | 2021 | Pacific arts 21 (1): 24-31 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Learning to surf (Se'e) on a wave, from island to urbanesia | 2021 | Pacific arts 21 (1): 32-43 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Who speaks for Sāmoa? Some reflections by a Pālagi teacher of Pacific art and culture in the American Midwest | 2021 | Pacific arts 21 (1): 44-50 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Angels in West Papua: in memoriam Donatus Moiwend | 2021 | Pacific arts 21 (1): 51-9 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| “Fijian Islanders preparing for a feast” (1959): the influence of photography on popular opinions of the Pacific | 2021 | Pacific arts 21 (1): 60-75 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Canoe carving from western Solomon Islands: the operative efficacy of simultaneous visual presences | 2021 | Pacific arts 21 (1): 76-106 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| ARTventures: art and life in the contemporary Pacific | 2021 | Pacific arts 21 (1): 107-11 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Transformed & transformative: barkcloth in western Oceania | 2018-2019 | Pacific arts 18-19 (): 5-8 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Barkcloth as permeable and perishable substance in New Guinea ontologies | 2018-2019 | Pacific arts 18-19 (): 9-21 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Masks, aesthetics and recognition among the Kairak Baining of New Britain, Papua New Guinea | 2018-2019 | Pacific arts 18-19 (): 42-51 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
| Bark capes and severing the initiate's link to his mother in Baruya male rituals of Papua New Guinea | 2018-2019 | Pacific arts 18-19 (): 22-30 | *H6/KFY [PACIFIC-] | 1018-4252 |