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TitleDateReferenceAuthorsCall #ISSN
Ambiguous agency: Dan/Mau stilt mask spirits performance as ontology in Côte d'Ivoire and the US2018 Africa 88 (4): 802-23
  • Daniel B. Reed
H6/KY [AFRICA-]0001-9720in thematic section 'Art and the individual in African masquerades'; French summary
Visions from the forests: the art of Liberia and Sierra Leone2014 Tribal art 18 (4): 94-101
  • Jan-Lodewijk Grootaers
*H6/KFY [WORLD-]1354-2990
A "Harley mask" at the Cleveland Museum of art: more on masks among the Mano and Dan peoples (Liberia/Côte d'Ivoire)2012 African arts 45 (1): 16-31
  • Constantine Petridis
H6/KFY [AFRICAN-]0001-9933
Locating the Mano mask2010 African arts 43 (2): 16-37
  • Monni Adams
H6/KFY [AFRICAN-]0001-9933
'The Ge is in the church' and 'our parents are playing Muslim': performance, identity, and resistance among the Dan in postcolonial Côte d'Ivoire2005 Ethnomusicology 49 (3): 347-67
  • Daniel B. Reed
Masques, initiation, et rites de passage: excision/circoncision chez les Dan de petite Gbapleu (sous-préfecture de Man, canton Ka, République de Côte d'Ivoire)2001 Arts d'Afrique noire, arts premiers 119: 14-19
  • Christophe Marron
Etude historique de [Central West Atlantic Region (CWA)] et de Poro: Sierra Leone, Libéria, Guinée et Côte d'Ivoire1997 Journal of Asian and African studies (Tokyo) 53: 1-81
  • Ichiro Majima
French summary
Le corps qui traite le corps: technique d'accouchement et pouvoir chez les Dan (Côte d'Ivoire)1992 Journal of Asian and African Studies, Tokyo 44: 39-94
  • I Majima
French summary
West African masks and social control1991 Journal of museum ethnography 3: 1-14
  • M C Jedrej