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TitleDateReferenceAuthorsCall #ISSN
Haudenosaunee beadwork: memories for sale2022 Bead forum (80): 1-5
  • Karlis Karklins
H6/KGSB [BEAD-]0829-8727
Chinese cloisonné dragon beads used as Obidome2022 Bead forum (80): 7-9
  • Chris Prussing
H6/KGSB [BEAD-]0829-8727
Enigmatic variations: an early stylistic influence on the development of Mohawk floral beadwork2022 Whispering wind 49 (3): 6-11
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Subarctic Kutchin tobacco beaded bag - circa 1880-18902022 Whispering wind 49 (3): 19
  • Max Defacq
*H6/KUB [WHISPERING-]0300-6565
Stepped diamond motifs on Apache drawstring bags2021 Whispering wind 48 (5): 12-13
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
The Cheyenne star design2021 Whispering wind 48 (5): 22-3
  • Gary Scholl
*H6/KUB [WHISPERING-]0300-6565
Early 19th century women's Creek center seam pucker toe moccasins2021 Whispering wind 48 (6): 6-14
  • M.E. Pete Thompson
  • Michael Kostelnik
*H6/KUB [WHISPERING-]0300-6565
Double Woman motif in Sioux design: a brief history of quillwork and beading among the Sioux2021 Whispering wind 48 (6): 31-3
  • Allen Chronister
*H6/KUB [WHISPERING-]0300-6565
White roots of peace: early Oneida souvenir beadwork2021 Whispering wind 49 (1): 6-14
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Fancy flower patterns of the James Bay Cree2020 Whispering wind 48 (1): 6-13
  • Frank Kodras
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Apsáalooke (Crow) belt pouches2020 Whispering wind 48 (3): 6-7
  • Timothy P. McCleary
*H6/KUB [WHISPERING-]0300-6565
The heart motif in Native American beadwork2020 Whispering wind 48 (4): 6-9
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Material culture in Southern Ndebele identity making in post-apartheid South Africa2020 Anthropology Southern Africa 43 (4): 218-32
  • Sifiso Ndlovu
*H6 [SOUTH-]2332-3256Portuguese summary
Gifts from the dawn land: 19th century Wabanaki souvenir beadwork (part 1)2019 Whispering wind 46 (6): 6-10
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
19th century Southern Cheyenne style moccasins2019 Whispering wind 46 (6): 18-20
  • Michael Kostelnik
*H6/KUB [WHISPERING-]0300-6565
Gifts from the dawn land: 19th century Wabanaki souvenir beadwork. Part 22019 Whispering wind 47 (1): 6-15
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
A quilled and beaded picture frame2019 Whispering wind 47 (1): 21-3
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Plains art before 18602019 Whispering wind 47 (1): 26-7
  • John Molloy
*H6/KUB [WHISPERING-]0300-6565
Beaded bags from Columbia River plateau2019 Whispering wind 47 (2): 14-15
  • John Molloy
*H6/KUB [WHISPERING-]0300-6565
Beaded aprons of the coastal peoples of the Guianas2019 Beads 31: 21-38
  • Michael Oehrl
*H6 [BEADS-]
Rambling in search of an exhibition: Beadwork adorns the world2019 Museum anthropology review 13 (1-2): 69-95
  • Marsha Bol
1938-5145
The isimodeni style: traditional beadwork, Zulu trinket or South African sartorial tradition on Durban’s Golden Mile?2019 Anthropology Southern Africa 42 (2): 127-48
  • Rowan C. Gatfield
*H6 [SOUTH-]2332-3256Portuguese summary
Preliminary notes on Ndebele beadwork in the study collection of the Ethnologisches Museum Berlin in Dahlem2018/19 Baessler-Archiv (Neue Folge) 65: 19-34
  • Craniv A. Boyd
H6 [BAESSLER-]0005-3856
Dining with kings: ceremony and hospitality in the Cameroon grassfields2018 Tribal art 87: 90-7
  • Erica P. Jones
*H6/KFY [WORLD-]1354-2990
Gifts of sun and stars: early styles of Mohawk souvenir beadwork (part one)2018 Whispering wind 46 (1): 6-14
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Native American beaded gloves: ongoing decorative tradition!2018 Whispering wind 46 (1): 18-21
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Early styles of Mohawk souvenir beadwork2018 Whispering wind 46 (2): 18-25
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
Beaded shop signs in Republican Beijing (1912-1949)2018 Bead forum (72): 1-4
  • Valerie Hector
H6/KGSB [BEAD-]0829-8727
Beads on a thread: reflections on beading as performance, process, material, and method in the Arctic2018 First American art magazine 19: 42-7
  • David Winfield Norman
H6/KUB [FIRST-]2333-5548
From porcupines to Murano glass: the evolution of an indigenous art form on the northern plains2018 Native American art (15): 60-7
  • Cathy A. Smith
H6/KUB [NATIVE-]2469-6137in thematic issue 'The beadwork issue'
A bag worth a pony: an introduction to Ojibwe bandolier bags2018 Native American art (15): 74-9
  • Marcia G. Anderson
H6/KUB [NATIVE-]2469-6137in thematic issue 'The beadwork issue'
Finery for the forearm: plains and plateau beaded gauntlets2018 Native American art (15): 80-5
  • Steven L. Grafe
H6/KUB [NATIVE-]2469-6137in thematic issue 'The beadwork issue'
Beading cultures: eight master and emerging bead artists share their latest projects and art2018 Native American art (15): 88-93
  • Debra Utacia Krol
H6/KUB [NATIVE-]2469-6137in thematic issue 'The beadwork issue'
From porcupine to Murano glass: the evolution of an indigenous art from the northern Plains2018 Native American art June/July: 60-7
  • Cathy A. Smith
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
Stepping out with beaded beauty: the Museum of Indian Arts and Culture showcases beaded moccasins2018 Native American art June/July: 68-73
  • Maxine McBrinn
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
A bag worth a pony: an introduction to Ojibwe bandolier bags2018 Native American art June/July: 74-9
  • Marcia G. Anderson
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
Finery for the forearm2018 Native American art June/July: 80-5
  • Steven L. Grafe
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
Personal collections to the past: the collector, the Crow and the beaded cradleboard2018 Native American art June/July: 86-7
  • Nina Sanders
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
Beading cultures: eight master and emerging bead artists share their latest projects and art2018 Native American art June/July: 88-93
  • Debra Utacia Krol
H6/KUB [NATIVE-]2469-6137in 'The beadwork issue'
To produce "a pleasing effect:" Taíno shell and stone cibas and Spanish cuentas in the early colonial Caribbean2018 Beads 30: 3-15
  • Joanna Ostapkowicz
*H6 [BEADS-]
Beads in Iron-Age and early-modern Taiwan: an introduction2018 Beads 30: 16-30
  • Kuan-Wen Wang
*H6 [BEADS-]
Beyond the Nubian gold: Meoritic beads between the fifth and sixth Nile cataracts2018 Beads 30: 31-43
  • Joanna Then-ObÅ‚uska
*H6 [BEADS-]
Florida cut-crystal beads in Ontario2018 Beads 30: 44-51
  • Alicia Hawkins
  • Heather Walder
  • Karlis Karklins
  • Scott Fairgrieve
*H6 [BEADS-]
A rare Apache beaded tobacco tin2018 Whispering wind 46 (5): 16-17
  • Richard Green
*H6/KUB [WHISPERING-]0300-6565
She beads like a cocom but designs like a young person: an exploration of beading as Anishinabe epistemology2018 Papers of the Algonquian conference 47: 43-56
  • Chuck Bourgeois
H6/KUB [ALGONQUIAN-]0031-5671
Jacinto and the oracular world of Wixárika beadwork2017/2018 First American art magazine 17: 36-41
  • Kevin Simpson
H6/KUB [FIRST-]2333-5548
Choctaw beadwork artist Marcus Amerman2017 First American art magazine 15: 46-51
  • RoseMary Diaz
H6/KUB [FIRST-]2333-5548
Azul sagrado: cuadernos del Sahara2017 Archivos 15: 1-289
  • Ruth Corcuera
H6/KUL [ARCHIVOS-]1668-4737monographic issue
Individual expression, cultural specificity and production bias in Ju|'hoan jewelry-making2017 Journal of material culture 22 (3): 299-316
  • Alex de Voogt
  • Siu Ying Ng
H6/KF [JOURNAL-]1359-1835
The octopus enigma2017 Hali (193): 76-85
  • Martha Bluming
*H6/KGG [HALI-]0142-0798