Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Bioethical and aesthetic conflicts in bioart: an emotional perspective | 2022 | Antipoda: revista de antropología y arqueología (46): 51-74 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
‘Ovizire · Somgu: from where do we speak?’: Artistic interventions in the Namibian colonial archive (2018–2020) | 2022 | Journal of southern African studies 48 (1): 81-102 | H6/KY [JOURNAL-] | 1465-3893 | ||||
Effigy mound and rock art of midcontinental North America: shared iconography, shared stories | 2022 | North American archaeologist 43 (1): 3-48 | *H6/KE [NORTH-] | 0197-6931 | ||||
Introdução | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 167-80 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje' | |||
Sardinian crafts at the crossroads of modernity: practices, narratives, and museums, 1909-1964 | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 181-208 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje' | |||
Traditional (art)craft: frictions between thought matrices | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 209-31 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje'; English summary | |||
Weaving and gluing Cape Verde: “portraits of the people” in Mindelo handicrafts | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 233-56 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje'; English summary | |||
Cultural policies in Galicia: handicraft accreditation | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 257-73 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje'; Spanish summary | |||
From ornament to festivity: using embroidery as narrative, agency and performance in two traditional Brazilian festivals | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 275-98 | H6 [ETNOGRAFICA-] | 0873-6561 | in thematic section 'Patchwork: modos de pensar o artesanato hoje'; English summary | |||
Speech-breath: mapping the multisensory experience in Pecos River style pictography | 2022 | Latin American antiquity 33 (1): 20-40 | *H6/KE [LATIN-] | 1045-6635 | Spanish summary | |||
Borders, activisms and (i)mmobilities: aesthetic and political perspectives | 2022 | Cadernos de arte e antropologia 11 (1): 3-14 | introduction to special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
The insurgent writing of street posters in the June 2013 Journeys: aesthetic and political experiments | 2022 | Cadernos de arte e antropologia 11 (1): 15-34 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
Inventing possible worlds through salsa: an ethnography of dance in Rio de Janeiro | 2022 | Cadernos de arte e antropologia 11 (1): 35-47 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
Puelche diaspora in the theatre play Tayiñ Kuify Kvpan | 2022 | Cadernos de arte e antropologia 11 (1): 48-65 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
Theatre as a narrative change for refugees | 2022 | Cadernos de arte e antropologia 11 (1): 66-80 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
The map, the photograph and the BRT: between promise and reality on Rio’s Bus Rapid Transit | 2022 | Cadernos de arte e antropologia 11 (1): 81-96 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas' | |||||
Photography, and Afro-Brazilian sacred: modulations of difference in Pierre Verger and his contemporaries | 2022 | Revista de antropología (São Paulo) 65 (1): 1-26 | H6/KUL [REVISTA-] | 0034-7701 | English summary | |||
The monoliths of Chumbivilcas, Cusco: a new focus on Pukara culture | 2022 | Andean past 13 (13): 109-47 | *H6/KE [ANDEAN-] | 1055-8756 | ||||
Contact between worlds: drawings produced during an ecumenical ritual with medicinal plants in the Arca of the Blue Mountain | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-25 | 2525-3123 | in thematic section 'Religions: their images, performances and rituals'; also in Portuguese | ||||
Chalk city: graphic experiments | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-21 | 2525-3123 | also in Portuguese | ||||
Into the Abbatoire. Eldzier Cortor in Haiti, 1949-51 | 2022 | Nka: journal of contemporary African art (50) | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
‘Factotum and friend’: anthropologists, informants and ethnographic exchange in central Australia | 2022 | History and anthropology 33 (2): 214-42 | H6 [HISTORY-] | 1477-2612 | ||||
Riding to the rescue: an addition to the Plains Biographic rock art lexicon | 2022 | Plains anthropologist 67 (262): 172-93 | H6/KUB [PLAINS-] | 0032-0447 | ||||
Ethnography in contemporary Thai cinematic practices: a case study | 2022 | Visual anthropology 35 (2): 138-57 | *H6 [VISUAL-] | 1545-5920 | ||||
Pandemic art: how the virus has revolutionized art today | 2022 | Visual anthropology 35 (2): 183-95 | *H6 [VISUAL-] | 1545-5920 | ||||
The Olmec spoon reconsidered: material meanings of jade, nacreous shells, and pearls in Mesoamerica | 2022 | Ancient Mesoamerica 33 (2): 261-77 | *H6/KE [ANCIENT-] | 0956-5361 | Spanish summary | |||
The bat figure in the prehispanic Candelaria style of northwest Argentina | 2022 | Boletín de antropología (Antioquia) 36 (62): 118-46 | H6/KUL [BOLETIN-] | 0120-2510 | English, French and Portuguese summaries | |||
The presence of absence: why does the post-contact rock art of Torres Strait (northeastern Australia) not include paintings of European ships? | 2022 | Cambridge archaeological journal 32 (1): 99-115 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Souvenirizing shamanism: crafts, artifacts and mimesis in eastern Siberia | 2022 | Shaman 30 (1-2): 169-81 | *H6/KFO [SHAMAN-] | 1216-7827 | in special issue 'Transreligious shamanism(s): exploring contemporary spiritual practices and healing' | |||
“The sound exists only in your own body”—sensory approximation of visual and aural impairment through media art projects | 2021 | Visual anthropology 34 (1): 35-53 | *H6 [VISUAL-] | 1545-5920 | ||||
The artist as chiffonnier: archival impulse and visual narratives on everyday life in Georges Adéagbo | 2021 | Visual anthropology 34 (1): 54-74 | *H6 [VISUAL-] | 1545-5920 | ||||
Beautified things, people and tourism processes: an ethnographic revisit of Flor da Rosa (southern Portugal) | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (1): 149-71 | H6 [ETNOGRAFICA-] | 0873-6561 | in special section 'Desafios do 'turístico' na atualidade'; English summary | |||
Artistic methods as triggers for migrant children’s subjectivities in transit: a study in Barcelona’s public schools | 2021 | Antipoda: revista de antropología y arqueología (43): 167-92 | H6/KUL [REVISTA-] | 0124-485X | in special issue 'Migraciones transnacionales y recursos creativos en tiempos de crisis: construyendo futuros posibles'; English and Portuguese summaries | |||
White Swan: on possible further additions to the oeuvre of a Crow warrior-artist | 2021 | Ethnohistory 68 (1): 1-27 | H6/KUB [ETHNOHISTORY-] | 1527-5477 | ||||
Bark painting of Arnhem Land, Australia: the Western reception 1960-1990 | 2021 | World art 11 (1): 1-39 | H6 [WORLD-] | 2150-0908 | ||||
Introduction: art and culture - actors or representatives? | 2021 | Central Asian survey 40 (1): 1-8 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
Nation, religion and social heat: heritaging Uyghur mäshräp in Kazakhstan | 2021 | Central Asian survey 40 (1): 9-33 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
The art of the Sixtiers in Soviet Kazakhstan, or how to make a portrait from a skull | 2021 | Central Asian survey 40 (1): 34-56 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
Soviet architecture, Kazakh nationalist sentiments and the making of Soviet Kazakhstan, 1925-33: the cases of Kyzylorda and the House of Government of the Kazakh ASSR in Almaty | 2021 | Central Asian survey 40 (1): 57-75 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
From Sufism to communism: incarnations of the Uyghur song 'Imam Hüsäynim' | 2021 | Central Asian survey 40 (1): 76-96 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
Contesting convention: agency in Dushanbe's contemporary art scene | 2021 | Central Asian survey 40 (1): 97-112 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
Queer identity in the contemporary art of Kazakhstan | 2021 | Central Asian survey 40 (1): 113-31 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
Enrabamento, healing and protection: cosmologies of the Caboclo Ataíde in the northeast of Pará | 2021 | Mana 27 (1): 1-38 | H6/KUL [MANA-] | 1678-4944 | English and Spanish summaries | |||
Okwui Enwezor's exhibition making as a practice of hospitality | 2021 | Nka: journal of contemporary African art (48): 54-69 | H6/KY [NKA-] | 1075-7163 | in special issue 'Okwui Enwezor: the art of curating' | |||
Africa in the Surrealist imaginary: photographs of sculpture in Minotaure and Documents | 2021 | Visual anthropology 34 (3): 185-213 | *H6 [VISUAL-] | 1545-5920 | ||||
Where art, anthropology and politics can meet: personalisation and metaphysics of interiority in discourses on suffering | 2021 | Cadernos de arte e antropologia 10 (1): 70-80 | in special issue 'A sonic anthropocene - sound practices in a changing environment'; Portuguese summary | |||||
Alejandro and the other portraits from the Children’s Gallery of America of the Inter-American Children’s Institute: images of “Latin American childhood” towards the end of the 70s | 2021 | Cuadernos de antropologia social (53): 55-68 | H6/KF [CUADERNOS-] | 1850-275x | in special issue 'La administración de la infancia y la adolescencia hoy. Etnografiando acciones estatales orientadas a la protección y vigilancia de niñas, niños y adolescentes'; English and Portuguese summaries | |||
Ensaio sobre o signo: troca, linguagem, espaço e um trabalho de Nuno Ramos | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-27 | 2525-3123 | English summary | ||||
The body of hierarchy: hand gestures on Classic Maya ceramics and their social significance | 2021 | Ancient Mesoamerica 32 (2): 269-83 | *H6/KE [ANCIENT-] | 0956-5361 | Spanish summary | |||
On resistance and failure in the archival art installation | 2021 | Visual anthropology 34 (4): 296-316 | *H6 [VISUAL-] | 1545-5920 | in special issue '(Un)sighted archives of migration—Spaces of encounter and resistance' |