Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Afro-descendant oralities and materialities of Ingeniero Miguel Sajaroff (ex La Capilla), Entre Ríos. An anthropological approach | 2022 | Revista Tefros 20 (1): 119-47 | 1669-726X | English and Portuguese summaries | ||||
‘The League will not ignore the cry of the Negro race for justice’: Marcus Garvey, the League of Nations and South-West Africa | 2022 | Journal of southern African studies 48 (1): 103-17 | H6/KY [JOURNAL-] | 1465-3893 | ||||
Theatre as a narrative change for refugees | 2022 | Cadernos de arte e antropologia 11 (1): 66-80 | in special issue 'Fronteiras, ativismos e (i)mobilidades: perspectivas estético-políticas'; English summary | |||||
Exiles, expatriates, and Malcolm X: debating the racial politics of liberation in the black star of Africa | 2022 | Journal of African history 63 (1): 91-105 | *H6/KY [JOURNAL-] | 0021-8537 | ||||
Black Wadada: dreadlocks, beards, and anticolonialism among Rastafari men in Jamaica | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-15 | 2525-3123 | in thematic section 'Religions: their images, performances and rituals'; also in Portuguese | ||||
Into the Abbatoire. Eldzier Cortor in Haiti, 1949-51 | 2022 | Nka: journal of contemporary African art (50) | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
Bridging the gap. The postwar era and the significance of John Biggers's Ananse | 2022 | Nka: journal of contemporary African art (50): 48-62 | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
Street to Mbari. Jacob Lawrence and the influence of the "international" on local modernism | 2022 | Nka: journal of contemporary African art (50): 64-75 | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
Making art about art: Emma Amos's foundations in London | 2022 | Nka: journal of contemporary African art (50): 116-30 | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
On tour with Benjamin Patterson | 2022 | Nka: journal of contemporary African art (50): 132-45 | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
Sonya Clark: constellation of a new American canon | 2022 | Nka: journal of contemporary African art (50): 146-58 | H6/KY [NKA-] | 1075-7163 | in special issue 'African American art in the international arena' | |||
“It’s the way my boat came ova”: African American women, ethnic options & ethnic moves | 2022 | Ethnic and racial studies 45 (19): 1918-38 | H6/KD [ETHNIC-] | 1466-4356 | ||||
The effects of colourism on migrant adaptation in Asia: the racial exclusion of African migrants in South Korea’s “multicultural” society | 2022 | Ethnic and racial studies 45 (19): 2004-24 | H6/KD [ETHNIC-] | 1466-4356 | ||||
'I got voodoo, I got hoodoo': ethnography and its objects in Disney's The princess and the frog | 2021 | Material religion 17 (1): 56-80 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
Who is Afro-Chilean? Authenticity struggles and boundary making in Chile’s northern borderland | 2021 | Ethnic and racial studies 44 (14): 2679-701 | H6/KD [ETHNIC-] | 1466-4356 | ||||
Caribbean womanism: decolonial theorizing of Caribbean women’s oppression, survival, and resistance | 2021 | Ethnic and racial studies 44 (14): 2702-22 | H6/KD [ETHNIC-] | 1466-4356 | ||||
Visualizing blackness in colonial Latin America | 2021 | Colonial Latin American review 30 (2): 179-96 | *H6/KUL [COLONIAL-] | 1466-1802 | introduction to special issue 'Visualizing blackness in Latin America' | |||
From ira to imagen: the Virgin of the Antigua as a ‘space for correlation’ in seventeenth-century Lima | 2021 | Colonial Latin American review 30 (2): 214-37 | *H6/KUL [COLONIAL-] | 1466-1802 | in special issue 'Visualizing blackness in Latin America' | |||
Architects of their own humanity: race, devotion, and artistic agency in Afro-Brazilian confraternal churches in eighteenth-century Salvador and Ouro Preto | 2021 | Colonial Latin American review 30 (2): 238-71 | *H6/KUL [COLONIAL-] | 1466-1802 | in special issue 'Visualizing blackness in Latin America' | |||
The composite pardo of seventeenth-century Lima: blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres | 2021 | Colonial Latin American review 30 (2): 272-304 | *H6/KUL [COLONIAL-] | 1466-1802 | in special issue 'Visualizing blackness in Latin America' | |||
After redemption and abandonment: José Antonio Aponte’s Libro de pinturas in the field of visual portraiture | 2021 | Colonial Latin American review 30 (2): 305-40 | *H6/KUL [COLONIAL-] | 1466-1802 | in special issue 'Visualizing blackness in Latin America' | |||
Modeling colonial paternalism: GIS and multispectral satellite imagery at Kingstown, British Virgin Islands | 2021 | American antiquity 86 (4): 734-51 | *H6/KE [AMERICAN-] | 0002-7316 | Spanish summary | |||
Malês on the shores of the Black Atlantic: challenges of internalization and internationalization of Unilab in Recôncavo Baiano | 2021 | Anuário antropológico (Rio) 46 (1): 119-44 | H6 [ANUARIO-] | 2357-738X | in special issue 'Novas universidades, novos campi, novas antropologias: docências, alteridades e expansão do Ensino Superior no Brasil'; English summary | |||
Negros y mulatos libres del Golfo y el Pacífico en las fronteras de la independencia de Mexico (1767–1810) | 2021 | Mexican studies 37 (3): 337-66 | *H6/KUL [MEXICAN-] | 1533-8320 | in thematic section 'Bicentennial of Mexican independence: new perspectives'; English summary | |||
“All power to the black people”: dialogues about collaborative practices between beings in afro-diasporic places and times | 2021 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (37): 164-77 | H6/KUL [SAO PAULO-] | 0103-9709 | English summary | |||
Decorative variability in São Paulo’s colonial ceramics: influences and resistances | 2021 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (37): 178-203 | H6/KUL [SAO PAULO-] | 0103-9709 | English summary | |||
Fieldwork and its perspectives: anthropological encounters between researcher and priest in Mina’s Drum (Tambor de Mina) | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (3): 611-31 | H6 [ETNOGRAFICA-] | 0873-6561 | English summary | |||
Skilling for dialogue exhibitions as arenas for the interchange of ideas and the materialization of negotiated interpretations | 2021 | Bulletin de la Société suisse des Américanistes (81): 33-43 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | in special issue 'Mirando a América Latina desde el museo: nuevas aproximaciones y nuevas prácticas'; French and Spanish summaries | |||
“Glory to all inglorious struggles:” negotiations, tensions, disputes, and resistance related to Afro-Brazilian heritage | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-21 | H6/KUL [BOLETIM-] | 1981-8122 | English summary | |||
Rice, African agency, and the ecological transformation of the Americas | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-15 | H6/KUL [BOLETIM-] | 1981-8122 | English summary | |||
The transatlantic slave trade and the foundation of the Kingdom of Galinhas in southern Sierra Leone, 1790–1820 | 2021 | Journal of African history 62 (3): 319-41 | *H6/KY [JOURNAL-] | 0021-8537 | ||||
Resounding the map of the African diaspora. Afro-Arican “Tumbe Carnaval” performance: the affective in social mobilization | 2021 | Boletín americanista (83): 123-46 | H6/KUL [BOLETIN-] | 0520-4100 | English summary | |||
Reflections on Afrika Bambaataa's Universal Zulu Nation: horizons, hip hop, and hybridity | 2021 | Journal of contemporary religion 36 (1): 19-36 | H6/KFO [JOURNAL-] | 1353-7903 | ||||
African presentations and Japanese discourses: the construction and projection of difference | 2021 | Asian anthropology 20 (2): 113-32 | H6/KW [ASIAN-] | 1683-478X | ||||
The unity of Black people and the redemption of Ethiopia: the Ethiopian World Federation and new Black nationalism, 1936-1940 | 2021 | International journal of African historical studies 54 (2): 193-215 | *H6/KY [INTERNATIONAL-] | 0361-7882 | ||||
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Afro-Turks: representation, tradition and identity | 2020 | Journal of folklore and literature (101): 73-85 | 1300-7491 | English summary | ||||
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Contemporary African art as a paradox: is "Afropolitan" the answer? | 2020 | Nka: journal of contemporary African art (46): 8-26 | H6/KY [NKA-] | 1075-7163 | in special issue 'Rethinking cosmopolitanism: Africa in Europe/Europe in Africa' | |||
Afropolitanism | 2020 | Nka: journal of contemporary African art (46): 56-61 | H6/KY [NKA-] | 1075-7163 | in special issue 'Rethinking cosmopolitanism: Africa in Europe/Europe in Africa' | |||
Bringing Afropolitanism to the Arctic circle | 2020 | Nka: journal of contemporary African art (46): 136-50 | H6/KY [NKA-] | 1075-7163 | in special issue 'Rethinking cosmopolitanism: Africa in Europe/Europe in Africa' | |||
Da alfândega ao Valongo: a entrada dos cativos africanos no Rio de Janeiro no século dezenove sob uma nova perspectiva historiográfica | 2020 | Latin American antiquity 31 (2): 342-59 | *H6/KE [LATIN-] | 1045-6635 | English summary | |||
Between tribute and transformation: negotiating the expressive and ethical dynamics of experimental Afro-Brazilian songs | 2020 | Ethnomusicology 64 (3): 473-97 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Portuguese summary | |||
From Biafra to police brutality: challenging localized Blackness toward globally racialized ethnicities of Nigerians in the U.S. | 2020 | Ethnic and racial studies 43 (9): 1600-17 | H6/KD [ETHNIC-] | 1466-4356 | ||||
A refusal to (not) forget: (post)Empire, transpolitics and locating diaspora in the anti-imperial consciousness of Howard Gayle | 2020 | Ethnic and racial studies 43 (9): 1692-710 | H6/KD [ETHNIC-] | 1466-4356 | ||||
Below possession: the notion of irradiation in the study of African diaspora religions | 2020 | Anuário antropológico (Rio) 45 (2): 146-63 | H6 [ANUARIO-] | 2357-738X | English summary | |||
Triste tropique in Jacqueline Bishop's patchwork aesthetics | 2020 | African arts 53 (1): 38-49 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Pelau masQUEERade: making Caribbean queer diasporic space in the Toronto pride parade | 2020 | Transforming anthropology 28 (1): 74-89 | H6 [TRANSFORMING-] | 1051-0559 | ||||
Black women, performance, and diaspora: Faye Harrison's “Three Women, One Struggle” | 2020 | Transforming anthropology 28 (2): 122-4 | H6 [TRANSFORMING-] | 1051-0559 | in special issue 'Celebrating Association of Black Anthropologists - 50th anniversary' | |||
African diaspora studies and the lost promise of Afrocentrism | 2020 | Transforming anthropology 28 (2): 126-9 | H6 [TRANSFORMING-] | 1051-0559 | in special issue 'Celebrating Association of Black Anthropologists - 50th anniversary' |