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TitleDateReferenceAuthorsCall #ISSN
Looking north: the origin of the Vertical Series Tradition2019 American Indian rock art 45: 1-19
  • David A. Kaiser
  • James D. Keyser
H6/KUB [AMERICAN INDIAN ROCK ART-]
Blackfoot artists on the Kevin Rim, Montana2019 American Indian rock art 45: 21-38
  • James D. Keyser
  • Stephen J. Lycett
H6/KUB [AMERICAN INDIAN ROCK ART-]
Eagle Creek canyon horses: a typology of calling card rock art sites2019 American Indian rock art 45: 39-62
  • David L. Minick
  • James D. Keyser
H6/KUB [AMERICAN INDIAN ROCK ART-]
The Lodge Boy and Spring Boy tale as depicted at Hole in the Wall, Wyoming2019 American Indian rock art 45: 63-72
  • Aaron Brien
  • Calvin Grinnell
  • Lawrence Loendorf
H6/KUB [AMERICAN INDIAN ROCK ART-]
A western anabasis as the origin of Coso Range art, eastern California2019 American Indian rock art 45: 73-81
  • Alexander F. Rogers
  • Robert M. Yohe II.
H6/KUB [AMERICAN INDIAN ROCK ART-]
Some thoughts on stellar constellations in petroglyphs2019 American Indian rock art 45: 83-8
  • Christiaan Sterken
H6/KUB [AMERICAN INDIAN ROCK ART-]
Rock art after the Hohokam: elements, style, and continuity of the Tohono O'odham at Cocoraque Butte2019 American Indian rock art 45: 89-101
  • Janine Hernbrode
H6/KUB [AMERICAN INDIAN ROCK ART-]
Elusive, enigmatic labyrinth glyphs of the American Southwest2019 American Indian rock art 45: 103-14
  • Kirk A. Astroth
H6/KUB [AMERICAN INDIAN ROCK ART-]
Radiocarbon dating the Guadalupe Red Linear style in the Guadalupe Mountains, New Mexico2019 American Indian rock art 45: 115-29
  • Eric Dillingham
  • Evelyn Billo
  • Karen L. Steelman
  • Lennon N. Bates
  • Margaret K. Berrier
  • Robert Mark
H6/KUB [AMERICAN INDIAN ROCK ART-]
Isolated beauty in lower Broad Canyon, New Mexico: 2017 rock art recordings at LA 696452019 American Indian rock art 45: 131-45
  • Margaret K. Berrier
H6/KUB [AMERICAN INDIAN ROCK ART-]
Around the Lower Pecos in 1,095 days: the Alexandria Project2019 American Indian rock art 45: 147-60
  • Amanda M. Castañeda
  • Carolyn E. Boyd
  • Charles W. Koenig
  • Jerod L. Roberts
  • Karen L. Steelman
  • Victoria L. Roberts
H6/KUB [AMERICAN INDIAN ROCK ART-]
A close look at the great gallery2019 American Indian rock art 45: 161-72
  • Richard Jenkinson
H6/KUB [AMERICAN INDIAN ROCK ART-]
Shamans, sachems, or selfies: the carved hands of southeastern New England2019 American Indian rock art 45: 173-92
  • Peter Anick
H6/KUB [AMERICAN INDIAN ROCK ART-]
Rock art dilemma: to chatter or not to chatter2019 American Indian rock art 45: 193-202
  • Dorothy Bohntinsky
H6/KUB [AMERICAN INDIAN ROCK ART-]
Views and points of view: examining the global tradition of rock art from a landscape and environmental perspective2018 American Indian rock art 44: 1-10
  • Jeff LaFave
H6/KUB [AMERICAN INDIAN ROCK ART-]
Looking at old dog with new tricks: review of documentation of Jaguar Cave, a unique painted shelter in west Texas2018 American Indian rock art 44: 11-22
  • Margaret Berrier
H6/KUB [AMERICAN INDIAN ROCK ART-]
The Quilcene petroglyph: a contact era site on the southern Northwest Coast2018 American Indian rock art 44: 23-8
  • Daniel Leen
H6/KUB [AMERICAN INDIAN ROCK ART-]
Seeing is finding: the value of DStretch for recording Columbia River rock art at Spedis Creek and Harris Canyon2018 American Indian rock art 44: 29-44
  • David L. Minick
  • James D. Keyser
H6/KUB [AMERICAN INDIAN ROCK ART-]
A tale of two sites: comparing two Columbia Plateau pictographic sites2018 American Indian rock art 44: 45-58
  • David A. Kaiser
  • James D. Keyser
H6/KUB [AMERICAN INDIAN ROCK ART-]
Exploring the use of an Idaho cave by an antelope charmer2018 American Indian rock art 44: 59-68
  • Carolynne L. Merrell
H6/KUB [AMERICAN INDIAN ROCK ART-]
Investigating the co-occurrence of petroglyphs and pictographs on the volcanic tablelands of northeast California2018 American Indian rock art 44: 69-88
  • Devin Snyder
  • Elisa Correa
  • Eric W. Ritter
  • Jennifer Rovanpera
  • Jon Harman
  • Sheila Harman
H6/KUB [AMERICAN INDIAN ROCK ART-]
Dating Western Message Petroglyphs with Aztec and Maya glyphs2018 American Indian rock art 44: 89-96
  • Judy F. Hilbish
H6/KUB [AMERICAN INDIAN ROCK ART-]
Becoming human: rock art depictions of transformation in landscapes of emergence2018 American Indian rock art 44: 97-110
  • Janine Hernbrode
  • Peter Boyle
H6/KUB [AMERICAN INDIAN ROCK ART-]
Ritual and rock art in Basketmaker ceremonies from Butler Wash to Atlatl Rock2018 American Indian rock art 44: 111-22
  • Dorothy Bohntinsky
  • William D. Hyder
H6/KUB [AMERICAN INDIAN ROCK ART-]
Pipe Spring: Fremont-Anasazi interaction in southeastern Utah2018 American Indian rock art 44: 123-43
  • David A. Kaiser
  • David L. Minick
  • James D. Keyser
  • Kevin Conti
H6/KUB [AMERICAN INDIAN ROCK ART-]
Finding faded Fremont: shorthand anthropomorphs and fugitive pigment at Pipe Spring, Utah2018 American Indian rock art 44: 145-58
  • David A. Kaiser
  • James D. Keyser
  • Kevin Conti
H6/KUB [AMERICAN INDIAN ROCK ART-]
Tobacco-related rock art at Vertical Series rock art in Montana and Wyoming2018 American Indian rock art 44: 159-68
  • David A. Kaiser
  • Lawrence Loendorf
H6/KUB [AMERICAN INDIAN ROCK ART-]
Another look at the rock art of southeastern New England2018 American Indian rock art 44: 169-92
  • Peter Anick
H6/KUB [AMERICAN INDIAN ROCK ART-]
Rock art in "The land of fire" (Azerbaijan): discovering the Gobustan Rock Art Cultural Landscape (UNESCO World Heritage List)2018 American Indian rock art 44: 193-200
  • Angelo Eugenio Fossati
H6/KUB [AMERICAN INDIAN ROCK ART-]
Cannibal woman on the Columbia - exploring a mythological motif2017 American Indian rock art 43: 1-9
  • David A. Kaiser
H6/KUB [AMERICAN INDIAN ROCK ART-]
A horse is a horse - and they really can tell us things2017 American Indian rock art 43: 11-28
  • James D. Keyser
  • Stephanie L. Renfro
H6/KUB [AMERICAN INDIAN ROCK ART-]
Lynx paw petroform alignments to red ochre exposure below Wisconsin's Niagara escarpment2017 American Indian rock art 43: 29-45
  • Diane Fox
  • Jim Uhrinak
H6/KUB [AMERICAN INDIAN ROCK ART-]
Power and identity: stability and change in Pueblo shield iconography from the fourtheenth to the nineteenth century2017 American Indian rock art 43: 47-66
  • Polly Schaafsma
H6/KUB [AMERICAN INDIAN ROCK ART-]
The importance of landscape-based approaches in rock art research2017 American Indian rock art 43: 67-74
  • Charlotte Vendome-Gardner
H6/KUB [AMERICAN INDIAN ROCK ART-]
Broad distribution of flower world imagery in Hohokam petroglyphs2017 American Indian rock art 43: 75-83
  • Janine Hernbrode
  • Peter Boyle
H6/KUB [AMERICAN INDIAN ROCK ART-]
Finding the dog in Arizona rock art2017 American Indian rock art 43: 85-92
  • Barbara J. Gronemann
H6/KUB [AMERICAN INDIAN ROCK ART-]
The rock paintings of Divisadero2017 American Indian rock art 43: 93-100
  • César A. Quijada
H6/KUB [AMERICAN INDIAN ROCK ART-]also in Spanish, 98-100
Rhythms in the landscape: the archaic pictorial tradition of Durango, Mexico2017 American Indian rock art 43: 101-15
  • Daniel Herrera Maldonado
H6/KUB [AMERICAN INDIAN ROCK ART-]also in Spanish, 110-16
The woman with butterfly hair whorls in Chalchihuites rock art of Durango, Mexico2017 American Indian rock art 43: 117-29
  • Ana Laura Chacón Rosas
  • Daniel Herrera Maldonado
H6/KUB [AMERICAN INDIAN ROCK ART-]also in Spanish, 126-9
Rock art and households in western Mexico: the case of Chavinda, Michoacán2017 American Indian rock art 43: 131-6
  • David Arturo Múñiz García
  • José Luis Punzo Díaz
  • Kimberly Sumano Ortega
H6/KUB [AMERICAN INDIAN ROCK ART-]also in Spanish, 136-8
A universalist taxonomy for pictures2017 American Indian rock art 43: 139-48
  • Livio Dobrez
H6/KUB [AMERICAN INDIAN ROCK ART-]
Willam Breen Murray (1940-2016)2016 American Indian rock art 42: vii-viii
  • Matthias Strecker
H6/KUB [AMERICAN INDIAN ROCK ART-]with bibliography in appendix, 127-9
The writing on the walls: neolithic rock art at the Ness of Brodgar2016 American Indian rock art 42: 1-7
  • Chloe Berghausen
H6/KUB [AMERICAN INDIAN ROCK ART-]
Marking the water: iconography and environment in northeast Mexican rock art2016 American Indian rock art 42: 9-14
  • William Breen Murray
H6/KUB [AMERICAN INDIAN ROCK ART-]
Willamette Falls: rock art at the end of the Oregon Trail2016 American Indian rock art 42: 15-24
  • David A. Kaiser
H6/KUB [AMERICAN INDIAN ROCK ART-]
A comparison of two significant vulviform sites in southern Idaho with similar sites elsewhere in the Great Basin2016 American Indian rock art 42: 25-32
  • Carolynne Merrell
H6/KUB [AMERICAN INDIAN ROCK ART-]
Lynx paw petroform: a connection to great lynx and underground/underwater panther American Indian traditions2016 American Indian rock art 42: 33-40
  • Diane Fox
  • Jim Uhrinak
H6/KUB [AMERICAN INDIAN ROCK ART-]
Site 48SW85: a hunting magic petroglyph on the Green River2016 American Indian rock art 42: 41-59
  • James D. Keyser
H6/KUB [AMERICAN INDIAN ROCK ART-]
DStretch at the Great Gallery2016 American Indian rock art 42: 61-6
  • Richard Jenkinson
H6/KUB [AMERICAN INDIAN ROCK ART-]
Western message petroglyphs: esoterica in the wild West2016 American Indian rock art 42: 67-79
  • Amy Marymor
  • Leigh Marymor
H6/KUB [AMERICAN INDIAN ROCK ART-]