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TitleDateReferenceAuthorsCall #ISSN
The main altarpiece of the Sacro Monte Abbey of Granada and its sculpture set by Domingo Cabrera (1746-1748). Dating, document and historical contextualization2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 93-128
  • José María Valverde Tercedor
H6/KFY [MEXICO-]0185-1276English summary
Grabados decorativos europeos y los retablos rococó del siglo XVIII en Trujillo (Perú)2019 Allpanchis 46 (83-84): 223-49
  • Gauvin Alexander Bailey
H6/KUL [ALLPANCHIS-]0252-8835in special issue 'Homenaje a Sabine MacCormack', with introduction by Ramón Mujica Pinilla, 9-12; English summary
The Eucharist in the altarpieces of New Spain: the case of the "collateral" of San Francisco Javier in Tepotzotlán2019 Anales del Instituto de Investigaciones Estéticas 41 (114): 112-55
  • Guillermo Arce
H6/KFY [MEXICO-]0185-1276English summary
The Bay of Cattaro (Kotor) school of icon-painting 1680-18602014 Balcanica 45: 187-202
  • Ljiljana Stošić
H6/KVO [BALCANICA-]0350-7653in thematic section 'Art history'
The convento of Yanhuitlan and its altarpiece: patronage and the making of a colonial iconography in 16th-century Mixteca Alta2013 Colonial Latin American review 22 (1): 61-97
  • Alessia Frassani
*H6/KUL [COLONIAL-]1060-9164in special issue 'Art and evangelization: creating a new art in 16th-century Mexican missions'
Stone bases of altars and processional crosses from 16th - 18th cc. Moscow churches2012 Rossiiskaia arkheologiia 2: 168-72
  • L.A. Beliaev
  • O.A. Tikhova
Caspar Luyken's illustrated Bible among the Serbs and Bulgarians in the eighteenth and nineteenth centuries2011 Balcanica 42: 37-48
  • Ljiljana Stošić
H6/KVO [BALCANICA-]0350-7653
The supernatural protectors of Mexican migrants: analysis of three narratives2010 Recherches amérindiennes au Québec 40 (1-2): 61-73, 174
  • Alfonso Reynoso-Rábago
  • Cándido González-Pérez
  • Hugo Adrián Medrano-Hernández
H6/KUB [RECHERCHES-]0318-4137in monographic issue 'Rémi Savard: le sense du recit'; with bibliography 43-7 and CD in appendix; English and Spanish summaries
La Virgen como territorio: los títulos primordiales de Santa María Nueva España2010 Colonial Latin American review 19 (1): 69-113
  • Jaime Cuadriello
*H6/KUL [COLONIAL-]1060-9164in special issue 'The power of images: visual representation in New Spain and Peru'
A framework for recuperation: HIV/AIDS and the Keiskamma altarpiece2010 African arts 43 (3): 34-51
  • Brenda Schmahmann
H6/KFY [AFRICAN-]0001-9933
El kalvario de Ptalcingo, Chiapas, y la tradición prehispánica de representar montañas2010 Temas antropológicos 32 (2): 5-22
  • Marceal Méndez Pérez
H6/KUL [YUCATAN-]1405-843X
Churches and the culture of memory: a study of Lutheran church interiors in Østfold, 1537-17002010 Arv: Nordic yearbook of folklore 66: 117-42
  • Arne Bugge Amundsen
H6/KVT [ARV-]0066-8176in thematic section 'Memory and culture'
Representations of (and the) indigenous in Peruvian retablos2009 Bulletin de l’Institut Français d’Etudes andines 38 (2): 307-26
  • María Eugenia Ulfe
H6/KUL [INSTITUT-]0303-7495English and French summaries
The sixteenth-century altar painting of the Cattaran (Kotor) fraternity of leather-makers2009 Balcanica 40: 75-84
  • Valentina Živković
H6/KVO [BALCANICA-]0350-7635
El retablo principal del templo de Santo Domingo Yanhuitlán, Oaxaca: Estudio de anatomía de la madera2008 Antropología (Mexico) 81: 102-13
  • Pablo Torres Soria
Interrelation between altar and confessio2007 Diadora 22: 173-90
  • Ana Mišković
H6/KE [DIADORA-]0417-4046English summary
Venerating the Veronica: varieties of passion piety in the later Middle Ages2007 Material religion 3 (2): 164-89
  • Anne L. Clark
H6/KFO [MATERIAL-]1743-2200
About the artists who designed and constructed the Vasil'evskie gates (1336): epigraphic comments2006 Rossiiskaia arkheologiia 2: 81-90
  • A. A. Medyntseva
H6/KVY [SOVETSKAYA-]0869-6063English summary
Regarding pictures of the 'Three Magi' in the monastery of Krušedol2006 Rad vojvodanskih Muzeja 47/48: 125-32
  • Darijuš Samii
H6/KVP [NOVI-]1450-6696English summary
Architecture, wood carving and painting in the Three Saints Bishops Church (Almaška) in Novi Sad2006 Rad vojvodanskih Muzeja 47/48: 159-72
  • Katarina Dobrič
H6/KVP [NOVI-]1450-6696English summary
Estudio anatómico de la madera del retablo de Santa María de la Asunción del templo de San Bernardino de Siena, Xochimilco2005 Antropología (Mexico) 79: 105-13
  • Oablo Torres Soria
El arte de los retablos ayacuchanos: religiosidad, historia y práctica cultural emergente2004 Allpanchis 64: 73-99
  • Maria Eugenia Ulfe
H6/KUL [ALLPANCHIS-]in thematic issue 'Religion y espacio andino'
El arte de los retablos ayacuchanos: religiosidad, historia y práctica cultural emergente2004 Allpanchis 64 (2): 73-99
  • María Eugenia Ulfe
Bishop complex of the 5th-6th centuries in Novae (in the vicinities of the city of Svishtov, Bulgaria)2003 Rossiiskaia arkheologiia 3: 82-97
  • A. B. Bernatski
  • E. IU. Klenina
H6/KVY [SOVETSKAYA-]0869-6063English summary
On the first period of the research on St Sophia cathedral in Kiev: the work of the architect M. A. SHCHurupov (1838)2002 Rossiiskaia arkheologiia 1: 113-21
  • N. A. IAkovlev
Indian altars of the Spiritual Church: Kongo echoes in New Orleans2000 African arts 33 (4): 62-9, 95-6
  • Stephen C. Wehmeyer
H6/KFY [AFRICAN-]0001-9933
El retablo de Ayotla, Teotitlán de Flores Magón, Oaxaca ¿Obra del mulato esclavo carpintero Victorino Antonio Sánchez?2000 Antropología (Mexico) 60: 26-34
  • J. Arturo Motta Sánchez
  • M. Elisa Velásquez
On the origins of the Novgorodian and Pskovian iconostases1999 Arkheologischeskie vesti 6: 221-30
  • T. A. CHukova
in special section 'New discoveries and studies'; English summary
Der hl. Franz Xaver und das Krebswunder. Jesuitisch gelenkte Wort- und Bildpropaganda als missionsmotivierte Kreuzmystic1999 Traditiones: acta Instituti Ethnographiae Slovenorum 28 (2): 233-45
  • Elfriede Grabner
0352-0447in issue in honour of Zmaga Kumer, with bibliography, 13-19; English and German summaries
The art of Nicario Jiménez, Peruvian retablista1997 Report from the San Francisco Craft and Folk Art Museum 14 (3): 1-4
  • Monica Klien Bennett