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TitleDateReferenceAuthorsCall #ISSN
Beyond Political Tensions: 2019 Ségou’Art | Festival on the Niger2020 Nka: journal of contemporary African art (47): 94-113
  • Hélène Tissières
H6/KY [NKA-]1075-7163
The anthropology of art after the end of art: contesting the art-culture system2019 Annual review of anthropology 48: 317-34
  • Eugenia Kisin
  • Fred R. Myers
H1 [BIENNIAL-]0084-6570
Making waves2019 Nka: journal of contemporary African art (45): 48-61
  • Elizabeth Robles
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Sonia Boyce: beyond blackness2019 Nka: journal of contemporary African art (45): 62-73
  • Anjalie Dalal-Clayton
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Self-portraiture and representations of Blackness in the Work of Donald Rodney2019 Nka: journal of contemporary African art (45): 74-86
  • Alice Correia
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Illness as metaphor Donald Rodney’s X-ray photographs2019 Nka: journal of contemporary African art (45): 88-98
  • Jareh Das
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Eugene Palmer and Barbara Walker photography and the Black subject2019 Nka: journal of contemporary African art (45): 100-13
  • Richard Hylton
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
The aesthetics of migration in an age of anxiety: Zineb Sedira, Allan deSouza, and Mary Evans2019 Nka: journal of contemporary African art (45): 114-26
  • Monique Kerman
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Charles White: a retrospective2019 Nka: journal of contemporary African art (45): 140-9
  • Jody B. Cutler-Bittner
H6/KY [NKA-]1075-7163
John Akomfrah: multichannel prehensions2019 Nka: journal of contemporary African art (45): 128-39
  • Ian Bourland
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
Denis Williams's London2019 Nka: journal of contemporary African art (45): 18-33
  • Maryam Ohadi-Hamadani
H6/KY [NKA-]1075-7163in special issue 'Black British art histories'
“I have seen a face with a thousand countenances”: interpreting Ptolemies’ mixed statuary2019 Revista do Museu de Arqueologia e Etnologia (São Paulo) (33): 3-14
  • Catarina Miranda
H6/KUL [SAO PAULO-]0103-9709in special issue 'Proceedings of international symposium “Migration and Colonization in the Mediterranean during the First Millennium BC”'; also in Portuguese
“Young artists can try out everything”: redefining contemporary Ghanaian art in the 21st century2019 Critical interventions: journal of African art history and visual culture 13 (1): 4-20
  • Rhoda Woets
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Black stars – Contextualizing the rise of blaxTARLINES: contemporary art of the late 20th to the early 21st centuries in Ghana2019 Critical interventions: journal of African art history and visual culture 13 (1): 51-74
  • Kwami Atta
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Art historical research in Ghana: reflections on the state and direction of scholarship2019 Critical interventions: journal of African art history and visual culture 13 (1): 75-96
  • Nii O. Quarcoopome
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Rita Fatric Bewong: fashioned from the environment, framed in time and finished in color2019 Critical interventions: journal of African art history and visual culture 13 (1): 97-104
  • Ayine Akolgo
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Institutional activations and interventions in art practice in Ghana: the case of Nubuke Foundation2019 Critical interventions: journal of African art history and visual culture 13 (1): 105-19
  • Odile Tevie
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
At home and abroad: reflections on collaborative museum ethnography at the Mathers Museum of World Cultures2019 Museum anthropology 42 (2): 62-70
  • Jason Baird Jackson
H6 [MUSEUM-]0892-8339
New directions in Black British art history: some considerations2019 Nka: journal of contemporary African art (45): 8-17
  • Eddie Chambers
H6/KY [NKA-]1075-7163introduction to special issue 'Black British art histories'
I could be happy with you, if you could be happy with me: the playful inventions of a visionary headrest artist from the Msinga region of Kwazulu-Natal2019 African arts 52 (4): 52-65
  • Sandra Klopper
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
Creative mediations: the figurative ceramics of Voania (from) Muba2019 African arts 52 (4): 34-51
  • Carlee S. Forbes
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
Somuk: the first modern artist of the Pacific2019 Tribal art (94): 142-51
  • Nicolas Garnier
*H6/KFY [WORLD-]1354-2990
Jacques Chirac: indigenous art and the sacred2019 Tribal art (94): 138-41
  • Alain Nicolas
*H6/KFY [WORLD-]1354-2990
Among the most beautiful of white visages: Tsangui masks2019 Tribal art (94): 96-113
  • Charlotte Grand-Dufay
*H6/KFY [WORLD-]1354-2990
Asian Civilisations Museum in Singapore: opening of an impressive new gallery2019 Tribal art (94): 90-5
  • Jet Bakels
*H6/KFY [WORLD-]1354-2990
Fijian histories: chiefs, valuables, and exchange2019 Tribal art (94): 82-7
  • Steven Hooper
*H6/KFY [WORLD-]1354-2990
The many masterpieces of the arts of Oceania, the Americas, and Africa at the National Museum of Scotland, Edinburgh2019 Tribal art (94): 68-81
  • Jonathan Fogel
*H6/KFY [WORLD-]1354-2990
La collection de madame: a few keys to understanding the exhibition at the Musée du Quai Branly - Jacques Chirac2019 Tribal art (94): 60-7
  • Hélène Joubert
*H6/KFY [WORLD-]1354-2990
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs2019 Histories of anthropology annual 13: 111-49
  • Kathy M'Closkey
H1 [HISTORIES-]1557-637X
Voice of America: Southwestern artists in the French Order of Academic Palms2018 Native American art (17): 98-105
  • Jean-Paul Valette
  • Rebecca M. Valette
A new understanding: a survey of contemporary Native art at Crystal Bridges reframes American art history2018 Native American art (17): 70-5
  • Erin E. Rand
America's heritage: Native American masterworks from the Charles and Valerie Dicker collection arrive at the Met's American wing2018 Native American art (17): 63-9
  • Michael Clawson
The "idiot sticks": Kwakwaka' wakw carving and cultural resistance in commercial art production on the Northwest Coast2018 American Indian culture and research journal 42 (3): 27-46
  • Jack Davy
H6/KUB [AMERICAN-]0161-6463in special issue 'Representing Native peoples: Native narratives of indigenous history and culture'