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TitleDateReferenceAuthorsCall #ISSN
Why there is still an illicit trade of cultural objects and what can we do about it2022 Journal of field archaeology 47 (2): 117-30
  • Donna Yates
  • Emiline Smith
  • Isber Sabrine
  • Morag M. Kersel
  • Neil Brodie
  • Simon Mackenzie
*H6/KE [JOURNAL-]2042-4582
Un trono dividido: el origen y movimientos de la banca jeroglífica 1 de Ixtutz, Guatemala2022 Latin American antiquity 33 (2): 262-78
  • David Stuart
  • Katharine Lukach
  • Mara Antonieta Reyes
  • Megan O'Neil
  • Nicholas Carter
  • Stephen Houston
*H6/KE [LATIN-]1045-6635English summary
Launched: Whangarei's Wairau Māori Art Gallery2022 Art New Zealand (182): 76-9
  • Maïa Abraham
H6/KX [ART-]0110-1102
The rallying call to decolonize: Okwui Enwezor's legacy2021 Nka: journal of contemporary African art (48): 24-39
  • Monique Kerman
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
In the wake of Okwui Enwezor2021 Nka: journal of contemporary African art (48): 14-22
  • Natasha Becker
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Abdelkader Lagtaâ and his conceptual exercises in Poland, 1972–742021 Nka: journal of contemporary African art (48): 40-52
  • Przemysław Strożek
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Okwui Enwezor's exhibition making as a practice of hospitality2021 Nka: journal of contemporary African art (48): 54-69
  • Suzette Min
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Enwezor's model and Copenhagen's Center for Art on Migration Politics2021 Nka: journal of contemporary African art (48): 70-95
  • Anne Ring Petersen
  • Sabine Dahl Nielsen
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Ethnic envy and other aggressions in the contemporary "global" art complex2021 Nka: journal of contemporary African art (48): 96-110
  • Amelia Jones
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Cherry River: where the rivers meet2021 Nka: journal of contemporary African art (48): 112-30
  • Mary Ellen Strom
  • Shane Doyle
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Laughing with, laughing at: humor and revolution in the 2019 Venice pavillions of Chile and Egypt2021 The Cambridge journal of anthropology 39 (2): 39-58
  • Alkisti Efthymiou
  • Chrisolua Lionis
H6 [CAMBRIDGE-]2047-7716in special issue 'Beyond revolution: reshaping nationhood through senses and affects'
Mexico's interamerican biennals and the hemispheric Cold War2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85
  • Fabiola Martínez Rodrigues
H6/KFY [MEXICO-]0185-1276Spanish summary
The contemporary art world, Africa, and the women who brought about change2021 African arts 54 (1): 1-5
  • Karen E. Milbourne
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
Dream no small dream2021 African arts 54 (1): 30-5
  • Chili Hawes
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
Shifting landscapes2021 African arts 54 (1): 36-47
  • Elisabeth Lalouschek
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
Supporting new futures in the arts: from the Prince Claus Fund and back2021 African arts 54 (1): 48-59
  • Els van der Plas
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
N'Goné fall2021 African arts 54 (1): 60-71
  • N'Goné Fall
  • Nontobeko Ntombela interv
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
Bisi Silva interviewed by Temitayo Ogunbiyi2021 African arts 54 (1): 72-81
  • Bisi Silva
  • Temitayo Ogunbiyi interv
H6/KFY [AFRICAN-]0001-9933in thematic issue 'The contemporary art world, Africa, and the women who brought about change'
Because the movement, it's never done2021 Journal of American folklore 134 (534): 492-500
  • Kathi King
  • Natalie Battles
H6/KF [JOURNAL-]0021-8751in special issue 'African American expressive culture, protest, imagination, and dreams of Blackness'
Artistic movements: visual arts and cross-border exchange on the Central African Copperbelt2021 Journal of southern African studies 47 (6): 951-72
  • Enid Guene
H6/KY [JOURNAL-]1465-3893
Interpretation, topography and chronology of the Greco-Catholic medals of the 17th-18th centuries (according to archaeological research and analysis of private collections)2021 Vestsi Akademii Navuk Belarusi 1: 41-57
  • Aliaksandr A. Kunash
H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk]0321-1649Russian and English summaries
Exhibitions and visual culture in Latin America,19th and 20th century. Introduction2021 Iberoamericana 21 (77): 7-13
  • Christiane Hoth de Olano
  • Sven Schuster
H6/KUL [IBEROAMERICANA-]1577-3388introduction to special section 'Exposiciones y cultura visual en América Latina, siglos XIX y XX'
Lagos art world: the emergence of an artistic hub on the global art periphery2020 African studies review 63 (1): 170-96
  • Jess Castellote
  • Tobenna Okwuosa
*H6/KY [AFRICAN-]0002-0206French and Portuguese summaries
Zimbabwe's journey to the Venice Biennale from 2011 to 20192020 African arts 53 (1): 1-3
  • Raphael Chikukwa
H6/KFY [AFRICAN-]0001-9933
The Mostra di Arte Negra at the Venice Biennale in 19222020 Tribal art (95): 86-101
  • Deborah Dainese
  • Gigi Pezzoli
*H6/KFY [WORLD-]1354-2990
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59
  • Ioannis Mouratidis
H6/KFY [MEXICO-]0185-1276
Contemporary art and the disciplining of novelty in the UAE2020 Museum anthropology 43 (2): 79-93
  • Elizabeth Derderian
H6 [MUSEUM-]0892-8339
Prestige in social dilemmas: a network analytic approach to cooperation among Bogotá's art organizations2020 Social networks 61: 196-209
  • Annatina Aerne
H6/KF [SOCIAL-]0378-8733
Turning the Pushkin Museum into a 'Russian Tate': informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)2019 International journal of cultural studies 22 (2): 281-97
  • Margarita I. Kuleva
H6/KF [INTERNATIONAL-]1367-8779
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction2019 African arts 52 (1): 15-17
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933introduction to thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Oriental taste in imperial Japan: the exhibition and sale of Asian art and artifacts by Japanese department stores from the 1920s through the early 1940s2019 Journal of Asian studies 78 (1): 45-74
  • Younjung Oh
*H6/KW [JOURNAL-]0021-9118
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs2019 Histories of anthropology annual 13: 111-49
  • Kathy M'Closkey
H1 [HISTORIES-]1557-637X
The art of opening: proximity and potentiality at events2019 Theory, culture and society 36 (7-8): 135-52
  • Julie Ren
  • Martin Fuller
H6 [THEORY-]0263-2764
Le caractère marchand du fétiche et son secret. L'art de profiler les objets chez les antiquaires ouest-africaines2019 Gradhiva: revue de anthropology et museologie (30): 70-91
  • Julien Bondaz
H6 [GRADHIVA-]0764-8928in thematic issue 'Précieux'
At the center of the controversy: confronting ethnic fraud in the arts2019 American Indian culture and research journal 43 (4): 13-24
  • Ashley Holland
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Decentering Durham2019 American Indian culture and research journal 43 (4): 25-8
  • Nancy Marie Mithlo
H6/KUB [AMERICAN-]0161-6463introduction to thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Not Jimmy Durham's Cherokee2019 American Indian culture and research journal 43 (4): 29-32
  • Roy Boney jr.
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Walk-through at the hammer2019 American Indian culture and research journal 43 (4): 33-6
  • James Luna
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
A chapter closed?2019 American Indian culture and research journal 43 (4): 37-40
  • America Meredith
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
What shall we do with the bodies? Reconsidering the archive in the aftermath of fraud2019 American Indian culture and research journal 43 (4): 41-54
  • Mario Caro
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Living in a (Schrödinger's) box: Jimmy Durham's strategic use of ambiguity2019 American Indian culture and research journal 43 (4): 55-64
  • Suzanne Newman Fricke
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
The artist knows best: the de-professionalism of a profession2019 American Indian culture and research journal 43 (4): 65-76
  • Nancy Marie Mithlo
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Hustling and hoaxing: institutions, modern styles, and Yeffe Kimball's "Native" art2019 American Indian culture and research journal 43 (4): 77-92
  • Sarah Anne Stolte
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Closing the gap: ethics and the law in the exhibition of contemporary Native art2019 American Indian culture and research journal 43 (4): 115-22
  • Tahnee M. Ahtoneharjo-Growingthunder
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
“Young artists can try out everything”: redefining contemporary Ghanaian art in the 21st century2019 Critical interventions: journal of African art history and visual culture 13 (1): 4-20
  • Rhoda Woets
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Institutional activations and interventions in art practice in Ghana: the case of Nubuke Foundation2019 Critical interventions: journal of African art history and visual culture 13 (1): 105-19
  • Odile Tevie
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Cargo of art and pictorial materials in the galeons of the Firm Land of 1586. Shipments from Seville to the cities of Bogotá, Tunja, Cuzco and Lima2019 Anales. Museo de América (Madrid) (27): 95-130
  • Juan Carlos Bermeo Lema
H6/KUL [MUSEO DE AMERICA. Anales]1133-8741English summary
Which art history in Africa? A question of method2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 148-57
  • Moses Serubiri
H6/KFY [CRITICAL-]1930-1944in special issue 'African modernisms and its terminologies and methodologies - a critical mapping of the field'
A summer of art?2018 African arts 51 (1): 1-2, 4-7
  • Nadine Siegert
H6/KFY [AFRICAN-]0001-9933
Skipping the blockade run: Andile Dylavane and Camagu2018 Critical interventions: journal of African art history and visual culture 12 (1): 97-106
  • Elizabeth Perrill
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'