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| Title | Date | Reference | Authors | Call # | ISSN | |||
|---|---|---|---|---|---|---|---|---|
| Volga-Ural and West Siberian components in the folklore of the Sámi and the Baltic Finns | 2022 | Folklore 133 (1): 47-72 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| The serpent and the crow: reassessing fairy-tale motifs in the old Icelandic Ragnars saga loðbrókar | 2022 | Folklore 133 (1): 73-95 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| Plots of Gothic origin in Ukrainian folklore prose | 2022 | Folklore (Tartu) 85: 161-80 | H6/KVT [FOLKLORE-] | 1406-0949 | ||||
| Legends on two wheels: motorcycles and bikers in ledger art | 2022 | First American art magazine 34: 20-5 | H6/KUB [FIRST-] | 2333-5548 | ||||
| Tang Chang - a reluctant 'outsider' of Thai modern art | 2022 | World art 12 (1): 1-23 | H6 [WORLD-] | 2150-0908 | ||||
| Unveiling the character gallery of sermons: a social network analysis of 11,955 Danish sermons | 2022 | Temenos: Nordic journal of comparative religion 58 (1): 119-46 | 2342-7256 | |||||
| Enigmatic variations: an early stylistic influence on the development of Mohawk floral beadwork | 2022 | Whispering wind 49 (3): 6-11 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
| The Kalaṅkyaṅ in Old Javanese literature: from bird of prey to mirror image of the poet | 2022 | Bijdragen tot de taal-, land- en volkenkunde 178 (2/3): 252-71 | H6/KX [BIJDRAGEN-] | 0006-2294 | ||||
| Laocoonte indiano: memoria de serpientes, imitación y pathos en Arauco domado (1596) de Pedro de Oña | 2022 | Colonial Latin American review 31 (2): 236-56 | *H6/KUL [COLONIAL-] | 1466-1802 | in monographic issue 'Pasiones americanas' | |||
| Guanacos engravings in the interfluvium of the Gallegos-Chico (Santa Cruz, Argentina): its southernmost distribution in Patagonia | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 131-49 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
| Rice and rhyme: seeing Zhuang rice-related folklore through their folk songs | 2021 | Folklore 132 (1): 34-58 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| Islamisation and the formation of vernacular Muslim material culture in 15th-century northern Sumatra | 2021 | Indonesia and the Malay world 49 (143): 1-41 | H6/KX [INDONESIA-] | 1469-8382 | ||||
| An Inca “epic hymn” in a colonial quero: presentation and preliminary study | 2021 | Chungará 53 (1): 55-80 | H6/KUL [CHUNGARA-] | 0716-1182 | English summary | |||
| Socially engaged art in postcolonial Japan: an alternative view of contemporary Japanese art | 2021 | World art 11 (1): 71-93 | H6 [WORLD-] | 2150-0908 | ||||
| From Sufism to communism: incarnations of the Uyghur song 'Imam Hüsäynim' | 2021 | Central Asian survey 40 (1): 76-96 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
| Queer identity in the contemporary art of Kazakhstan | 2021 | Central Asian survey 40 (1): 113-31 | *H6/KW [CENTRAL-] | 0263-4937 | in special issue 'The social role of art and culture in Central Asia' | |||
| Passion flower and wheel of fortune: an oya motif as an example of textile form and color design | 2021 | Textile: the journal of cloth and culture 19 (1): 2-25 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
| From embroidered painting to needle words | 2021 | Textile: the journal of cloth and culture 19 (1): 91-105 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
| Rock art and occupational sequence of Quebrada de las Cañas (Tafí del Valle, Tucumán, Argentina) | 2021 | Boletín del Museo chileno de Arte precolombino 26 (1): 73-91 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
| The undesired other: on the negative attitude towards the ‘Other’ in South Slavic oral lyric in the context of love and weddings | 2021 | Folklore 132 (2): 140-64 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| Knowing nature: bear-human bestiality in the Gesta Romanorum | 2021 | Folklore 132 (2): 189-207 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| An analysis of motif clusters at the Nanguluwurr Rock Art Site, Kakadu National Park, N. T. Australia | 2021 | Journal of field archaeology 46 (6): 414-28 | *H6/KE [JOURNAL-] | 2042-4582 | ||||
| The missing Macassans: indigenous sovereignty, rock art and the archaeology of absence | 2021 | Australian archaeology 87 (2): 127-43 | *H6/KE [AUSTRALIAN-] | 0312-2417 | ||||
| Note about the 'idols' of the Moroccan High Atlas | 2021 | Almogaren 52: 253-6 | H6/KE [ALMOGAREN-] | French and German summaries | ||||
| Moche pottery: forms, functions, and social change | 2021 | Ñawpa Pacha 41 (2): 187-209 | H6/KE [NAWPA-] | 0077-6297 | Spanish summary | |||
| Ann Flood, Mairéad Farrell, and the representation of armed femininity in Irish Republican ballads | 2021 | Ethnomusicology 65 (3): 471-96 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Gaelic summary | |||
| Patrons, clientele and patronage: iconography of the Virgin of Mercy and Saint Joseph's patronage in New Spain | 2021 | Anales del Instituto de Investigaciones Estéticas 43 (119): 169-208 | H6/KFY [MEXICO-] | 0185-1276 | English summary | |||
| Two stripe ("two path") wampum belts: different tropes for a single decorative theme | 2021 | Northeast anthropology (87-88): 37-71 | H6/KUB [MAN IN THE NORTHEAST-] | 1068-9982 | French summary | |||
| Narrating a nation left behind: the innocent child in two novels of Zimbabwe | 2021 | Journal of southern African studies 47 (5): 889-901 | H6/KY [JOURNAL-] | 1465-3893 | in special issue 'Reading repression and resistance in Zimbabwean literature' | |||
| Analysis of the worldwide distribution of the 'man or animal in the moon' motifs | 2021 | Folklore (Tartu) 84: 127-44 | H6/KVT [FOLKLORE-] | 1406-0949 | ||||
| Motifs of inanimate nature and atmospheric phenomena in Polish folktales | 2021 | Folklore (Tartu) 84: 145-66 | H6/KVT [FOLKLORE-] | 1406-0949 | ||||
| Recalling socialism through clubbing posters: a visual analysis of grassroots alternative memory practices | 2021 | Martor: revue d'anthropologie du Musée du Paysan Roumain (26): 74-92 | H6/KVQ [MARTOR-] | 2734-8350 | in thematic issue 'Visual ethics after communism' | |||
| Disappearing and disappeared daughters in medieval Chinese Buddhism: Sūtras on sex transformation and intervention into their transmission history | 2021 | History of religions 60 (4): 255-86 | H6/KFO [HISTORY-] | 0018-2710 | ||||
| Pictorial graffiti from the Ghazali northern church, Sudan: an overview | 2021 | Journal of African archaeology 19: 187-204 | H6/KE [JOURNAL-] | 1612-1651 | ||||
| Boundless encounters - the impression of the 2019 3rd Hangzhou Triennial of Fiber Art | 2021 | Textile: the journal of cloth and culture 19 (2): 136-43 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
| The anaconda as a snake canoe: myth and shamanism in the eastern Amazon, Brazil | 2021 | Boletín de antropología (Antioquia) 36 (61): 164-86 | H6/KUL [BOLETIN-] | 0120-2510 | in special issue 'Cuerpos, corporalidades y territorios: un diálogo abierto'; English, French and Portuguese summaries | |||
| Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis | 2020 | Ethnomusicology 64 (1): 141-66 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
| Cultural nationalism of the interwar period: Latvian visual art and folklore | 2020 | Nations and nationalism 26 (1): 155-75 | *H6/KF [NATIONS-] | 1354-5078 | ||||
| An investigatıon on the use of [folklore] products in the first youth literature: The age of shadows-Kunday | 2020 | Journal of folklore and literature (102): 265-79 | 1300-7491 | English summary | ||||
| Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis | 2020 | Ethnomusicology 64 (1): 141-66 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
| Three Cinderella tales from the mountains of southwest China | 2020 | Journal of folklore research 57 (2): 119-52 | H6/KF [INDIANA-] | 0737-7037 | ||||
| Themes in early south Indian commercial photography | 2020 | Visual anthropology 33 (4): 348-62 | *H6 [VISUAL-] | 0894-9468 | in special issue 'Envisioning the antipodes: South India, South America, Southern Africa' | |||
| When the moral mentors lapse: a comparative study of Estonian and Belarusian clergy jokes | 2020 | Folklore 131 (3): 292-309 | H6/KF [FOLKLORE-] | 1469-8315 | ||||
| Incest, eclipse, and the origin of the moon's spots: nature as darkness and chaos in Amerindian myth | 2020 | Journal of folklore research 57 (3): 27-62 | H6/KF [INDIANA-] | 0737-7037 | ||||
| War-talk: an urban youth language of siege in Nairobi | 2020 | Journal of Eastern African studies 14 (4): 707-23 | H6/KY [EASTERN-] | 1753-1055 | in thematic section 'Youth, the Kenyan state and a politics of contestation' | |||
| Raja Bersiong or the Fanged King | 2020 | Indonesia and the Malay world 48 (142): 263-80 | H6/KX [INDONESIA-] | 1363-9811 | ||||
| Unravelling the Battle of Britain lace panel | 2020 | Textile: the journal of cloth and culture 18 (1): 24-38 | H6/KGG [TEXTILE-] | 1475-9756 | in special issue 'Missing persons and hidden heritages in European lace making' | |||
| Cultural resource management of the dying ivory craftsmanship as reflected in the wood carving of Thiruvananthapuram, Kerala | 2020 | Journal of Indo-Pacific archaeology 44: 1-18 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | ||||
| The rock art of Kisar Island, Indonesia: a small island with a wealth and diversity of artistic expression | 2020 | Journal of Indo-Pacific archaeology 44: 19-51 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | ||||
| A new side of the 'sacrificer'. Tiwanaku iconography in bone tubes from San Pedro de Atacama, Chile (400-1000 AD) | 2020 | Boletín del Museo chileno de Arte precolombino 25 (2): 97-126 | H6/KE [BOLETIN-] | 0716-1530 | English summary |
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