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TitleDateReferenceAuthorsCall #ISSN
The rallying call to decolonize: Okwui Enwezor's legacy2021 Nka: journal of contemporary African art (48): 24-39
  • Monique Kerman
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
In the wake of Okwui Enwezor2021 Nka: journal of contemporary African art (48): 14-22
  • Natasha Becker
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Abdelkader Lagtaâ and his conceptual exercises in Poland, 1972–742021 Nka: journal of contemporary African art (48): 40-52
  • Przemysław Strożek
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Okwui Enwezor's exhibition making as a practice of hospitality2021 Nka: journal of contemporary African art (48): 54-69
  • Suzette Min
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Enwezor's model and Copenhagen's Center for Art on Migration Politics2021 Nka: journal of contemporary African art (48): 70-95
  • Anne Ring Petersen
  • Sabine Dahl Nielsen
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Ethnic envy and other aggressions in the contemporary "global" art complex2021 Nka: journal of contemporary African art (48): 96-110
  • Amelia Jones
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Cherry River: where the rivers meet2021 Nka: journal of contemporary African art (48): 112-30
  • Mary Ellen Strom
  • Shane Doyle
H6/KY [NKA-]1075-7163in special issue 'Okwui Enwezor: the art of curating'
Laughing with, laughing at: humor and revolution in the 2019 Venice pavillions of Chile and Egypt2021 The Cambridge journal of anthropology 39 (2): 39-58
  • Alkisti Efthymiou
  • Chrisolua Lionis
H6 [CAMBRIDGE-]2047-7716in special issue 'Beyond revolution: reshaping nationhood through senses and affects'
Mexico's interamerican biennals and the hemispheric Cold War2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85
  • Fabiola Martínez Rodrigues
H6/KFY [MEXICO-]0185-1276Spanish summary
Lagos art world: the emergence of an artistic hub on the global art periphery2020 African studies review 63 (1): 170-96
  • Jess Castellote
  • Tobenna Okwuosa
*H6/KY [AFRICAN-]0002-0206French and Portuguese summaries
Zimbabwe's journey to the Venice Biennale from 2011 to 20192020 African arts 53 (1): 1-3
  • Raphael Chikukwa
H6/KFY [AFRICAN-]0001-9933
The Mostra di Arte Negra at the Venice Biennale in 19222020 Tribal art (95): 86-101
  • Deborah Dainese
  • Gigi Pezzoli
*H6/KFY [WORLD-]1354-2990
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59
  • Ioannis Mouratidis
H6/KFY [MEXICO-]0185-1276
Turning the Pushkin Museum into a 'Russian Tate': informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)2019 International journal of cultural studies 22 (2): 281-97
  • Margarita I. Kuleva
H6/KF [INTERNATIONAL-]1367-8779
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction2019 African arts 52 (1): 15-17
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933introduction to thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Oriental taste in imperial Japan: the exhibition and sale of Asian art and artifacts by Japanese department stores from the 1920s through the early 1940s2019 Journal of Asian studies 78 (1): 45-74
  • Younjung Oh
*H6/KW [JOURNAL-]0021-9118
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs2019 Histories of anthropology annual 13: 111-49
  • Kathy M'Closkey
H1 [HISTORIES-]1557-637X
The art of opening: proximity and potentiality at events2019 Theory, culture and society 36 (7-8): 135-52
  • Julie Ren
  • Martin Fuller
H6 [THEORY-]0263-2764
Le caractère marchand du fétiche et son secret. L'art de profiler les objets chez les antiquaires ouest-africaines2019 Gradhiva: revue de anthropology et museologie (30): 70-91
  • Julien Bondaz
H6 [GRADHIVA-]0764-8928in thematic issue 'Précieux'
At the center of the controversy: confronting ethnic fraud in the arts2019 American Indian culture and research journal 43 (4): 13-24
  • Ashley Holland
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Decentering Durham2019 American Indian culture and research journal 43 (4): 25-8
  • Nancy Marie Mithlo
H6/KUB [AMERICAN-]0161-6463introduction to thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Not Jimmy Durham's Cherokee2019 American Indian culture and research journal 43 (4): 29-32
  • Roy Boney jr.
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Walk-through at the hammer2019 American Indian culture and research journal 43 (4): 33-6
  • James Luna
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
A chapter closed?2019 American Indian culture and research journal 43 (4): 37-40
  • America Meredith
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
What shall we do with the bodies? Reconsidering the archive in the aftermath of fraud2019 American Indian culture and research journal 43 (4): 41-54
  • Mario Caro
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Living in a (Schrödinger's) box: Jimmy Durham's strategic use of ambiguity2019 American Indian culture and research journal 43 (4): 55-64
  • Suzanne Newman Fricke
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
The artist knows best: the de-professionalism of a profession2019 American Indian culture and research journal 43 (4): 65-76
  • Nancy Marie Mithlo
H6/KUB [AMERICAN-]0161-6463in thematic section 'Decentering Durham', in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Hustling and hoaxing: institutions, modern styles, and Yeffe Kimball's "Native" art2019 American Indian culture and research journal 43 (4): 77-92
  • Sarah Anne Stolte
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
Closing the gap: ethics and the law in the exhibition of contemporary Native art2019 American Indian culture and research journal 43 (4): 115-22
  • Tahnee M. Ahtoneharjo-Growingthunder
H6/KUB [AMERICAN-]0161-6463in special issue 'Fraud in Native American communities essays in honor of Suzan Shown Harjo'
“Young artists can try out everything”: redefining contemporary Ghanaian art in the 21st century2019 Critical interventions: journal of African art history and visual culture 13 (1): 4-20
  • Rhoda Woets
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Institutional activations and interventions in art practice in Ghana: the case of Nubuke Foundation2019 Critical interventions: journal of African art history and visual culture 13 (1): 105-19
  • Odile Tevie
H6/KFY [CRITICAL-]1930-1944in special issue 'Twenty-first century contemporary art in Ghana'
Cargo of art and pictorial materials in the galeons of the Firm Land of 1586. Shipments from Seville to the cities of Bogotá, Tunja, Cuzco and Lima2019 Anales. Museo de América (Madrid) (27): 95-130
  • Juan Carlos Bermeo Lema
H6/KUL [MUSEO DE AMERICA. Anales]1133-8741English summary
Which art history in Africa? A question of method2019 Critical interventions: journal of African art history and visual culture 13 (2-3): 148-57
  • Moses Serubiri
H6/KFY [CRITICAL-]1930-1944in special issue 'African modernisms and its terminologies and methodologies - a critical mapping of the field'
A summer of art?2018 African arts 51 (1): 1-2, 4-7
  • Nadine Siegert
H6/KFY [AFRICAN-]0001-9933
Skipping the blockade run: Andile Dylavane and Camagu2018 Critical interventions: journal of African art history and visual culture 12 (1): 97-106
  • Elizabeth Perrill
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Centers and peripheries: the emergence of a market for African art in South Africa2018 Critical interventions: journal of African art history and visual culture 12 (1): 84-96
  • Paula Girshick
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The Frobenius effect: Frederick Starr in the Congo2018 Critical interventions: journal of African art history and visual culture 12 (1): 71-83
  • Enid Schildkrout
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The market as "artist": the French origins of the obsession with provenance in historical African art2018 Critical interventions: journal of African art history and visual culture 12 (1): 52-70
  • John Warne Monoroe
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The missionary as collector and dealer: Dr. George W. Harley in Liberia, 1925-19602018 Critical interventions: journal of African art history and visual culture 12 (1): 36-51
  • Christopher B. Steiner
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Of patterns and markets: the making and unmaking of Asafo flags2018 Critical interventions: journal of African art history and visual culture 12 (1): 22-35
  • Silvia Forni
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Purloined provenance: reflections on authority and authenticity in African art2018 Critical interventions: journal of African art history and visual culture 12 (1): 8-21
  • Monica Blackmun Visonà
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The African art market as ego-system2018 Critical interventions: journal of African art history and visual culture 12 (1): 1-7
  • Christopher B. Steiner
  • Silvia Forni
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
A new era begins at SWAIA2018 First American art magazine 19: 38-41
  • Jason Morgan Edwards
H6/KUB [FIRST-]2333-5548
'Making' labour in Mexican artisanal workshops2018 Journal of the Royal Anthropological Institute (New Series) 24 (S1): 61-74
  • Alanna Cant
H6 [JOURNAL-]1359-0987in special issue 'Dislocating labour: anthropological reconfigurations'; French summary
Dak'art: global black cultural politics in the twentieth century2018 Nka: journal of contemporary African art (42-43): 96-109
  • Ugochukwu-Smooth C. Nzewi
H6/KY [NKA-]1075-7163
Soul call: the First World Festival of Negro Arts at a pivot of black modernities2018 Nka: journal of contemporary African art (42-43): 124-35
  • Penny M. Von Eschen
H6/KY [NKA-]1075-7163
The effects of publications and exhibitions on Native Northwest Coast art production2018 Recherches amérindiennes au Québec 48 (1-2): 101-12, 251-2
  • Solen Roth
H6/KUB [RECHERCHES-]0318-4137in thematic issue 'Récits de savoirs partagés par l'art et la création en milieux autochtone'; English and Spanish summaries
Producing, collecting, and exhibiting Bizango sculptures from Haiti. Transatlantic Vodou on the international art scene2018 African arts 51 (4): 8-19
  • André Delpuech
  • Catherine Benoît
H6/KFY [AFRICAN-]0001-9933
Art auctions and the poorer rich: the impact of the 2015 stock market sell-off on the emerging Philippine art market2018 Southeast Asian studies 7 (2): 183-97
  • J. Sedfrey S. Santiago
  • Rosalina Palanca-Tan
H6/KWY [SOUTHEAST-]0563-8682
Art market as an economic factor in the development of kitsch2018 Vestsi Akademii Navuk Belarusi 2: 211-20
  • D.IU. Buneeva
H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk]2524-2369in thematic section 'Art history, ethnography, folklore'; Russian and English summaries