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These search results show articles and films where one or more keywords of any type is Art trade.
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TitleDateReferenceAuthorsCall #ISSN
Turning the Pushkin Museum into a 'Russian Tate': informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)2019 International journal of cultural studies 22 (2): 281-97
  • Margarita I. Kuleva
H6/KF [INTERNATIONAL-]1367-8779
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction2019 African arts 52 (1): 15-17
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933introduction to thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Oriental taste in imperial Japan: the exhibition and sale of Asian art and artifacts by Japanese department stores from the 1920s through the early 1940s2019 Journal of Asian studies 78 (1): 45-74
  • Younjung Oh
*H6/KW [JOURNAL-]0021-9118
A summer of art?2018 African arts 51 (1): 1-2, 4-7
  • Nadine Siegert
H6/KFY [AFRICAN-]0001-9933
Skipping the blockade run: Andile Dylavane and Camagu2018 Critical interventions: journal of African art history and visual culture 12 (1): 97-106
  • Elizabeth Perrill
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Centers and peripheries: the emergence of a market for African art in South Africa2018 Critical interventions: journal of African art history and visual culture 12 (1): 84-96
  • Paula Girshick
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The Frobenius effect: Frederick Starr in the Congo2018 Critical interventions: journal of African art history and visual culture 12 (1): 71-83
  • Enid Schildkrout
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The market as "artist": the French origins of the obsession with provenance in historical African art2018 Critical interventions: journal of African art history and visual culture 12 (1): 52-70
  • John Warne Monoroe
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The missionary as collector and dealer: Dr. George W. Harley in Liberia, 1925-19602018 Critical interventions: journal of African art history and visual culture 12 (1): 36-51
  • Christopher B. Steiner
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Of patterns and markets: the making and unmaking of Asafo flags2018 Critical interventions: journal of African art history and visual culture 12 (1): 22-35
  • Silvia Forni
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
Purloined provenance: reflections on authority and authenticity in African art2018 Critical interventions: journal of African art history and visual culture 12 (1): 8-21
  • Monica Blackmun Visonà
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
The African art market as ego-system2018 Critical interventions: journal of African art history and visual culture 12 (1): 1-7
  • Christopher B. Steiner
  • Silvia Forni
H6/KFY [CRITICAL-]1930-1944in special issue 'African art markets'
A new era begins at SWAIA2018 First American art magazine 19: 38-41
  • Jason Morgan Edwards
H6/KUB [FIRST-]2333-5548
'Making' labour in Mexican artisanal workshops2018 Journal of the Royal Anthropological Institute (New Series) 24 (S1): 61-74
  • Alanna Cant
H6 [JOURNAL-]1359-0987in special issue 'Dislocating labour: anthropological reconfigurations'; French summary
Dak'art: global black cultural politics in the twentieth century2018 Nka: journal of contemporary African art (42-43): 96-109
  • Ugochukwu-Smooth C. Nzewi
H6/KY [NKA-]1075-7163
Soul call: the First World Festival of Negro Arts at a pivot of black modernities2018 Nka: journal of contemporary African art (42-43): 124-35
  • Penny M. Von Eschen
H6/KY [NKA-]1075-7163
The effects of publications and exhibitions on Native Northwest Coast art production2018 Recherches amérindiennes au Québec 48 (1-2): 101-12, 251-2
  • Solen Roth
H6/KUB [RECHERCHES-]0318-4137in thematic issue 'Récits de savoirs partagés par l'art et la création en milieux autochtone'; English and Spanish summaries
Producing, collecting, and exhibiting Bizango sculptures from Haiti. Transatlantic Vodou on the international art scene2018 African arts 51 (4): 8-19
  • André Delpuech
  • Catherine Benoît
H6/KFY [AFRICAN-]0001-9933
Art auctions and the poorer rich: the impact of the 2015 stock market sell-off on the emerging Philippine art market2018 Southeast Asian studies 7 (2): 183-97
  • J. Sedfrey S. Santiago
  • Rosalina Palanca-Tan
H6/KWY [SOUTHEAST-]0563-8682
Indigeneity at Documenta 142017/2018 First American art magazine 17: 28-35
  • Andrea L. Ferber
H6/KUB [FIRST-]2333-5548
A patwhway to the guts: Mata Aho collective at documenta142017-2018 Art New Zealand (164): 80-4
  • Rchael O'Neill
H6/KX [ART-]0110-1102
STOP - TAAR: III conceived and destructive legislation2017 Tribal art 21 (2): 118-21
  • Jonathan Fogel
  • Kate Fitz Gibbon
*H6/KFY [WORLD-]1354-2990
The possiblity of trade in antique ivory2017 Tribal art 21 (4): 152-3
  • Yves-Bernard Debie
*H6/KFY [WORLD-]1354-2990
Picking through history: 'mantiques' and masculinity in artifactual entertainment2017 European journal of cultural studies 20 (5): 509-24
  • Madeleine Shufeldt Esch
H6/KF [EUROPEAN-]1367-5494in special issue 'Gender and property TV after the financial crisis'
Les scultptures funéraires de Cyrénaïque sur le marché de l'art2017 Libyan studies 48: 105-16
  • Morgan Belzic
H6/KY [SOCIETY FOR LIBYAN STUDIES Annual report-]0263-7189in thematic section 'Conference proceedings 'Libyan antiquities at risk''; English and Arabic summaries
With damaging legislation in the works, arts organizations fight back2017 Tribal art 22 (1): 128-31
  • Kate Fitz Gibbon
*H6/KFY [WORLD-]1354-2990
"They don't even know how to copy": the discourse on originality in Albania's art world2017 Focaal (78): 65-76
  • Sofia Kalo
H6/KF [FOCAAL-]0920-1297
Global images and local contexts: comparing the Havana and Johannesburg biennales2017 Iberoamericana 17 (66): 73-87
  • Carlos Garriso-Castellano
H6/KUL [IBEROAMERICANA-]1577-3388in thematic issue 'Africanist and transatlantic imaginaries. Memory and cultural agency'; English summary
Modern Őmie women: virtual indigeneity and intimations of empowerment2017 Oceania 87 (3): 282-97
  • Marta Rohatynskyj
H6/KX [OCEANIA-]0029-8077
A Persian weaving legacy2017 Hali (194): 82-5
  • Anonymous
*H6/KGG [HALI-]0142-0798in thematic issue 'The China edition: 2,000 years of textile art'
From Ningxia to Nichols2017 Hali (194): 86-9
  • Peter Saunders
*H6/KGG [HALI-]0142-0798in thematic issue 'The China edition: 2,000 years of textile art'
Rosati - the painter who loved textiles, but ethnographers beware2017 Asian textiles (67): 17-24
  • Gavin Strachan
H6/KGG [OXFORD-]
Hundert Fächer und der koreanische Kunstmarkt im 19. Jahrhundert2017 Mitteilungen aus dem Museum für Völkerkunde (Hamburg) 50: 314-24
  • Jiyeon Kim
H6 [HAMBURG-]in thematic issue 'Uri Korea. Kunsthistorische und ethnografische Beiträge zur Ausstellung'
Verloren und gefunden. Zwei Marquesas-Objekte aus der Sammlung Karl von Steinen im Museum Fünf Kontinenten2016-2017 Journal fünf Kontinente 2: 250-65
  • Michaela Appel
H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-]2366-7419English summary
Art, anthropology, and globalization2016 Journal of the Royal Anthropological Institute (New Series) 22 (1): 204-6
  • Roger Sansi
H6 [JOURNAL-]1359-0987review article on Arts and aesthetics in a globalizing world eds R Kaur and P Dave-Mukherji (London, New York: Bloomsbury, 2014) and Art beyond itself: anthropology for a societywithout a story line by N García Canclini (Durham, N. C.: Duke University Press, 2014)
Selling authenticity in the Bamun Kingdom in 1929-19302016 African arts 49 (2): 54-67
  • Jonathan Fine
H6/KFY [AFRICAN-]0001-9933in thematic issue 'Art and patrimony in the Cameroon Grassfields'
"Hot commodity!" Comment l'art africain travaille à être contemporaine2016 Cahiers d'études africaines 56 (3): 459-78
  • Cédric Vincent
H6/KY [CAHIERS-]0008-0055introduction to thematic issue 'De l'art (d'être) contemporain'
The media-action of abeu adekai (Ghana's sculptural coffins) in the world market and design2016 Cahiers d'études africaines 56 (3): 479-502, [plates i-viii]
  • Roberta Bonetti
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; French summary
"The Savor of Ògún". Vodun and contemporary art in Benin2016 Cahiers d'études africaines 56 (3): 503-16, [plates i-iv]
  • Saskia Cousin
  • Théodore Dakpogan
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; English summary
The taking of art by Bruly Bouabé of prophecy rediscovered2016 Cahiers d'études africaines 56 (3): 517-38, [plates i-iv]
  • Cédric Vincent
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; English summary
Ochuo, from slum to white cube, geography of a global encounter2016 Cahiers d'études africaines 56 (3): 539-57
  • Olivier Marcel
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; English summary
Playing (in) the market: Hervé Youmbi and the art world maze2016 Cahiers d'études africaines 56 (3): 559-80, [i-iv]
  • Dominique Malaquais
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; French summary
Revue noire: exploration of the contours of contemporary African art2016 Cahiers d'études africaines 56 (3): 637-62
  • Lotte Arndt
H6/KY [CAHIERS-]0008-0055in thematic issue 'De l'art (d'être) contemporain'; English summary
Contemporary Native American art in Britain, 1980s to today2016 First American art magazine 12: 48-55
  • Stephanie Pratt
H6/KUB [FIRST-]2333-5548
Fresh perspectives: three artists you should know2016 First American art magazine 12: 56-9
  • America Meredith
H6/KUB [FIRST-]2333-5548
Rosanna Raymond's SaVAge K'lub at the 8th Asia Pacific Triennial of contemporary art2016 World art 6 (2): 233-46
  • Karen Jacobs
  • Rosanna Raymond
H6 [WORLD-]2150-0908
Fuelling museums and art fairs in Peru’s capital: the work of the market and multi-scale assemblages2016 World art 6 (2): 315-37
  • Giuliana Borea
H6 [WORLD-]2150-0908
Follow the money: economics and African art2016 Critical interventions: journal of African art history and visual culture 10 (2): 129-34
  • Jordan A. Fenton
H6/KFY [CRITICAL-]1930-1944introduction to thematic issue
Playing around with money: currency as a contemporary artistic medium in urban Africa2016 Critical interventions: journal of African art history and visual culture 10 (2): 135-53
  • Fiona Siegenthaler
H6/KFY [CRITICAL-]1930-1944in thematic issue 'Economics and African art'
Competition, cooperation, and creativity: the political economy of workshops and workshop styles in Bamenda, Cameroon2016 Critical interventions: journal of African art history and visual culture 10 (2): 154-71
  • Till Förster
H6/KFY [CRITICAL-]1930-1944in thematic issue 'Economics and African art'
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