Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Silko’s Vévé and the web of differing versions | 2020 | American Indian culture and research journal 43 (2): 89-112 | H6/KUB [AMERICAN-] | 0161-6463 | in thematic issue 'Rethinking Blackness and indigeneity in the light of settler colonial theory' | |||
A migration and acculturation novel from the Dutch immigrant author Murat Işık: Verloren grond (Lost ground) | 2020 | Journal of folklore and literature (102): 393-408 | 1300-7491 | English summary | ||||
Studies on Divânü Lügâti’t Türk in Kazakhstan | 2020 | Journal of folklore and literature (102): 409-24 | 1300-7491 | English summary | ||||
Aspirational emotion work: calling, emotional capital, and becoming a 'real' writer | 2019 | Journal of contemporary ethnography 48 (1): 51-79 | H6/KY [JOURNAL-] | 0891-2416 | ||||
Menno ter Brak on democracy, populism and fascism: ressentiment and its vicissitudes | 2019 | Theory, culture and society 36 (3): 87-103 | H6 [THEORY-] | 0263-2764 | ||||
National Socialism as a doctrine of rancour (1937) | 2019 | Theory, culture and society 36 (3): 105-20 | H6 [THEORY-] | 0263-2764 | ||||
Seeing Shiva, seeing Ram: visual representation of deities in the genre of mythology-inspired fiction, an analysis of the book covers of Amish Tripathi's novels | 2019 | South Asian popular culture 17 (2): 171-83 | H6/KW [SOUTH-] | 1474-6689 | ||||
Conservative canon in teaching literature | 2019 | Journal of folklore and literature 1: 95-132 | 1300-7491 | English summary | ||||
Writing from Johannesburg: Nadine Gordimer in the global anti-apartheid movement | 2019 | African studies 78 (2): 246-66 | H6/KY [BANTU-] | 0002-0184 | in special issue 'Awkward biographies: unsettled stories of Southern African lives' | |||
Imagining possiblity within policy: LeAnne Howe's Shell Shaker and Louise Owen's Bone Game | 2019 | Native South 12: 30-51 | H6/KUB [NATIVE SOUTH-] | 1943-2596 | in special issue 'Native southern literature' | |||
"The yellow monster": reanimating nucelar fears in Cherokee science fiction | 2019 | Native South 12: 52-73 | H6/KUB [NATIVE SOUTH-] | 1943-2596 | in special issue 'Native southern literature' | |||
Letting the other story go: the Native south in and beyond the anthropocene | 2019 | Native South 12: 74-98 | H6/KUB [NATIVE SOUTH-] | 1943-2596 | in special issue 'Native southern literature' | |||
A conversation with Lisa Brooks about Our Beloved Kin | 2019 | Native American and indigenous studies 6 (2): 157-64 | ||||||
“We need new stories” trauma, storytelling, and the mapping of environmental injustice in Linda Hogan’s Solar Storms and Standing Rock | 2019 | American Indian quarterly 43 (1): 1-35 | H6/KUB [AMERICAN-] | 0095-182X | ||||
Knowledge-production in journalism: translation, mediation and autorship in Brazil | 2018 | Sociological review 66 (1): 58-74 | H6/KF [SOCIOLOGICAL-] | 0038-0261 | ||||
Romani nomadism: from hetero-images to self-representations | 2018 | Nomadic peoples (NS) 22 (1): 143-61 | H6/KF [NOMADIC-] | 0822-7942 | in special issue ''Gypsies', 'nomads'. 'Roma'. Categorisation processes of Roma and Sinti in Italy | |||
Authorship, citations, ascknowledgements and visibility in social media: symbolic capital in the multifaceted reward system of science | 2018 | Social science information 57 (2): 223-48 | H6/KF [SOCIAL-] | 0539-0184 | French summary | |||
This is our story: iconography of carved doors and panels in Oyo palace | 2018 | African arts 51 (2): 44-57 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Independent woman in postcolonial Indonesia: rereading the works of Rukiah | 2018 | Southeast Asian studies 7 (1): 85-101 | H6/KWY [SOUTHEAST-] | 0563-8682 | in special issue 'Rereading leftist writings form Sotuheast Asia' | |||
Renaming Vico's dictionary: reconstructing the textual genealogy of the Vocabulario copioso de las lenguas cakchikel y 4iche | 2018 | Indiana 35 (1): 67-95 | H6/KUL [INDIANA-] | 0341-8642 | Spanish summary | |||
The authoring of observational cinema: conversations with Colin Young | 2018 | Visual anthropology 31 (3): 193-235 | *H6 [VISUAL-] | 0894-9468 | ||||
Authorship, subjectivity and resistance in the mainstream: a lesson from Israeli rap | 2018 | European journal of cultural studies 21 (4): 452-68 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
Introduction: print culture in Southern Africa | 2018 | Journal of southern African studies 44 (3): 377-81 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
Reading authors of the Enlightenment at the Cape of Good Hope from the late 1780s to the mid 1830s | 2018 | Journal of southern African studies 44 (3): 383-400 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
'The black house', or how the Zulus became Jews | 2018 | Journal of southern African studies 44 (3): 401-11 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
'To see us as we see ourselves': John Tengo Jabavu and the politics of the black periodical | 2018 | Journal of southern African studies 44 (3): 413-30 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
Miriam Tlali and Ravan Press: politics and power in literary publishing during the apartheid period | 2018 | Journal of southern African studies 44 (3): 431-46 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
Setting Transvaal scenes in German type: missionary Carl Hoffmann's book designs, c.1900-1930 | 2018 | Journal of southern African studies 44 (3): 447-69 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
History by paratext: Thomas Mofolo's Chaka | 2018 | Journal of southern African studies 44 (3): 471-90 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
A question of power: Bessie Head and her publishers | 2018 | Journal of southern African studies 44 (3): 491-506 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
Minding their own business: Penguin in Southern Africa | 2018 | Journal of southern African studies 44 (3): 507-19 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Print culture in Southern Africa' | |||
Doing indigenous methodologies: toward a practice of the "careful partial participant" | 2018 | ab-Original 2 (1): 74-96 | 2470-6221 | |||||
La adelantada ecuatoriana Lupe Rumazo y su prosa crítica | 2018 | Bulletin de la Société suisse des Américanistes (78): 101-5 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | in thematic issue 'Más allá de Ecuador'; English and French summaries | |||
Escrituras postergadas: nueva escritura, tradición crítica y posmodernidad en la narrativa ecuatoriana | 2018 | Bulletin de la Société suisse des Américanistes (78): 107-15 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | in thematic issue 'Más allá de Ecuador'; English and French summaries | |||
Africanizing classical European playrights (Shakespeare and Molière) | 2018 | Bulletin of the School of Oriental and African Studies (London) 81 (3): 493-512 | H6/KW [LONDON-] | 0041-977X | in thematic issue 'Translating African thought and literature' | |||
The movers of the text: Monénembo's nomad subjects | 2018 | Bulletin of the School of Oriental and African Studies (London) 81 (3): 513-31 | H6/KW [LONDON-] | 0041-977X | in thematic issue 'Translating African thought and literature' | |||
'Making' labour in Mexican artisanal workshops | 2018 | Journal of the Royal Anthropological Institute (New Series) 24 (S1): 61-74 | H6 [JOURNAL-] | 1359-0987 | in special issue 'Dislocating labour: anthropological reconfigurations'; French summary | |||
The workshop for "good artists" | 2018 | Tribal art (8): 60-3 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Talent and export production | 2018 | Tribal art (8): 64-7 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Faulkner's assembly of memories into history: narrative networks in multiple times | 2018 | American journal of sociology 124 (2): 406-78 | H6/KF [AMERICAN-] | 0002-9602 | ||||
Introduction: the cultural heritage of the Isonzo front | 2018 | Folklore (Tartu) 73: 7-18 | H6/KVT [FOLKLORE-] | 1406-0957 | in thematic issue 'The heritagization of the Isonzo front' | |||
Water is life. Ecologies of writing and indigeneity | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 1-9 | *H6/KUB [SAIL-] | 0730-3238 | introduction to special section 'Water' | |||
Writing water writing life: Silko as environmental activist | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 10-35 | *H6/KUB [SAIL-] | 0730-3238 | in special section 'Water' | |||
Water, history, and sovereignty in Simon J. Ortiz's "Our homeland, a national sacrifice area" | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 36-53 | *H6/KUB [SAIL-] | 0730-3238 | in special section 'Water' | |||
Intervening in the archive: women-water alliances, narrative agency, and reconstructing indigenous spaces in Deborah Miranda's Bad Indians: a tribal memory | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 54-71 | *H6/KUB [SAIL-] | 0730-3238 | in special section 'Water' | |||
Straight talk: Two-Spirit erasure as the price of sovereignty in James Welch's The heartsong of Charging Elk | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 96-120 | *H6/KUB [SAIL-] | 0730-3238 | in special section 'Water' | |||
Liminal identities. The case of Tsotsil and Tseltal writers in Chiapas | 2018 | Alteridades 28 (56): 85-96 | H6/KF [ALTERIDADES-] | 0188-7017 | English summary | |||
"William Apess was born here": marking William Apess on the geographical and cultural map | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (2): 1-33 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Queer desires and destroyer identities in Leslie Marmon Silko's Almanac of the Dead | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (2): 34-55 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Remediating the "famous Indian artist": Native aesthetics beyond tourism and tragedy | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (2): 79-105 | *H6/KUB [SAIL-] | 0730-3238 |