Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Afro-Turks: representation, tradition and identity | 2020 | Journal of folklore and literature (101): 73-85 | 1300-7491 | English summary | ||||
Thinking Africa or knowing African societies? | 2019 | Cahiers d'études africaines 59 (1): 215-69 | H6/KY [CAHIERS-] | English summary | ||||
Bringing the kingdom to the city: missions as placemaking practice amongst Kenyan Pentecostals in London | 2019 | City and society 31 (1): 34-54 | H6/KD [CITY-] | 0893-0465 | in special section 'Urban religions' | |||
The micro-dynamics of power and performance in focus groups: an example from discussions on national identity with the South Sudanese diaspora in the UK | 2019 | Qualitative research 19 (3): 323-39 | H6 [QUALITATIVE-] | 1468-7941 | ||||
Reconstructing blackness in grassroots interactions between Chinese and Africans in Guangzhou | 2019 | Anthropological quarterly 92 (2): 481-508 | H6 [PRIMITIVE-] | 0003-5491 | ||||
Voluntary affiliation to Islam and racial assignment. French and British of Caribbean descent converted to Islam dealing with the "black question" | 2019 | Archives de sciences sociales des religions 64 (186): 93-116 | H6/KFO [ARCHIVES-] | 0335-5985 | in special issue 'Conversions à l'Islam, culture et religion: tensions et articulations'; English and Spanish summaries | |||
Redefining African regions for linking open-source data | 2019 | History in Africa 46: 5-36 | H6/KY [HISTORY-] | 0361-5413 | in special issue 'Re-mapping, re-spacing and re-connecting Africa'; French summary | |||
Catching the power: problems with possession, sovereignty, and African religions in Trinidad | 2019 | Ethnos 84 (4): 588-614 | H6 [ETHNOS-] | 0014-1844 | in special issue 'What possessed you? Spirits, property, and political sovereignty at the limits of 'possession' | |||
Thinking Africa or knowing Africa? (part two) | 2019 | Cahiers d'études africaines 59 (3): 881-907 | H6/KY [CAHIERS-] | English summary | ||||
Introduction: new directions in African diaspora archaeology | 2019 | Transforming anthropology 27 (2): 85-90 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
Boarding: Black women in Nantucket generating income and building community | 2019 | Transforming anthropology 27 (2): 91-104 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
An archaeology of struggle: material remnants of a double consciousness in the American south and Danish Caribbean communities | 2019 | Transforming anthropology 27 (2): 114-32 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
An ethnographic approach to African diaspora archaeology: the Bocas way | 2019 | Transforming anthropology 27 (2): 133-48 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
Mainstreaming African diasporic foodways when academia is not enough | 2019 | Transforming anthropology 27 (2): 149-63 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
Making peasants chèf: the Tonton Makout militia and the moral politics of terrors in the Haitian countryside during the dictatorship of François Duvalier, 1957-1971 | 2019 | Comparative studies in society and history 61 (4): 925-53 | H6/KF [COMPARATIVE-] | 0010-4175 | ||||
New directions in Black British art history: some considerations | 2019 | Nka: journal of contemporary African art (45): 8-17 | H6/KY [NKA-] | 1075-7163 | introduction to special issue 'Black British art histories' | |||
Denis Williams's London | 2019 | Nka: journal of contemporary African art (45): 18-33 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Making waves | 2019 | Nka: journal of contemporary African art (45): 48-61 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Sonia Boyce: beyond blackness | 2019 | Nka: journal of contemporary African art (45): 62-73 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Self-portraiture and representations of Blackness in the Work of Donald Rodney | 2019 | Nka: journal of contemporary African art (45): 74-86 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Illness as metaphor Donald Rodney’s X-ray photographs | 2019 | Nka: journal of contemporary African art (45): 88-98 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Eugene Palmer and Barbara Walker photography and the Black subject | 2019 | Nka: journal of contemporary African art (45): 100-13 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
The aesthetics of migration in an age of anxiety: Zineb Sedira, Allan deSouza, and Mary Evans | 2019 | Nka: journal of contemporary African art (45): 114-26 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Charles White: a retrospective | 2019 | Nka: journal of contemporary African art (45): 140-9 | H6/KY [NKA-] | 1075-7163 | ||||
John Akomfrah: multichannel prehensions | 2019 | Nka: journal of contemporary African art (45): 128-39 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Elegance as a way of being and acting: fashion, material culture and performance in the Congolese "sapelogie" | 2019 | Cadernos de arte e antropologia 8 (1): 91-104 | in special issue 'Moda: cultura material, modos de vestir e de se apresentar'; English summary | |||||
Introduction: carnivals, festivals, and pan-Africanism | 2019 | World art 9 (1): 1-3 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Revealing the ‘trends and confrontations’ of contemporary African-American art through the First World Festival | 2019 | World art 9 (1): 5-26 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Big Bird’s minor upset: Frank Bowling’s prize-winning entry to the 1966 Premier Festival Mondial des Arts Nègres | 2019 | World art 9 (1): 27-41 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Tendances et Confrontations: an experimental space for defining art from Africa | 2019 | World art 9 (1): 43-65 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
The quest for a Pan-African groove: saxophones and stories from the Pan-African Festival of Algiers (1969) | 2019 | World art 9 (1): 67-80 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Inside Dakar’s Musée Dynamique: reflections on culture and the state in postcolonial Senegal | 2019 | World art 9 (1): 81-97 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
'Central London under siege': diaspora, 'race' and the right to the (global) city | 2018 | Sociological review 66 (1): 138-54 | H6/KF [SOCIOLOGICAL-] | 0038-0261 | ||||
The washing ceremony of the Valongo Slave Wharf. Ritual agency and heritage in the old port area of Rio de Janeiro | 2018 | Cahiers d'études africaines 58 (1): 25-68 | H6/KY [CAHIERS-] | 0008-0055 | English summary | |||
No "blank canvas": public art and gentrification in Houston's Third Ward | 2018 | City and society 30 (1): 89-116 | H6/KD [CITY-] | 0893-0465 | in special issue 'Urban public art: geographies of co-production' | |||
Assessing heritage resources in St. Croix post-hurricanes Irma and María | 2018 | Transforming anthropology 26 (2): 157-72 | H6 [TRANSFORMING-] | 1051-0559 | in special issue 'Hurricane María and the Caribbean' | |||
The Antillean League | 2018 | Transforming anthropology 26 (2): 181-94 | H6 [TRANSFORMING-] | 1051-0559 | in special issue 'Hurricane María and the Caribbean' | |||
Ambiguous agency: Dan/Mau stilt mask spirits performance as ontology in Côte d'Ivoire and the US | 2018 | Africa 88 (4): 802-23 | H6/KY [AFRICA-] | 0001-9720 | in thematic section 'Art and the individual in African masquerades'; French summary | |||
Somali refugees in Kenya and social resilience: resettlement imaginings and the longing for Minnesota | 2018 | African affairs 117 (469): 569-91 | H6/KY [AFRICAN-] | 0001-9909 | ||||
Writing Bahian identity: crafting new narratives of blackness in Salvador, Brazil, 1940s-1950s | 2018 | Journal of Latin American studies 50 (4): 805-32 | *H6/KUL [JOURNAL-] | 0022-216X | Spanish and Portuguese summaries | |||
The diasporic power of Black abstraction: Black as a unifying concept and a strategic abstraction | 2018 | Nka: journal of contemporary African art (42-43): 44-56 | H6/KY [NKA-] | 1075-7163 | ||||
Bandung holograms: the black voice as movement technology | 2018 | Nka: journal of contemporary African art (42-43): 58-71 | H6/KY [NKA-] | 1075-7163 | ||||
Sidney W Mintz: charting an anthropology of the Caribbean | 2018 | Critique of anthropology 38 (4): 350-67 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
'Not twenty feet away': the Caribbean - and race - in Sidney W Mintz's Puerto Rican fieldwork | 2018 | Critique of anthropology 38 (4): 368-86 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
'Haciendas and plantations': history and limitations of a 60-year-old taxonomy | 2018 | Critique of anthropology 38 (4): 387-406 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
'A conference that didn't': African diaspora studies and an episode in anthropology's identity politics of representation | 2018 | Critique of anthropology 38 (4): 407-32 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
Money's micro and macro qualities: slaves, colonies, regions, and markets in the historical Caribbean - and neyond | 2018 | Critique of anthropology 38 (4): 433-42 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
Sidney W Mintz's 'peasantry' as a critique of capitalism: new evidence from Jamaica | 2018 | Critique of anthropology 38 (4): 443-60 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' | |||
Fruits of colonialism: the production of mangoes as commodities in northern Haiti | 2018 | Critique of anthropology 38 (4): 461-82 | H6 [CRITIQUE-] | 0308-275X | in special issue 'Sidney W Mintz: charting an anthropology of the Caribbean' |