Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Calligraphic practice by tacit knowledge between imagination and realization in garment-making | 2019 | Textile: the journal of cloth and culture 17 (4): 442-53 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
Hidden from scholarly eyes for a century: an unknown Bāysunghurī manuscript sheds new light on his court and library | 2019 | Journal of the Royal Asiatic Society (Series 3) 29 (1): 51-73 | H6/KW [ROYAL-] | 1356-1863 | ||||
Words and images in the Muslim public space: placards announcing Sufi saints' festivals in the Pakistani Punjab | 2018/19 | Baessler-Archiv (Neue Folge) 65: 51-66 | H6 [BAESSLER-] | 0005-3856 | ||||
Bodies of texts: women calligraphers and the elite vernacular culture in late Chosŏn Korea (1392-1910) | 2018 | Journal of Asian studies 77 (1): 59-81 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
The translucence of the transhistorical: the case of Korean Dansaekhwa | 2018 | World art 8 (1): 59-84 | H6 [WORLD-] | 2150-0908 | ||||
Actes graphiques: gestes, espaces, postures | 2018 | L'Homme (227-228): 7-19 | H6 [HOMME-] | 0439-4216 | introduction to special section 'Actes et artefacts graphiques: les sens de la préhistoire' | |||
Writing that isn't: pseudo-scripts in comparative view | 2018 | L'Homme (227-228): 21-47 | H6 [HOMME-] | 0439-4216 | in special section 'Actes et artefacts graphiques: les sens de la préhistoire' | |||
Picasso the Muslim: or, how the Bilderverbot became modern (part 2) | 2018 | Res 69/70: 251-68 | *H6 [RES-] | 0277-1322 | in special issue 'Writing prehistory' | |||
Pseudographies: the revelaed script of Emily Babcock | 2018 | L'Homme (227-228): 49-68 | H6 [HOMME-] | 0439-4216 | in special section 'Actes et artefacts graphiques: les sens de la préhistoire'; English summary | |||
Seeing and hearing the book. A Moroccan edition of the Quran | 2017 | Gradhiva: revue de anthropology et museologie 26: 73-99, 235 | H6 [GRADHIVA-] | 0764-8928 | in thematic issue 'En croire ses sens'; English summary | |||
Theory and method in Maya decipherment | 2017 | PARI journal 18 (2): 1-48 | H1/KUC [PRE-COLUMBIAN-] | 1531-5398 | monographic issue | |||
Was sagen die acht Gedichte über die acht Päonien? Ein Stellschirm mit Päonien-Darstellungen vom koreanischen Literatenmaler des 19. Jahrhunderts Heo Ryeon | 2017 | Mitteilungen aus dem Museum für Völkerkunde (Hamburg) 50: 356-68 | H6 [HAMBURG-] | in thematic issue 'Uri Korea. Kunsthistorische und ethnografische Beiträge zur Ausstellung' | ||||
The gestion of space in painting and poetry | 2017 | Journal of folklore and literature 3: 319-32 | 1300-7491 | English summary | ||||
The epistolary brush: letter writing and power in Chosŏn Korea | 2016 | Journal of Asian studies 75: 4 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
Tatami and wood: ink rubbings and the discussion of materiality in postwar Japanese calligraphy and art | 2016 | World art 6 (2): 269-91 | H6 [WORLD-] | 2150-0908 | ||||
Nvshu: world's only writing system of women | 2015 | China's ethnic groups (6): 68-73 | H6/KWS [CHINA'S-] | 1672-3341 | ||||
Qiu Zhijie as historian: media critique as a mode of critical historical research | 2015 | World art 15 (1): 39-61 | H6 [WORLD-] | 2150-0908 | in special issue 'Negotiating histories' | |||
The dog-eared dictionary: human-animal alliance in Chinese civilization | 2015 | Journal of Asian studies 74 (3): 589-613 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
Diphrastic kennings on the Cascajal block and the emergence of Mesoamerican writing | 2015 | Cambridge archaeological journal 25 (3): 635-56 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
The offensive depiction of Prophet Muhammad (SAW) in Western media and its consequences | 2014 | Journal of Islamic thought and civilisation 4 (1): 45-61 | 2520-0313 | |||||
The Almagest. Music, scores, calendars, maps, compass roses - lithographic inspirations | 2014 | Konteksty 68 (3/4): 265-72 | H6/KVM [POLSKA-] | 1230-6142 | ||||
Message on a teapot | 2014 | British Museum magazine (79): 50-2 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | ||||
Yelimane Fall: Senegalese calligraphy in action | 2014 | African arts 47 (2): 28-39 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Writing in water, or, evanescence, enchantment and ethnography in a Chinese urban park | 2014 | Visual anthropology review 30 (1): 11-22 | H6 [PROGRAM-] | 1053-7147 | in special issue 'New ethnographic film in China' | |||
Words, words, words...exposing written words in the empire of writing: a glance at some museums in the People's Republic of China | 2012 | Journal of museum ethnography (25): 81-94 | *H6 [JOURNAL-] | 0954-7169 | in special issue 'Objects and words: writing on, around, and about things' | |||
Decorative Arabographic compositions in Bulgaria (sacred pictures-inscriptions) | 2012 | Bulgarski folklor 38 (3/4): 75-84 [inserts i-iv], 179-80 | H6/KVR [BULGARSKI-] | 0323-9861 | in special issue 'Islam and folk tradition' (5); English summary | |||
Silk embrodered garments as transformative processes: layering, inscribing and displaying Hausa material identities | 2011 | Journal of material culture 16 (4): 401-15 | H6/KF [JOURNAL-] | 1359-1835 | in special issue 'Materializing identities' | |||
History for Timbuktu: Aḥmad Bul'Arāf, archives, and the place of the past | 2011 | History in Africa 38: 401-16 | H6/KY [HISTORY-] | 0361-5413 | in monographic issue 'Literacy's feedback on historical analysis revisited: papers in honor of David Henige' | |||
24 examples of filial piety | 2011 | Tribus 60: 160-73 | H6 [TRIBUS-] | 0082-6413 | English summary | |||
A modern master of Islamic calligraphy and her peers | 2010 | Journal of Middle East women's studies 6 (1): 75-102 | *H6/KW [JOURNAL-] | 1552-5864 | ||||
Transformations of the line: traces, threads, and surfaces | 2010 | Textile: the journal of cloth and culture 8 (1): 10-35 | H6/KGG [TEXTILE-] | 1475-9756 | in special issue 'Tensions: transforming social practices' | |||
The Cherokee syllabary from script to print | 2010 | Ethnohistory 57 (4): 625-49 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | ||||
Ethics, iconoclasm, and Qur'anic art in Indonesia | 2009 | Cultural anthropology 24 (4): 589-621 | H6 [CULTURAL-] | 0886-7356 | ||||
Sammlung Preetorius Drucke aus dem Senfkorngarten und der Zehnbambushalle im Staatlichen Museum für Völkerkunde München | 2008 | Münchner Beiträge zur Völkerkunde 12: 109-54 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 0936-837X | English summary | |||
The healing arts of the Malay mystic | 2008 | Visual anthropology review 24 (1): 29-46, [figs 4,6, 8-9 in appendix] | H6 [PROGRAM-] | 1053-7147 | ||||
The iconicity of Islamic calligraphy in Turkey | 2008 | Res 53-54: 211-24 | *H6 [RES-] | 0277-1322 | ||||
Decorative-monumental epigraphy in the interior of Ibrahim Pasha mosque in Razgrad (Bulgaria) | 2007 | Bulgarski folklor 33 (4): 44-67 [insert i-viii], 131-2 | H6/KVR [BULGARSKI-] | 0323-9861 | in special issue on 'Messages of ornamentation'; English summary | |||
The Popol Wuj in Ayer MS 1515 is a holograph by Father Ximénez | 2007 | Latin American Indian literatures journal 23 (2): 112-41 | *H6/KUL [LATIN-] | 0888-5613 | ||||
Supplementary decipherment of the inscription on the pu he pot and restudy of Tiaopin etiquette | 2007 | Kaogu Xuebao (4): 405-22 | H6/KE [KAOGU-] | 0453-2902 | English summary | |||
Mi'kmaq shorthand? | 2007 | Epigraphic Society Occasional Papers 25: 82-95 | H6/KE [EPIGRAPHIC-] | |||||
Identifying hands on ancient Athenian inscriptions: first steps towards a digital approach | 2007 | Archaeometry 49 (4): 749-64 | H6/KE [ARCHAEOMETRY-] | 0003-813X | ||||
Some variant characters in a traditional Zhuang manuscript: a new angle on the Chinese script | 2006 | The Museum of Far Eastern Antiquities bulletin (78): 125-72 | *H6/KE [STOCKHOLM. Ostasitiska Samlingarna. Bulletin-] | 0081-5691 | ||||
Ibn Muqla and the Qur'ānic manuscripts in oblong format | 2006 | Mélanges de l'Université Saint-Joseph 59: 309-17 | H6/KE [BEIRUT-] | in thematic section 'Actes de la conférence internationale sur les manuscrits du Coran (Bologne, 26-28 septembre 2002)' | ||||
Forms of Qur'ānic manuscripts among the Yoruba Islamic scholars of south-western Nigeria | 2006 | Mélanges de l'Université Saint-Joseph 59: 2281-300 | H6/KE [BEIRUT-] | in thematic section 'Actes de la conférence internationale sur les manuscrits du Coran (Bologne, 26-28 septembre 2002)' | ||||
The copying and handling of Qur'ans: some observations on the Kitāb al-Masāhif by Ibn Abī Dā'ūd al-Sijistānī | 2006 | Mélanges de l'Université Saint-Joseph 59: 229-51 | H6/KE [BEIRUT-] | in thematic section 'Actes de la conférence internationale sur les manuscrits du Coran (Bologne, 26-28 septembre 2002)' | ||||
The art of the Qur'an in Banten: calligraphy and illumination | 2006 | Archipel (72): 95-156, 271 | *H6/KX [ARCHIPEL-] | 0044-8613 | French summary | |||
A late eighteenth-century probatio pennae from Batavia | 2005 | Indonesia and the Malay world 33 (95): 53-65 | H6/KX [INDONESIA-] | 1363-9811 | ||||
The objects of Chinese, Tibetan and Vietnamese art acquired from the collection of B. Forman in the National Gallery in Prague | 2005 | Annals of the Náprstek Museum 26: 79-86 | H6/KVL [PRAGUE-] | 0231-844X | ||||
Calligraphy and Islamic culture: reflections on some new epigraphical discoveries in Gaur and Pandua, two early capitals of Muslim Bengal | 2005 | Bulletin of the School of Oriental and African Studies (London) 68 (1): 21--58, v | H6/KW [LONDON-] | 0041-977X | ||||
1200 Jahre islamische Kalligraphie: Die Privatsammlung von Annemarie Schimmel | 2004 | Tribus 53: 153-74 | H6 'TRIBUS-' | 0082-6413 |