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TitleDateReferenceAuthorsCall #ISSN
'The body is our masterpiece': learning to transform in Lima's tambores music2019 Ethnomusicology forum 28 (2): 135-62
  • Carlos Odria
H6/KFYV [BRITISH-]1741-1912
'Listen to my drum': notes on historical and contemporary uses of Torres Strait Islander warup/buruburu drums in Australia2016 Australian Aboriginal studies (2): 61-80
  • Karl Neuenfeldt
H6/KX [AUSTRALIAN-]0729-4352
Sound studies, religion and urban space: Tamil music and the ethical life in Singapore2015 Ethnomusicology forum 24 (3): 380-413
  • Jim Sykes
H6/KFYV [BRITISH-]1741-1912
Drum travel: ensemble drumming traditions on Kikaijima - cultures, histories, islands2015 Asian music 46 (1): 110-45
  • Henry Johnson
  • Sueo Kuwahara
*H6/KFYV [ASIAN-]0044-9202Japanese summary
Dialect, diffusion, and Balinese drumming: using sociolinguistic models for the analysis of regional variation in Kendang Arja2014 Ethnomusicology 58 (3): 481-505
  • Leslie Tilley
Ring-around-the-Rosie Atlantic: transatlantic uses of rings among bata drummers, caravan guards, and Muslim insurgents2013 Journal of religion in Africa 43: 29-52
  • Michael Marcuzzi
H6/KFO [JOURNAL-]0022-4200
"My heart jumps happy when I ... hear that music": powwow singing and Indian identities in eastern North Carolina2013 Native South 6: 1-32
  • Clyde Ellis
H6/KUB [NATIVE SOUTH-]1943-2596
Is the hourglass drummer a man? The portrayal of masculinity and social status among the Zarma of Niger2013 Cahiers d'études africaines (209-210): 269-91
  • Sandra Bornand
H6/KY [CAHIERS-]0008-0055in special issue 'Masculin pluriel'; English summary
SamulNori: Korean drums (and gongs) of affection2012 The World of Music 1 (1): 15-35
  • Keith Howard
H6/KFY [WORLD-]0043-8774in thematic issue 'Ensembles in the contemporary Korean soundscape'
African identities, Afro-Omani music, and the official construction of a musical past2012 The World of Music 1 (2): 97-129
  • Mahjid H. Al-Harty
H6/KFY [WORLD-]0043-8774in thematic issue 'Music in Oman: politics, identity, time, and space in the sulatanate'
Negotiating authority and articulating gender: performer interaction in Malang, east Java2011 Ethnomusicology 55 (1): 31-54
  • Christina Sunardi
The well of samba: on playing percussion and feeling good in Toronto2009-2010 Canadian ethnic studies 42-43 (3-1): 207-32
  • Natasha Pravaz
H6/KUB [CANADIAN-]0008-3496French summary
A Carioca blade runner, or how percussionist Marco Suzano turned the Brazilian tambourine into a drum kit, and other matters of (politically) correct music making2009 Ethnomusicology 53 (2): 277-307
  • Frederick Moehn
'This drum I play': women and square frame drums in Portugal and Spain2008 Ethnomusicology forum 17 (1): 95-124
  • Judith R. Cohen
H6/KFYV [BRITISH-]1741-1912in special issue ''Sounds of power': musical instruments and gender'
Música de tambores y flauta: elementos de identidad en la población yokot'an de Tabasco, México2007 Antropología (Mexico) 80: 40-7
  • Judith Miriam Gómora Gallegos
H6/KUL [ANTROPOLOGIA-]0188-462Xin thematic issue 'Música tradicional y procesos de globalización'
Taking culture seriously: democratic music and its transformative potential in South Korea2007 The World of Music 49 (3): 75-106
  • Nathan Hesselink
H6/KFY [WORLD-]0043-8774in thematic issue 'Music and politics on the Korean peninsula'
Encountering changing currents in the music of the First Nations2006 Papers of the Algonquian conference 37: 37-47
  • Richard Burleson
H6/KUB [ALGONQUIAN-]0031-5671
O suingue Baiano: rhythmic feeling and microrhythmic phenomena in Brazilian percussion2006 Ethnomusicology 50 (1): 99-119
  • Christiane Gerischer
The Baile del Tambor of the island of La Gomera2006 Ethnomusicology 50 (1): 120-40
  • José Ángel López Viera
  • Peter Manuel
La danse sabar, une expression de l'identité féminine chez les Wolof du Sénégal2005 Cahiers de musiques traditionnelles 18: 201-15
  • Luciana Penna-Diaw
H6/KFYV [CAHIERS-]ONLY ISBNin thematic issue 'Entre femmes'
Slit drums on Atchin2005 Res 47: 191-208
  • John Layard
*H6 [RES-]0277-1322with introduction by Haidy Geismar
Guardians of culture: the controversial heritage of Senegalese Griots2004 The Australian journal of anthropology 15 (2): 129-42
  • Adrian Hearn
H6/ KF [AUSTRALIAN-]1035-8811
Dhim, kam, cappu, pottu: timbral discourses and performances among temple drummers in Kerala, India2003 Yearbook for traditional music 35: 39-68
  • Rolf Groesbeck
H6/KFYV 'YEARBOOK-'0740-1558
Music as knowledge in shamanism and other healing traditions of Siberia2003 Arctic anthropology 40 (2): 40-8
  • Marilyn Walker
*H6 [ARCTIC-]0066-6939in thematic issue 'Narrative that heals'
'Ladies and gentlemen, the North Road Punders!': An inquiry into identity, aesthetics and new authenticities in rual Alaska2003 Journal of folklore research 40 (3): 273-88
  • Tok Freeland Thompson
Performing respectability: the Beravā, middle-class nationalism and the classicization of Kandyan dance in Sri Lanka2002 Cultural anthropology 17 (2): 246-77
  • Susan A. Reed
Wajid revisited: a reassessment of Robert Gottlieb's tabla study, and a new transcription of the solo of Wajid Hussein Kahn of Lucknow2002 Asian music 33 (2): 111-74
  • James Kippen
Drum rolls and gender roles in Protestant marching bands in Belfast2001 British journal of ethnomusicology 10 (2): 37-59
  • Katy Radford
P'ansori performance style: audience responses and singers' perspectives2001 British journal of ethnomusicology 10 (2): 99-121
  • Yeonok Jang
A hermeneutical arc in the life of Balinese musician, I Made Lebah2001 The World of Music 43 (1): 21-41
  • David Harnish
H6/KFYV [WORLD-]0043-8774in special issue 'Ethnomusicology and the individual'
The technique of musical creativityin dundun music of the Yoruba of southwestern Nigeria compared with the Ghanaian drum ensemble music2000 African notes 24 (1/2): 29-36
  • Oluyemi Olaniyan
*H6/KY [AFRICAN-]0002-0087
Taiko and the Asian/American body: drums, Rising Sun, and the question of gender2000 The World of Music 42 (3): 67-78
  • Deborah Wong
H6/KFYV [WORLD-]0043-8774in special issue 'Local musical traditions in the globalization process'
Les maîtres du Jembe: entretiens avec Fadouba Oularé, Famoudou Komaté, Mamady Keïta et Soungalo Coulibaly1999 Cahiers de musiques traditionnelles 12: 175-95
  • Fadouba Oularé
  • Famoudou Komaté
  • Mamady Keïta
  • Soungalo Couibaly
  • Vincent interv Zanetti
Anything but quiet [drumming]1998 Natural history 107 (2): 44-9
  • Lauren Greenfield photogr
  • Samuel Fromartz
Hula pahu: Hawaiian drum dances [by A Kaeppler (Honolulu: Bishop Museum Pr, 1993, 2 vols) review article]1998 Journal for the anthropological study of human movement 10 (2): 103-7
  • Joann Keali'inohomoku
The practice of perception: multi-functionality and time in the musical experiences of a heavy metal drummer1997 Ethnomusicology 41 (3): 464-88
  • Harris M. Berger
An introduction to the gushi drummer of the Chuanju percussion ensemble1997 Asian music 28 (2): 1-26
  • Elsa Lee
New directions or historical continuity? An Afro-Cuban example1996 Cahiers de musiques traditionnelles 9: 201-23
  • Jean-Pierre Estival
English summary
Ancient rhythms and modern messages [Ladakh]1993 Himal 6 (6): 32-3
  • T Malyon
Is the 'Tahitian' drum dance really Tahitian? Re-evaluating the evidence for the origins of contemporary Polynesian drum dance1992 Yearbook for traditional music 24: 126-37
  • H R Lawrence
Cook islands drum instrumentation1992 Pacific arts 6: 26-37
  • J Jonassen
Images: the making of a Kundu drum1987 Bikmaus 7 (3): 51-61
  • J Himugu photogr