Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Lagos art world: the emergence of an artistic hub on the global art periphery | 2020 | African studies review 63 (1): 170-96 | *H6/KY [AFRICAN-] | 0002-0206 | French and Portuguese summaries | |||
Turning the Pushkin Museum into a 'Russian Tate': informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres) | 2019 | International journal of cultural studies 22 (2): 281-97 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction | 2019 | African arts 52 (1): 15-17 | H6/KFY [AFRICAN-] | 0001-9933 | introduction to thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria' | |||
Oriental taste in imperial Japan: the exhibition and sale of Asian art and artifacts by Japanese department stores from the 1920s through the early 1940s | 2019 | Journal of Asian studies 78 (1): 45-74 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs | 2019 | Histories of anthropology annual 13: 111-49 | H1 [HISTORIES-] | 1557-637X | ||||
The art of opening: proximity and potentiality at events | 2019 | Theory, culture and society 36 (7-8): 135-52 | H6 [THEORY-] | 0263-2764 | ||||
Le caractère marchand du fétiche et son secret. L'art de profiler les objets chez les antiquaires ouest-africaines | 2019 | Gradhiva: revue de anthropology et museologie (30): 70-91 | H6 [GRADHIVA-] | 0764-8928 | in thematic issue 'Précieux' | |||
A summer of art? | 2018 | African arts 51 (1): 1-2, 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Skipping the blockade run: Andile Dylavane and Camagu | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 97-106 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
Centers and peripheries: the emergence of a market for African art in South Africa | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 84-96 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
The Frobenius effect: Frederick Starr in the Congo | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 71-83 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
The market as "artist": the French origins of the obsession with provenance in historical African art | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 52-70 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
The missionary as collector and dealer: Dr. George W. Harley in Liberia, 1925-1960 | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 36-51 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
Of patterns and markets: the making and unmaking of Asafo flags | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 22-35 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
Purloined provenance: reflections on authority and authenticity in African art | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 8-21 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
The African art market as ego-system | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 1-7 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'African art markets' | |||
A new era begins at SWAIA | 2018 | First American art magazine 19: 38-41 | H6/KUB [FIRST-] | 2333-5548 | ||||
'Making' labour in Mexican artisanal workshops | 2018 | Journal of the Royal Anthropological Institute (New Series) 24 (S1): 61-74 | H6 [JOURNAL-] | 1359-0987 | in special issue 'Dislocating labour: anthropological reconfigurations'; French summary | |||
Dak'art: global black cultural politics in the twentieth century | 2018 | Nka: journal of contemporary African art (42-43): 96-109 | H6/KY [NKA-] | 1075-7163 | ||||
Soul call: the First World Festival of Negro Arts at a pivot of black modernities | 2018 | Nka: journal of contemporary African art (42-43): 124-35 | H6/KY [NKA-] | 1075-7163 | ||||
The effects of publications and exhibitions on Native Northwest Coast art production | 2018 | Recherches amérindiennes au Québec 48 (1-2): 101-12, 251-2 | H6/KUB [RECHERCHES-] | 0318-4137 | in thematic issue 'Récits de savoirs partagés par l'art et la création en milieux autochtone'; English and Spanish summaries | |||
Producing, collecting, and exhibiting Bizango sculptures from Haiti. Transatlantic Vodou on the international art scene | 2018 | African arts 51 (4): 8-19 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Art auctions and the poorer rich: the impact of the 2015 stock market sell-off on the emerging Philippine art market | 2018 | Southeast Asian studies 7 (2): 183-97 | H6/KWY [SOUTHEAST-] | 0563-8682 | ||||
Art market as an economic factor in the development of kitsch | 2018 | Vestsi Akademii Navuk Belarusi 2: 211-20 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 2524-2369 | in thematic section 'Art history, ethnography, folklore'; Russian and English summaries | |||
Indigeneity at Documenta 14 | 2017/2018 | First American art magazine 17: 28-35 | H6/KUB [FIRST-] | 2333-5548 | ||||
A patwhway to the guts: Mata Aho collective at documenta14 | 2017-2018 | Art New Zealand (164): 80-4 | H6/KX [ART-] | 0110-1102 | ||||
STOP - TAAR: III conceived and destructive legislation | 2017 | Tribal art 21 (2): 118-21 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The possiblity of trade in antique ivory | 2017 | Tribal art 21 (4): 152-3 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Picking through history: 'mantiques' and masculinity in artifactual entertainment | 2017 | European journal of cultural studies 20 (5): 509-24 | H6/KF [EUROPEAN-] | 1367-5494 | in special issue 'Gender and property TV after the financial crisis' | |||
Les scultptures funéraires de Cyrénaïque sur le marché de l'art | 2017 | Libyan studies 48: 105-16 | H6/KY [SOCIETY FOR LIBYAN STUDIES Annual report-] | 0263-7189 | in thematic section 'Conference proceedings 'Libyan antiquities at risk''; English and Arabic summaries | |||
With damaging legislation in the works, arts organizations fight back | 2017 | Tribal art 22 (1): 128-31 | *H6/KFY [WORLD-] | 1354-2990 | ||||
"They don't even know how to copy": the discourse on originality in Albania's art world | 2017 | Focaal (78): 65-76 | H6/KF [FOCAAL-] | 0920-1297 | ||||
Global images and local contexts: comparing the Havana and Johannesburg biennales | 2017 | Iberoamericana 17 (66): 73-87 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | in thematic issue 'Africanist and transatlantic imaginaries. Memory and cultural agency'; English summary | |||
Modern Őmie women: virtual indigeneity and intimations of empowerment | 2017 | Oceania 87 (3): 282-97 | H6/KX [OCEANIA-] | 0029-8077 | ||||
A Persian weaving legacy | 2017 | Hali (194): 82-5 | *H6/KGG [HALI-] | 0142-0798 | in thematic issue 'The China edition: 2,000 years of textile art' | |||
From Ningxia to Nichols | 2017 | Hali (194): 86-9 | *H6/KGG [HALI-] | 0142-0798 | in thematic issue 'The China edition: 2,000 years of textile art' | |||
Rosati - the painter who loved textiles, but ethnographers beware | 2017 | Asian textiles (67): 17-24 | H6/KGG [OXFORD-] | |||||
Hundert Fächer und der koreanische Kunstmarkt im 19. Jahrhundert | 2017 | Mitteilungen aus dem Museum für Völkerkunde (Hamburg) 50: 314-24 | H6 [HAMBURG-] | in thematic issue 'Uri Korea. Kunsthistorische und ethnografische Beiträge zur Ausstellung' | ||||
Works of art and archaeological artefacts. Two aspects of the collection of Izabela Działyńska (nee Czartoryska) | 2017 | Fontes archaeologici posnanienses 53: 291-301 | qH6/KE [FONTES-] | 0071-6863 | in special issue 'From the studies of medieval settlements in Greater Poland'; English summary | |||
Verloren und gefunden. Zwei Marquesas-Objekte aus der Sammlung Karl von Steinen im Museum Fünf Kontinenten | 2016-2017 | Journal fünf Kontinente 2: 250-65 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 2366-7419 | English summary | |||
Art, anthropology, and globalization | 2016 | Journal of the Royal Anthropological Institute (New Series) 22 (1): 204-6 | H6 [JOURNAL-] | 1359-0987 | review article on Arts and aesthetics in a globalizing world eds R Kaur and P Dave-Mukherji (London, New York: Bloomsbury, 2014) and Art beyond itself: anthropology for a societywithout a story line by N García Canclini (Durham, N. C.: Duke University Press, 2014) | |||
Selling authenticity in the Bamun Kingdom in 1929-1930 | 2016 | African arts 49 (2): 54-67 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
"Hot commodity!" Comment l'art africain travaille à être contemporaine | 2016 | Cahiers d'études africaines 56 (3): 459-78 | H6/KY [CAHIERS-] | 0008-0055 | introduction to thematic issue 'De l'art (d'être) contemporain' | |||
The media-action of abeu adekai (Ghana's sculptural coffins) in the world market and design | 2016 | Cahiers d'études africaines 56 (3): 479-502, [plates i-viii] | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; French summary | |||
"The Savor of Ògún". Vodun and contemporary art in Benin | 2016 | Cahiers d'études africaines 56 (3): 503-16, [plates i-iv] | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; English summary | |||
The taking of art by Bruly Bouabé of prophecy rediscovered | 2016 | Cahiers d'études africaines 56 (3): 517-38, [plates i-iv] | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; English summary | |||
Ochuo, from slum to white cube, geography of a global encounter | 2016 | Cahiers d'études africaines 56 (3): 539-57 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; English summary | |||
Playing (in) the market: Hervé Youmbi and the art world maze | 2016 | Cahiers d'études africaines 56 (3): 559-80, [i-iv] | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; French summary | |||
Revue noire: exploration of the contours of contemporary African art | 2016 | Cahiers d'études africaines 56 (3): 637-62 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'De l'art (d'être) contemporain'; English summary | |||
Contemporary Native American art in Britain, 1980s to today | 2016 | First American art magazine 12: 48-55 | H6/KUB [FIRST-] | 2333-5548 |