Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Family tradition | 2020 | Native American art December/January: 118-21 | H6/KUB [NATIVE-] | 2469-6137 | ||||
Salish/Métis/Cree/Shoshone-Bannock cultural arts worker Jaune Quick-to-See Smith | 2020 | First American art magazine 25: 62-7 | H6/KUB [FIRST-] | 2333-5548 | ||||
Oglala Lakota painter Keith Braveheart | 2020 | First American art magazine 25: 56-61 | H6/KUB [FIRST-] | 2333-5548 | ||||
Diné/Kanaka Māoli painter Heidi K. Brandow | 2020 | First American art magazine 25: 50-5 | H6/KUB [FIRST-] | 2333-5548 | ||||
Notes on how to irritate a group of committed artists: politics of emotion at the Ghetto Biennale in Port-au-Prince | 2020 | Space and culture 23 (1): 61-76 | H6 [SPACE-] | 1206-3312 | ||||
A lasting legacy: celebrating 90 years of women in the Heard Museum | 2020 | Native American art 25 (February/March): 92-7 | H6/KUB [NATIVE-] | 2469-6137 | ||||
An artist on Inis Oírr and Inis Meáin: Simon Coleman’s visit to the Aran islands in 1959 on behalf of the Irish Folklore Commission | 2020 | Folklore 131 (1): 1-33 | H6/KF [FOLKLORE-] | 0015-587X | ||||
Vitalism on the fringes | 2020 | Antipoda (39): 96-122 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
From the roots | 2020 | Native American art 25 (February/March): 108-13 | H6/KUB [NATIVE-] | 2469-6137 | ||||
Cultural nationalism of the interwar period: Latvian visual art and folklore | 2020 | Nations and nationalism 26 (1): 155-75 | *H6/KF [NATIONS-] | 1354-5078 | ||||
Mind the gap: encountering contemporary art through play | 2020 | The Australian journal of anthropology 31 (1): 101-14 | H6/KF [AUSTRALIAN-] | 1035-8811 | ||||
Lagos art world: the emergence of an artistic hub on the global art periphery | 2020 | African studies review 63 (1): 170-96 | *H6/KY [AFRICAN-] | 0002-0206 | French and Portuguese summaries | |||
Seminole, Quinault, and Quileute sharing arts and cultures | 2020 | First American art magazine 25: 24-9 | H6/KUB [FIRST-] | 2333-5548 | ||||
Reflection on Bummock: the Lace Archive symposium | 2020 | Textile history 18 (1): 92-9 | H6/KGGT [TEXTILES-] | 0040-4969 | in special issue 'Missing persons and hidden heritages in European lace making' | |||
An artist on Inis Oírr and Inis Meáin: Simon Coleman’s visit to the Aran islands in 1959 on behalf of the Irish Folklore Commission | 2020 | Folklore 131 (1): 1-33 | H6/KF [FOLKLORE-] | 0015-587X | ||||
Vitalism on the fringes | 2020 | Antipoda (39): 91-122 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
Master class | 2020 | Native American art December/January: 84-9 | H6/KUB [NATIVE-] | 2469-6137 | interview with Wes Willie, in thematic issue 'The turquoise issue' | |||
The pencil is the key | 2020 | Native American art December/January: 114-17 | H6/KUB [NATIVE-] | 2469-6137 | ||||
Body of work. The connections of Ioane Ioane | 2019-20 | Art New Zealand (172): 80-3, 111 | H6/KX [ART-] | 0110-1102 | ||||
Two worlds. HERE: Kupe to Cook at Pataka | 2019-20 | Art New Zealand (172): 75-9 | H6/KX [ART-] | 0110-1102 | ||||
Rico Gatson: power lines, power minds | 2019 | Nka: journal of contemporary African art 44: 144-57 | H6/KY [NKA-] | 1075-7163 | ||||
Images of the East | 2019 | British Museum magazine (94): 25-8 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | ||||
Ontological distances: contemporary art, African masks and Western museums | 2019 | Nka: journal of contemporary African art 44: 132-42 | H6/KY [NKA-] | 1075-7163 | ||||
The indigenous imposition: settling expectation, unsettling revision, and the politics of playing with familiarity | 2019 | SAIL: studies in American Indian literatures (Series 2) 31 (3-4): 1-35 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Contemporary "folk" dynamics: shifting visions and meanings in the Goalpariya folk music of Assam | 2019 | Folklore 130 (4): 331-51 | H6/KF [FOLKLORE-] | 0015-587X | ||||
When workers toil unseen, artists intervene: on the in/visibility of labor in the Arabian gulf states | 2019 | Visual anthropology 32 (3-4): 265-86 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
New directions in Black British art history: some considerations | 2019 | Nka: journal of contemporary African art (45): 8-17 | H6/KY [NKA-] | 1075-7163 | introduction to special issue 'Black British art histories' | |||
Denis Williams's London | 2019 | Nka: journal of contemporary African art (45): 18-33 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Making waves | 2019 | Nka: journal of contemporary African art (45): 48-61 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Sonia Boyce: beyond blackness | 2019 | Nka: journal of contemporary African art (45): 62-73 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Self-portraiture and representations of Blackness in the Work of Donald Rodney | 2019 | Nka: journal of contemporary African art (45): 74-86 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Illness as metaphor Donald Rodney’s X-ray photographs | 2019 | Nka: journal of contemporary African art (45): 88-98 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Eugene Palmer and Barbara Walker photography and the Black subject | 2019 | Nka: journal of contemporary African art (45): 100-13 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
The aesthetics of migration in an age of anxiety: Zineb Sedira, Allan deSouza, and Mary Evans | 2019 | Nka: journal of contemporary African art (45): 114-26 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Charles White: a retrospective | 2019 | Nka: journal of contemporary African art (45): 140-9 | H6/KY [NKA-] | 1075-7163 | ||||
John Akomfrah: multichannel prehensions | 2019 | Nka: journal of contemporary African art (45): 128-39 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
The countryside in Indonesian contemporary art and media: from distant horizons to traversing drones | 2019 | Bijdragen tot de taal-, land- en volkenkunde 175 (4): 446-73 | H6/KX [BIJDRAGEN-] | 0006-2294 | ||||
'I move my hand and then I see it’: sensing and knowing with young artists in Japan | 2019 | Asian anthropology 18 (3): 222-37 | H6/KW [ASIAN-] | 1683-478X | in thematic issue ‘Feeling (with) Japan’ | |||
Metabolic aesthetics: on the feminist scentscapes of Anicka Yi | 2019 | Food Culture and Society 22 (5): 692-712 | H6/KF [FOOD-] | 1751-7443 | in special issue 'Edible feminisms: on commodities, wastes, and (un)intended consequences' | |||
Can capitalism be decolonized? Recentering indigenous peoples, values, and ways of life in the Canadian art market | 2019 | American Indian quarterly 43 (3): 306-38 | H6/KUB [AMERICAN-] | 0095-182X | ||||
The countryside in Indonesian contemporary art and media: from distant horizons to traversing drones | 2019 | Bijdragen tot de taal-, land- en volkenkunde 175 (4): 446-73 | H6/KX [BIJDRAGEN-] | 0006-2294 | ||||
The politics and poetics of Mwangi Hutter's one artist/two body construct | 2019 | Nka: journal of contemporary African art 44: 108-19 | H6/KY [NKA-] | 1075-7163 | ||||
The radical cosmopolitanism of Barthélemy Toguo | 2019 | Nka: journal of contemporary African art 44: 120-31 | H6/KY [NKA-] | 1075-7163 | ||||
Postproduction, archive, and memory in the work of César Schofield Cardoso | 2019 | Nka: journal of contemporary African art 44: 94-107 | H6/KY [NKA-] | 1075-7163 | ||||
Leo Asemota's The ENS Project | 2019 | Nka: journal of contemporary African art 44: 78-92 | H6/KY [NKA-] | 1075-7163 | ||||
Missing links: ledger book structure and two war books of the 1860s | 2019 | Plains anthropologist 64 (250): 163-84 | H6/KUB [PLAINS-] | 0032-0447 | ||||
An absent cloth: authority, costume, and embodiment in Kathak | 2019 | Journal for the anthropological study of human movement 26 (1) | *H6/KFYW [JOURNAL-] | 1940-7610 | ||||
Lesson given by Professor Arendt | 2019 | Konteksty 73 (1/2): 19-30, 574 | H6/KVM [POLSKA-] | 1230-6142 | in special issue dedicated to Bruno Schulz (1892–1942); English summary | |||
Bruno Schulz and the geography of the artistic milieus of his epoch: the relation between the place and visual-aid activity along the eastern border of Europe | 2019 | Konteksty 73 (1/2): 123-8, 578-9 | H6/KVM [POLSKA-] | 1230-6142 | in special issue dedicated to Bruno Schulz (1892–1942); English summary | |||
Where have we come from? The art of Hariata Ropata Tanagahoe | 2019 | Art New Zealand (169): 66-70 | H6/KX [ART-] | 0110-1102 |