Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Expressing sonic theology: understanding ritual action in a Himalayan festival | 2019 | Ethnomusicology forum 28 (3): 321-37 | H6/KFYV [BRITISH-] | 1741-1912 | ||||
Learning to embody the radically empirical: performance, ethnography, sensorial knowledge and the art of tabla playing | 2018 | Anthropologica (New Series) 60 (2): 427-38 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | in thematic section 'Ethnography, performance and imagination'; French summary | |||
The 'eye of the drum'. Past and present of qilaujjarniq in the Canadian Central Arctic (Nunavut) | 2018 | Anthropos (St Augustin) 113 (2): 491-501 | H6 [ANTHROPOS-] | 0257-9774 | ||||
When field recordings meet field research: examining change in the Shango drumming of postwar Trinidad | 2017 | Ethnomusicology 61 (2): 287-311 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Spanish summary | |||
Muchongoyo and Mugabeism in Zimbabwe | 2017 | African studies review 60 (1): 145-70 | *H6/KY [AFRICAN-] | 0002-0206 | French summary | |||
Seeking a new path: pasacalle activists practicing culture in Villa El Salvador, Perú | 2017 | Ethnomusicology 61 (1): 1-30 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Spanish summary | |||
Across borders and genres in Malaysia and Thailand: the Changgong rhythm and the Andaman Sea coast | 2017 | Asian music 48 (1): 58-84 | *H6/KFYV [ASIAN-] | 0044-9202 | ||||
'Listen to my drum': notes on historical and contemporary uses of Torres Strait Islander warup/buruburu drums in Australia | 2016 | Australian Aboriginal studies (2): 61-80 | H6/KX [AUSTRALIAN-] | 0729-4352 | ||||
Drumming to one's own beat: japanese taiko and the challenge to genre | 2016 | Ethnomusicology 60 (1): 22-52 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Japanese summary | |||
On the grammar of Senegalese drum language | 2014 | Language 90 (3): 644-68 | H6/KK [LANGUAGE-] | 0097-8507 | ||||
Sick of shamanizing: in search of healing in Kamchatkan roads of world-Jesus | 2013 | Civilisations 61 (2): 69-88 | H6 [CIVILISATIONS-] | in thematic issue 'Chamanismes et mouvement'; French summary | ||||
Rediscovered Tuva shamanic songs in Vilmos Diószegi's manuscript legacy | 2012 | Shaman 20 (1/2): 109-38 | *H6/KFO [SHAMAN-] | 1216-7827 | ||||
Composing sound identity in Taiko drumming | 2012 | Anthropology and education quarterly 43 (1): 101-19 | H6 [COUNCIL-] | 0161-7761 | ||||
The drumming of dissent during South Korea's democratization movement | 2012 | Ethnomusicology 56 (2): 179-205 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Controlling time in epic performances: an examination of Mahābhārata performance in central Himalayas and Indonesia | 2011 | Ethnomusicology forum 20 (1): 57-78 | H6/KFYV [BRITISH-] | 1741-1912 | ||||
The development of the Acehnese sitting song-dances and frame-drum genres as part of religious conversion and continuing piety | 2010 | Bijdragen tot de taal-, land- en volkenkunde 166 (1): 83-106 | H6/KX [BIJDRAGEN-] | 0006-2294 | ||||
Dancing in opposition: muchongoyo, emotion, and the politics of performance in southeastern Zimbabwe | 2010 | Ethnomusicology 54 (3): 425-51 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Drumming from screen to stage: Ondekoza's Ōdaiko and the reimaging of Japanese taiko | 2010 | Journal of Asian studies 69 (3): 843-67 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
Running John Bull: the provenance of a masquerade in the Lesser Antilles | 2009 | Folklore 120 (2): 133-56 | H6/KF [FOLKLORE-] | 0015-587X | ||||
Memorizing together. Group effect experiments in steelbands (Trinidad and Tobago) | 2009 | Annales de la Fondation Fyssen (24): 216-35 | *H6 [ANNALES-] | 0980-157X | in French and English | |||
Music for cleansing the universe - drumming and gong ensemble music in the Mamahui Pogun ceremonies of the Lotud Dusun of Tuaran, Sabah, Malaysia | 2009 | Borneo research bulletin 40: 249-76 | H6/KX [BORNEO-] | 0006-7806 | ||||
My song is my bond: Haitian Vodou singing and the transformation of being | 2009 | The World of Music 51 (2): 91-118 | H6/KFY [WORLD-] | 0043-8774 | in thematic issue 'Music for being' | |||
Trommelbaum - Webtrommel. Ein Web- und Klanggerät der Atayal auf Taiwan im Besitz des Staatlichen Museums für Völkerkunde München | 2008 | Münchner Beiträge zur Völkerkunde 12: 155-60 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 0936-837X | English summary | |||
Truth, talk and history in the non-nation: gwo ka's place on Marie-Galante, French Antilles | 2008 | Ethnomusicology forum 17 (2): 203-24 | H6/KFYV [BRITISH-] | 1741-1912 | ||||
Powwows, intertribalism, and the value of competition | 2007 | Ethnomusicology 51 (1): 1-29 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
From stigma to self-assertion: Paraiyars and the symbolism of the parai drum | 2007 | Contributions to Indian sociology (New Series) 41 (1): 81-104 | H6/KWL [CONTRIBUTIONS-] | 0069-9667 | ||||
Performing audience. On the social constitution of focused interaction at celebrations in Mali | 2007 | Anthropos (St Augustin) 102 (1): 3-18 | H6 [ANTHROPOS-] | 0257-9774 | ||||
'It opens your mouth!' Forest spirit identities in public display and private discussion: masking and rhetoric in Canton Boo, southwestern Côte d'Ivoire | 2006 | Archiv für Völkerkunde 56: 1-30 | H6/KF [ARCHIV-] | 0066-6513 | ||||
Tradition serving modernity? The musical lives of a Makassarese drummer | 2006 | Asian music 37 (1): 1-23 | *H6/KFYV [ASIAN-] | 0044-9202 | ||||
The poetics of 'Sufi' practice: drumming, dancing, and complex agency at Madho Lāl Husain (and beyond) | 2006 | American ethnologist 33 (2): 246-68 | H6 [AMERICAN-] | 0094-0496 | in thematic section 'Islam and its constituencies' | |||
Samson Mudzunga, Dzingoma, and new mythologies | 2006 | African arts 39 (4): 68-77, 95-6 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Batuque: African drumming and dance between repression and concession, Bahia, 1808-1855 | 2005 | Bulletin of Latin American research 24 (2): 201-14 | *H6/KUL [BULLETIN-] | 0261-3050 | in special issue 'Brazilian popular culture in historical perspective' | |||
Sounding of Bering Strait: drum as mediator between two continents | 2005 | Bulletin of the Hokkaido Museum of Northern Peoples 14: 1-8 | *H6/KWV [BULLETIN-] | 0918-3159 | English summary | |||
A l'unisson des tambours. Note sur l'ordre social et la chasse aux têtes parmi les Wa de Chine | 2004 | Anthropos. Anthropos Institut, Sankt Augustin 99 (2): 353-63 | H6 'ANTHROPOS-' | 0257-9774 | English summary | |||
Tangled roots: Kalenda and other neo-African dances in the circum-Caribbean | 2004 | New West Indian guide 78 (1/2): 5-41 | H6/KUL 'NWIG-' | 0028-9930 | ||||
Vannama: a classical dance form and its musical structure | 2004 | The World of Music 46 (3): 49-64 | H6/KFYV [WORLD-] | 0043-8774 | in thematic issue 'Women and music in Sri Lanka' | |||
Barbadian tuk music: colonial development and post-independence recontextualization | 2003 | British journal of ethnomusicology 12 (2): 81-106 | 0968-1221 | |||||
In the sign of drums: African dance in Africa and in the Czech lands | 2003 | Národopisná revue 2: 86-91, 120 | H6/KVL [NARODOPISNE-] | 8062-8351 | English and German summaries | |||
Figures on a drum | 2002 | Arts and cultures 3: 203-17 | ||||||
'Re-reading' Curt Sachs: Lithuanian folk musical instruments and their links with the instruments of the world | 2002 | Liaudies kultûra 1: 20-9 | 0236-0551 | English summary | ||||
Shaman's drumming as a kind of indirect hypnosis | 2002 | Műveltség és hagyomány 12-13: 447-53 | H6/KVN [MUVELTSEG-] | 0580-3594 | in special issue 'Mental spaces and ritual traditions. An International Festschrift to commemorate the 60th birthday of Mihály Hoppál' | |||
Shaman music, drumming, and into the [New age] | 2002 | Shaman 10 (1/2): 59-81 | 1216-7827 | |||||
Therapeutic efficacy of music-making: neglected aspect of human experience integral to performance process | 2002 | Yearbook for traditional music 34: 129-38 | 0740-1558 | |||||
Powwows and identity on the Piedmont and Coastal Plains of North Carolina | 2001 | Ethnomusicology 45 (1): 58-88 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Temporality of post-mortem divination and divination of post-mortem temporality | 2001 | The Australian journal of anthropology 12 (1): 67-79 | H6/KF [AUSTRALIAN-] | 1035-8811 | ||||
Samba in Wales: making sense of adopted music | 2001 | British journal of ethnomusicology 10 (1): 85-106 | 0968-1221 | in special issue 'Music and meaning' | ||||
Japanese Taiko drumming in international performance: converging musical ideas in the search for success on stage | 2001 | The World of Music 43 (2/3): 93-101 | 0043-8774 | in thematic issue 'Folk music in public performance' | ||||
Los tambores resuenan en la ciudad | 2001 | Revista Bigott 59: 20-9 | ||||||
The DhÆāk, Devi Amba's hourglass drum in tribal southern Rajastan, India | 2000/1 | Asian music 32 (1): 59-99 | *H6/KFYV [ASIAN-] | 0044-9202 | in special issue 'Tribal music of India'; with introduction by R Knight | |||
Meter and grouping in African music: a view from music theory | 2000 | Ethnomusicology 44 (1): 65-96 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 |