Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
House of shields: defensive imagery at defensive sites in Tsegi Canyon | 2020 | Kiva 86 (1): 108-27 | *H6/KE [KIVA-] | 2051-6177 | Spanish summary | |||
Ambrose Bierce’s Indian inscriptions: pictographic records of Indian-White conflict along the Bozeman Trail | 2020 | Plains anthropologist 65 (254): 150-73 | H6/KUB [PLAINS-] | 0032-0447 | ||||
Rock art images and archaeological models. Towards a contextualization of the petroglyphs in the Curi-Leuvú basin. North of Neuquén, Patagonia Argentina | 2020 | Chungará 52 (1): 23-40 | H6/KUL [CHUNGARA-] | 0716-1182 | English summary | |||
House of shields: defensive imagery at defensive sites in Tsegi Canyon | 2020 | Kiva 86 (1): 108-27 | *H6/KE [KIVA-] | 2051-6177 | Spanish summary | |||
Ambrose Bierce’s Indian inscriptions: pictographic records of Indian-White conflict along the Bozeman Trail | 2020 | Plains anthropologist 65 (254): 150-73 | H6/KUB [PLAINS-] | 0032-0447 | ||||
New insights into the rock art of Anbangbang Gallery, Kakadu National Park | 2020 | Journal of field archaeology 45 (2): 120-34 | *H6/KE [JOURNAL-] | 2042-4582 | ||||
Manco Inka's rebellion and Vilcabamba in colonial Andean texts: other materials for their study | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 57-80 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
Rock engravings, landscapes and social practices in the Las Tunas river basin (Mendoza, Argentina) | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 115-36 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
The memory of the Andean pathways. Amongst huacas, devils, angels and demons | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 201-25 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
Whoever seeks, finds. Rock art in southern Chile. Assessment, perspectives, and questions | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 247-69 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
An indigenous archive: documenting Comanche history through rock art | 2020 | American Indian quarterly 44 (2): 196-220 | H6/KUB [AMERICAN-] | 0095-182X | in special issue 'Epistemic colonialism' | |||
Red Bird and Sequoyah: a reply to Simek et al. | 2020 | American antiquity 85 (2): 383-7 | *H6/KE [AMERICAN-] | 0002-7316 | reply to 'The Redbird River Shelter (15CY52) revisited: the archaeology of the Cherokee syllabary and of Sequoyah in Kentucky' by J F Simet et al. Amer Antiq 2019 (84): 1-15, with reply by authors in this issue, 388-91; Spanish summary | |||
There is no Cherokee syllabary at Red Bird River Shelter (15CY52): reply to Tankersley and Weeks | 2020 | American antiquity 85 (2): 388-91 | *H6/KE [AMERICAN-] | 0002-7316 | see this issue, 383-7; Spanish summary | |||
New archaeological data on the Upper Paleolithic site of cueva de Malalmuerzo (Moclín, Granada, Spain) | 2020 | Munibe (71): 41-57 | 1132-2217 | Spanish and Basque summaries | ||||
Itamu umumi yooya’ ökiwni (“We Will Arrive as Rain to You”): evidence of historical relationships among Western Basketmaker, Fremont, and Hopi peoples | 2020 | Kiva 86 (3): 245-73 | *H6/KE [KIVA-] | 2051-6177 | Spanish summary | |||
Enset (Ensete ventricosum) and the archaeology of southwestern Ethiopia | 2020 | African archaeological review 37 (4): 627-37 | *H6/KE [AFRICAN-] | 0263-0338 | French summary | |||
Cultural resource management of the dying ivory craftsmanship as reflected in the wood carving of Thiruvananthapuram, Kerala | 2020 | Journal of Indo-Pacific archaeology 44: 1-18 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | ||||
The rock art of Kisar Island, Indonesia: a small island with a wealth and diversity of artistic expression | 2020 | Journal of Indo-Pacific archaeology 44: 19-51 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | ||||
Dong Son drums from Timor-Leste: prehistoric bronze artefacts in island South-East Asia | 2019 | Antiquity 93 (367): 163-80 | H6/KE [ANTIQUITY-] | 0003-598X | ||||
So ends this day: American whalers in Yaburara country, Dampier archipelago | 2019 | Antiquity 93 (367): 218-35 | H6/KE [ANTIQUITY-] | 0003-598X | ||||
Arming landscapes: connectivity and resistance in northwestern Iberia in late prehistory | 2019 | Journal of anthropological archaeology 53: 288-303 | *H6/KE [JOURNAL-] | 0278-4165 | ||||
Smalt: a under-recognized pigment commonly used in historical period China | 2019 | Journal of archaeological science 101: 89-98 | H6/KE [JOURNAL-] | 0305-4403 | ||||
Expanding the horizons of Palaeolithic rock art: the site of Romualdova Pećina | 2019 | Antiquity 93 (368): 297-312 | H6/KE [ANTIQUITY-] | 0003-598X | ||||
Non-human whalers in Nuu-chah-nulth art and ritual: reappraising orca in archaeological context | 2019 | Cambridge archaeological journal 29 (2): 309-26 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
11th international rock art symposium. La Serena, Chile, October 22-27, 2018 | 2019 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (33): 19-23 | *H6/KE [SOCIEDAD-] | 1017-4346 | English summary | |||
Paleo burros with petroglyphs: Llamachay site in Colquemarca, Cusco | 2019 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (33): 24-35 | *H6/KE [SOCIEDAD-] | 1017-4346 | English summary | |||
New contributions to the archaeology of Pampa Grande: rock art of cave Tatacalo (Salta, Argentina) | 2019 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (33): 36-41 | *H6/KE [SOCIEDAD-] | 1017-4346 | English summary | |||
Recent excavations at the imperial Inca site of Intinqala in Copacabana, Bolivia | 2019 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (33): 42-71 | *H6/KE [SOCIEDAD-] | 1017-4346 | English summary | |||
Rock art in Yungas valleys, La Paz. A preliminary approach based on three sites | 2019 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (33): 72-93 | *H6/KE [SOCIEDAD-] | 1017-4346 | English summary | |||
Connecting to the ancestors: why rock art is important for indigenous Australians and their well-being | 2019 | Rock art research 36 (1): 5-14 | H6/KE [ROCK-] | 0813-0426 | ||||
Journeys in Stone Age rock art and its research history in northernmost Europe | 2019 | Rock art research 36 (1): 15-28 | H6/KE [ROCK-] | 0813-0426 | ||||
The Green River bighorn sheep horned headdress, San Rafael swell, Utah | 2019 | Rock art research 36 (1): 29-42 | H6/KE [ROCK-] | 0813-0426 | ||||
Australian rock art bibliography extracted from the Rock Art Studies Bibliographic Database for the years 1841 to 2018 - part 2 | 2019 | Rock art research 36 (1): 49-93 | H6/KE [ROCK-] | 0813-0426 | ||||
Ancient 'sanctuaries' of west Transbaikalia, Siberia | 2019 | Rock art research 36 (1): 94-107 | H6/KE [ROCK-] | 0813-0426 | ||||
Nargeseh: newly found rock art in Loestan province, western Iran | 2019 | Rock art research 36 (1): 108-10 | H6/KE [ROCK-] | 0813-0426 | ||||
An occurrence of appliqué in Wardaman rock art | 2019 | Rock art research 36 (1): 110-13 | H6/KE [ROCK-] | 0813-0426 | ||||
Cupules discovered in Niah cave, Sarawak, Malaysia | 2019 | Rock art research 36 (1): 113-15 | H6/KE [ROCK-] | 0813-0426 | ||||
About the discovery of Al Jawf 'camel figures' in Saudi Arabia | 2019 | Rock art research 36 (1): 115-16 | H6/KE [ROCK-] | 0813-0426 | ||||
Geomythology in southern Africa | 2019 | Digging stick 36 (1): 15-18 | H6/KE [SOUTH-] | 1013-7521 | ||||
More about elephants and related matters in San rock art research | 2019 | Digging stick 36 (1): 10-13 | H6/KE [SOUTH-] | 1013-7521 | ||||
Roads, ghosts and rock paintings in the Swartrugges, Western Cape province | 2019 | Digging stick 36 (1): 5-9 | H6/KE [SOUTH-] | 1013-7521 | ||||
Sympathetic magic and 'death-trance potency' in relation to prehistoric rock art in Southern Africa | 2019 | Digging stick 36 (1): 14 | H6/KE [SOUTH-] | 1013-7521 | ||||
An instruction manual would be perfect! An analysis of hte images of four birchbark scrolls from central North America | 2019 | Anthropos (St Augustin) 114 (1): 37-55 | H6 [ANTHROPOS-] | 0257-9774 | English summary | |||
From top down under: new insights into the social significance of superimposition in the rock art of northern Kimberly, Australia | 2019 | Cambridge archaeological journal 29 (3): 479-95 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Levels of narrativity in Scandinavian Bronze Age petroglyphs | 2019 | Cambridge archaeological journal 29 (3): 497-516 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Reinterpreting walls: interaction and information exchange in the middle of Ibáñez river, central Patagonia, Chile | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 37-55 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
Zoomorphic rock art representations and identity-building in central Argentina (ca. 1550-450 BP) | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 83-104 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
Smokes, fires and paintings: a methodology for linking histories in rock art | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 131-52 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
The one and the other: contraposition and reflections on expressive universes of Prehispanic Noa | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 153-79 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
The dance of the lines: on the rhythms of making petroglyphs | 2019 | Journal of material culture 24 (3): 270-92 | H6/KF [JOURNAL-] | 1359-1835 |