Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Ex-Africa: histories and identities of a universal art | 2019 | Tribal art (91): 62-7 | *H6/KFY [WORLD-] | 1354-2990 | ||||
A desire for art: the Ewa and Yves Develon collection at the Musée des Confluences | 2019 | Tribal art (91): 68-73 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The northern Zanj, Demadin, Yamyam, Yam/Yamjan, Habasha/Ahabish, Zanj-Ahabish, and Zanj ed-Damadan - the Horn of Africa between the ninth and fifteenth centuries | 2019 | History in Africa 46: 57-104 | H6/KY [HISTORY-] | 0361-5413 | in special issue 'Re-mapping, re-spacing and re-connecting Africa'; French summary | |||
Lost to fire: the African collection of the National Museum of Brazil | 2019 | African arts 52 (3): 12-15 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Mainstreaming African diasporic foodways when academia is not enough | 2019 | Transforming anthropology 27 (2): 149-63 | H6 [TRANSFORMING-] | 1051-0559 | in thematic issue 'The marathon continues: new directions in African diaspora archaeology' | |||
Ancient DNA analysis of the Thulamela remains: deciphering the migratory patterns of a Southern African population | 2019 | Journal of African archaeology 17 (2): 161-72 | H6/KE [JOURNAL-] | 1612-1651 | ||||
Blues\blank\black: performance art as gesture, color, repetition, archive | 2019 | Iberoamericana 19 (72): 105-16 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | in special issue 'Estéticas sucias y cultura basura. Repensar desechos, residuos y contaminación en las formaciones culturales de América Latina'; Spanish summary | |||
Naturalography of co-existence among East African pastoral societies: an introductory overview of Japanese scholarship | 2019 | African study monographs 40 (2-3): 45-75 | H6/KY [AFRICAN-] | 0285-1601 | introduction to special issue 'Naturalography of co-existence among East African pastoral societies' | |||
A Harvard physician's reports on a 1857 visit to Saamaka | 2019 | New West Indian guide 93 (3-4): 259-78 | H6/KUL [NWIG-] | 0028-9930 | ||||
The Dats'in: historical experience and cultural identity of an undocumented indigenous groups of the Sudanese-Ethiopian borderland | 2019 | Journal of Eastern African studies 13 (3): 504-24 | H6/KY [EASTERN-] | 1753-1055 | ||||
Introduction: carnivals, festivals, and pan-Africanism | 2019 | World art 9 (1): 1-3 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Revealing the ‘trends and confrontations’ of contemporary African-American art through the First World Festival | 2019 | World art 9 (1): 5-26 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Big Bird’s minor upset: Frank Bowling’s prize-winning entry to the 1966 Premier Festival Mondial des Arts Nègres | 2019 | World art 9 (1): 27-41 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Tendances et Confrontations: an experimental space for defining art from Africa | 2019 | World art 9 (1): 43-65 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
The quest for a Pan-African groove: saxophones and stories from the Pan-African Festival of Algiers (1969) | 2019 | World art 9 (1): 67-80 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Inside Dakar’s Musée Dynamique: reflections on culture and the state in postcolonial Senegal | 2019 | World art 9 (1): 81-97 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Beyond compare: art from Africa in the Bode Museum | 2018 | Tribal art 87: 70-7 | *H6/KFY [WORLD-] | 1354-2990 | ||||
A very long history | 2018 | Tribal art (8): 18-19 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Language and music | 2018 | Tribal art (8): 20-1 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Contemporary art at the Royal Museum for Central Africa | 2018 | Tribal art (8): 22-3 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
The awakening of a sleeping beauty: memories of the genesis of an exhibition. The hidden treasures of the Tervuren Museum (1995) | 2018 | Tribal art (8): 24-35 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Unrivaled art | 2018 | Tribal art (8): 36-9 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Masks | 2018 | Tribal art (8): 40-3 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Artistic crossroads in Kananga | 2018 | Tribal art (8): 44-7 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
The man behind the art: a question of style | 2018 | Tribal art (8): 48-51 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Artistic emulation | 2018 | Tribal art (8): 52-5 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Cleaned works | 2018 | Tribal art (8): 56-9 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
The workshop for "good artists" | 2018 | Tribal art (8): 60-3 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Talent and export production | 2018 | Tribal art (8): 64-7 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Art Négre and its forgers | 2018 | Tribal art (8): 68-9 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Tervuren: my school | 2018 | Tribal art (8): 70-1 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
The 1897 exhibition of Congolese art | 2018 | Tribal art (8): 72-9 | *H6/KFY [WORLD-] | 1354-2990 | in special bilingual issue 'An unrivaled museum: the reopening of the RMCA and its long-term exhibition 'Unrivaled art'; also in French | |||
Composer avec les orishas: acteurs et actrices de la religiosité du candombe afro-uruguayen | 2018 | Civilisations 67: 129-49 | H6 [CIVILISATIONS-] | 0009-8140 | in special issue 'Sounding religious transnationalism'; English summary | |||
Caricatures of black Peru in Chilean magazines. Iconographic referents and otherness (1902-1932) | 2017 | Chungará 49 (3): 397-409 | H6/KUL [CHUNGARA-] | 0716-1182 | English summary | |||
In the blood: the myth and reality of genetic markers of identity | 2016 | Ethnic and racial studies 39 (2): 142-61 | H6/KD [ETHNIC-] | 0141-9870 | in special issue 'The impact of diasporas: markers of identity' | |||
Beyond Négritude: black cultural citizenship and the Arab question in FESTAC 77 | 2016 | Journal of African cultural studies 28 (3): 313-26 | *H6/KY [JOURNAL-] | 1369-6815 | ||||
Stuart Hall's relevance for the study of African blackness | 2016 | International journal of cultural studies 19 (1): 85-99 | H6/KF [INTERNATIONAL-] | 1367-8779 | in special issue 'The worldliness of Stuart Hall' | |||
The name of the game: Oware as men's social space from Caribbean slavery to post-colonial times | 2016 | International journal of intangible heritage 11: 142-56 | H1/KWU [INTERNATIONAL-] | 1975-3536 | ||||
The return to Ethiopia of the twelve tribes of Israel | 2016 | New West Indian guide 90 (1-2): 1-27 | H6/KUL [NWIG-] | 0028-9930 | ||||
Archiving the First World Festival of Negro Arts (Dakar 1966): recuperation, nostalgia and utopianism | 2016 | World art 6 (1): 125-46 | H6 [WORLD-] | 2150-0908 | in special issue 'At work in the archive' | |||
Re-viewing studies on Africa, #Black lives matter, and envisioning the future of African studies | 2016 | African studies review 59 (2): 7-29 | *H6/KY [AFRICAN-] | 0002-0206 | French summary | |||
The discourse of racialization of labour and Chinese enterprises in Africa | 2016 | Ethnic and racial studies 39 (12): 2149-68 | H6/KD [ETHNIC-] | 0141-9870 | in special issue 'Chinese minorities: representation and classification at home and abroad' | |||
The unnamed body: encountering, commodifying, and codifying the image of the Black female | 2016 | Nka: journal of contemporary African art (38-39): 110-20 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black portraitures: the Black body in the West' | |||
Black cultural profiles: Africa and negritude in the early work of Rubén Darío | 2016 | Mesoamérica 37 (58): 22-39 | H6/KUL [MESOAMERICA-] | 0252-9963 | English summary | |||
The land of the spirits in Milan | 2015 | Tribal art (76): 78-83 | *H6/KFY [WORLD-] | 1354-2990 | ||||
On flogging the dead horse, again: historicity, genealogy, and objectivity in Richard Waterman's approach to music | 2015 | Ethnomusicology 59 (2): 173-201 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Portuguese summary | |||
A non-essentialist theory of race: the case of an Afro-indigenous village in north Peru | 2015 | Social anthropology 23 (2): 135-51 | H6/KF [SOCIAL-] | 0964-0282 | in special issue 'Taking up the cognitive challenge' | |||
Rethinking the 'everyday' in 'ethnicity and everyday life' | 2015 | Ethnic and racial studies 38 (7): 1137-51 | H6/KD [ETHNIC-] | 0141-9870 | ||||
Ubuntu/Botho as ecophilosophy and ecosophy | 2015 | Journal of human ecology 49 (3): 301-8 | H6 [JOURNAL-] | 0970-9274 | ||||
Masterpieces from Africa: tracing the history of the Musée Dapper in honour of Michel Laveau | 2015 | Tribal art 78: 122-9 | *H6/KFY [WORLD-] | 1354-2990 |