Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
An interview with Dave Powell, Western artist | 2019 | Whispering wind 46 (6): 23-5 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
What should happen, but has not yet happened: painterly tales of justice | 2019 | Contributions to Indian sociology (New Series) 53 (1): 184-216 | H6/KWL [CONTRIBUTIONS-] | 0069-9667 | in special issue 'Social life of law in India' | |||
The sitter's impression: memory and early modern portrait medallions | 2019 | Journal of material culture 24 (3): 293-312 | H6/KF [JOURNAL-] | 1359-1835 | ||||
Beyond the object: an Anatolian prayer rug in a fifiteenth-century Venetian painting | 2019 | Material religion 15 (2): 246-9 | H6/KFO [MATERIAL-] | 1743-2200 | in special issue 'Heritage, Islam, and the vernacular' | |||
Nineteenth-century Haitian portraiture and the critique of anachronism in Caribbean art | 2019 | Nka: journal of contemporary African art 44: 8-23 | H6/KY [NKA-] | 1075-7163 | ||||
Big Bird’s minor upset: Frank Bowling’s prize-winning entry to the 1966 Premier Festival Mondial des Arts Nègres | 2019 | World art 9 (1): 27-41 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Tendances et Confrontations: an experimental space for defining art from Africa | 2019 | World art 9 (1): 43-65 | H6 [WORLD-] | 2150-0908 | in special issue 'Pan-African festivals and visual culture: from the Dakar Festival of 1966 to Dak'Art 2016' | |||
Paintings from afar | 2018 | Tribal art 87: 148-59 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Ancient Iranian kings in the world history of Rashid Al-Din | 2018 | Iran 56 (1): 34-46 | H6/KWJ [IRAN-] | 0578-6967 | ||||
Repositioning the popular: the hybrid aesthetics of Violeta Parra's paintings Machitún, Las tres Pascualas, and Casamiento de negros | 2018 | Studies in Latin American popular culture 36: 145-60 | *H6/KUL [STUDIES-] | 0730-9139 | English summary | |||
Petronėlė Gerlikienė - her life and work | 2018 | Liaudies kultūra 3: 51-66 | H6/KVT [LIAUDIES-] | 0236-0551 | English summary | |||
Dating and Raman spectroscopy of rock art paintings in Ebo, Angola | 2018 | Azania: archaeological research In Africa 53 (1): 83-97 | H6/KY [AZANIA-] | 0067-270X | French summary | |||
Reframing Pablo Picasso and Dora Maar in Grace Nichols's 'Weeping Woman' | 2018 | Journal of folklore and literature 1: 73-9 | English summary | |||||
Persian paintings as documents of social history: images of craftsmen at work | 2018 | Iran 56 (2): 215-27 | H6/KWJ [IRAN-] | 0578-6967 | ||||
Visualizing marriage in northern Ethiopia: the production and consumption of Gama | 2018 | African arts 501 (3): 52-73 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Israeli oil paintings sales agents abroad: mediating value for cheap art | 2018 | World art 8 (2): 187-205 | H6 [WORLD-] | 2150-0908 | ||||
Flags and landscapes: border art from the Australian goldfields | 2018 | World art 8 (2): 207-24 | H6 [WORLD-] | 2150-0908 | ||||
Natural wonders | 2018 | Hali (197): 76-9 | *H6/KGG [HALI-] | 0142-0798 | ||||
Defending the sacred mountain. The painting 'Landscape of the West Indies' by Jan Mostaert and the conquest of Gran Canaria | 2018 | Indiana 35 (2): 297-322 | H6/KUL [INDIANA-] | 0341-8642 | English summary | |||
Morning Paramin: Derek Walcott, Peter Doig, and an ekphrasis of relation | 2018 | New West Indian guide 92 (3-4): 245-73 | H6/KUL [NWIG-] | 0028-9930 | ||||
André Derain: the avant-garde of primitivism? | 2018 | Arts & cultures : 88-99 | *H6/KFY [ARTS-] | ONLY ISBN | ||||
Temporalités encapsulées dans les peintures aborigènes du Musée du Quai Branly | 2018 | Gradhiva: revue de anthropology et museologie (28): 51-75 | H6 [GRADHIVA-] | 0764-8928 | in thematic issue 'Capsules temporelles' | |||
Tibetan objects in the Náprstek Museum | 2018 | Annals of the Náprstek Museum 39 (2): 65-78 | H6/KVL [PRAGUE-] | 0231-844X | ||||
Frederick Alexcee's entangled gaze | 2018 | ab-Original 2 (2): 246-64 | 2470-6221 | in special issue 'The entangled gaze: indigenous and European views of each other' | ||||
Making spirits, making art, Nat carving and contemporary painting in pre-transition Myanmar | 2018 | Material religion 14 (3): 285-313 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
A sign of the end of time: 'The monastery', Topkapı Sarayı Müzesi H.2153 f.131b | 2017 | Journal of the Royal Asiatic Society (Series 3) 27 (1): 1-30 | H6/KW [ROYAL-] | 1356-1863 | ||||
Japanese votive paintings and issues of display | 2017 | Material religion 13 (1): 107-9 | H6/KFO [MATERIAL-] | 1743-2200 | in thematic section 'Votives: material culture and religion' | |||
Threshold objects: viewing textiles in a colonial Andean painting | 2017 | World art 7 (1): 37-63 | H6 [WORLD-] | 2150-0908 | ||||
Alex Baine's Women's emancipation in Uganda. A visual archive of the history of a new generation of women in Uganda | 2017 | African arts 50 (2): 58-67 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The animal surfaces: the gaping mouth in Francis Bacon's work | 2017 | Visual anthropology 30 (4): 328-43 | *H6 [VISUAL-] | 0894-9468 | ||||
Koolark koort koorliny: reconciliation, art and storytelling in an Australian Aboriginal community | 2017 | Australian Aboriginal studies (1): 14-27 | H6/KX [AUSTRALIAN-] | 0729-4352 | ||||
The narratives of Albert Namatjira | 2017 | Australian Aboriginal studies (1): 56-68 | H6/KX [AUSTRALIAN-] | 0729-4352 | ||||
Disarticulate-repurpose-disrupt: art/archeology | 2017 | Cambridge archaeological journal 27 (4): 691-701 | H6/KE [CAMBRIDGE-] | 0959-7743 | in special issue 'Art, material culture, visual culture, or something else' | |||
Zur möglichen Rezeption des Lansdowne Herakles vei der Darstellung eines Keulentragenden Polynesiers in Adam Johann von Krusensterns Bericht zu seiner Weltumsegelung | 2017 | Anthropos (St Augustin) 112 (2): 602-5 | H6 [ANTHROPOS-] | 0257-9774 | ||||
Things fall apart: material religion and the problem of decay | 2017 | Journal of Asian studies 76 (4): 861-86 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
Sarmiento de Valladares: the end of the house of Habsburg in the New Spain | 2017 | Anales. Museo de América (Madrid) (25): 109-25 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | English summary | |||
Painting on linen cloth in antiquity: shrouds from Roman Egypt as a source for research | 2017 | Textile: the journal of cloth and culture 15 (1): 34-47 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
The enigma of the image. Art and hospitality | 2017 | Konteksty 71 (1/2): 60-7, 469 | H6/KVM [POLSKA-] | 1230-6142 | English summary | |||
Path, place, and pace in mid-Ming Suzhou landscape painiting | 2016/2017 | Res 67/68: 207-24 | *H6 [RES-] | 0277-1322 | ||||
Vier weitere Porträts von Tapferen der Kriegszüge des Qianlong-Kaisers (18. Jh.) | 2016-2017 | Journal fünf Kontinente 2: 96-111 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 2366-7419 | English summary | |||
Hybrid images. From photography to church painting: iconographic narratives at the Court of the Ethiopian King of Kings, Menelik II (1880s-1913) | 2016 | African arts 49 (1): 26-39 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The painter of dematerialization | 2016 | Journal of visual culture 15 (2): 250-72 | H6/KF [JOURNAL-] | 1470-4129 | ||||
Tibetan medical illustrations from Atsagat Medical College and other anatomical achievements of the Buryat Lama and physician D. Endonov | 2016 | Curare 39 (1): 6-21, 102 | H6/KGT [CURARE-] | 0344-8622 | in thematic issue 'The human body in Asian texts and images'; German and French summaries | |||
Die ehemalige Sammlung von Porträts verdienter Offiziere der Feldzüge des Qianlong-Kaisers (China, 18.Jahrhundert)). 2. Teil | 2016 | Baessler-Archiv (Neue Folge) 63: 111-52 | H6 [BAESSLER-] | 0005-3856 | English summary | |||
'Father and mother': tantric couples in the collection of the Náprstek Museum and the history of the collection description | 2016 | Annals of the Náprstek Museum 37 (1): 71-86 | H6/KVL [PRAGUE-] | 0231-844X | ||||
Painters and photographers of the 19th century in search and presentation of the Bulgarian national identity in Russia | 2016 | Bulgarska etnologiia 42 (4): 596-611 | H6/KVR [BULGARSKA-] | 1310-5213 | in special issue 'The Bulgarians in Bessarabia and Tavria'; English summary | |||
Dialectics of the kitchen: Banquets and leftovers | 2016 | Konteksty 70 (1): 83-9, 213 | H6/KVM [POLSKA-] | 1230-6142 | English summary | |||
Kitsch in the modern urban space of Belarus | 2016 | Vestsi Akademii Navuk Belarusi 3: 79-87 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | in thematic section 'Arts, ethnography and folklore'; Russian and English summaries | |||
Swedish oak, planks and panels: dendroarchaeological investigations on the 16th century Evangelistas altarpiece at Seville cathedral (Spain) | 2015 | Journal of archaeological science 54: 148-61 | H6/KE [JOURNAL-] | 0305-4403 | ||||
Staring back: anthropometric-style African colonial photography and Picasso's Demoiselles | 2015 | Photography and culture 8 (1): 59-80 | H6 [PHOTOGRAPHY-] | 1751-4517 |