Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Smashing the imperial frame: race, culture, (de)coloniality | 2020 | Theory, culture and society 37 (1): 113-45 | H6 [THEORY-] | 0263-2764 | ||||
El Códice Florentino | 2020 | Arqueología mexicana (90): 16-65 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | in special issue 'El Códice Florentino y la creación del nuevo mundo' | |||
El apocalipsis en México: la historia de la conquista en el libro XII | 2020 | Arqueología mexicana (90): 66-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | in special issue 'El Códice Florentino y la creación del nuevo mundo' | |||
Iñupiaq photographer Brian Adams | 2020 | First American art magazine 25: 44-9 | H6/KUB [FIRST-] | 2333-5548 | ||||
Cultural nationalism of the interwar period: Latvian visual art and folklore | 2020 | Nations and nationalism 26 (1): 155-75 | *H6/KF [NATIONS-] | 1354-5078 | ||||
Screening piety, class, and romance in Indonesia: scenes from an argument already well underway | 2020 | Bijdragen tot de taal-, land- en volkenkunde 176 (1): 70-104 | H6/KX [BIJDRAGEN-] | 0006-2294 | in special section 'Pop culture as argument and aspiration' | |||
The changing ethos and personae of shop-window mannequins within consumer culture: expressions of gendered embodiment | 2019 | Journal of consumer culture 19 (1): 21-46 | H6 [JOURNAL-] | 1469-5405 | ||||
Picturing luxury, producing value: the cultural labour of social media brand influencers in South Africa | 2019 | International journal of cultural studies 22 (2): 229-47 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Portable engravings of the northeastern Paleoasiatics (late Neolithic and Paleometal): an attempt at semantic and ethnic interpretation | 2019 | Journal of northwest anthropology 53 (1): 108-20 | H6/KUB [NORTHWEST-] | 1538-2834 | with comment by M Plew in this issue, 121-3 | |||
A comment from Mark G. Plew on Kin'yak's portable engravings of the northeastern Paleoasiatics | 2019 | Journal of northwest anthropology 53 (1): 121-3 | H6/KUB [NORTHWEST-] | 1538-2834 | see this issue, 108-20 | |||
Waiting for (African) cinema: Jean-Pierre Bekolo’s quest | 2019 | African studies review 62 (1): 49-66 | *H6/KY [AFRICAN-] | 0002-0206 | French summary | |||
Listening to images, participatory pedagogy, and anthropological (re-) inventions | 2019 | American anthropologist 121 (1): 229-42 | *H6 [AMERICAN-] | 0002-7294 | in special series 'Multimodal inventions'; Spanish summary | |||
Mutatuism: styling a rebel | 2019 | Anthropology and photography 11: 1-44 | 2397-1754 | monographic issue | ||||
This other atmosphere: against human resources, emoji and devices | 2019 | Journal of visual culture 18 (1): 3-29 | H6/KF [JOURNAL-] | 1470-4129 | ||||
Roundtable on visuality, race and nationhood in Italy | 2019 | Journal of visual culture 18 (1): 53-80 | H6/KF [JOURNAL-] | 1470-4129 | ||||
Localizing YouTube: language, cultural regions, and digital platforms | 2019 | International journal of cultural studies 22 (3): 317-33 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Graffiti as a site for cultural literacies in Zimbabwean urban high schools | 2019 | International journal of cultural studies 22 (3): 334-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Visual anthropology and select Indian documentaries | 2019 | Journal of human evolution 34 (1-2): 115-31 | H6/HB [JOURNAL-] | 0047-2484 | ||||
Alexander the Great and Julius Caesar: narratives of kingship in several manuscripts of the Chronique dite de Boudouin d'Avesnes | 2019 | Iran 57 (1): 3-11 | H6/KWJ [IRAN-] | 0578-6967 | in thematic issue 'Illustrating history' | |||
The foreign and the familiar: reading the China bag in South Africa | 2019 | International journal of cultural studies 22 (4): 536-57 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Queer generations: theorizing a concept | 2019 | International journal of cultural studies 22 (4): 558-76 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Contemporary comparative anthropology - the Why We Post project | 2019 | Ethnos 84 (2): 283-300 | H6 [ETHNOS-] | 0014-1844 | ||||
Levels of narrativity in Scandinavian Bronze Age petroglyphs | 2019 | Cambridge archaeological journal 29 (3): 497-516 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
The one and the other: contraposition and reflections on expressive universes of Prehispanic Noa | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 153-79 | H6/KE [BOLETIN-] | 0716-1530 | English summary | |||
Signs we recognized: an interview with Cara Romero about Jackrabbit, Cottontails & Spirits of the Desert | 2019 | News from native California 32 (4): 24-36 | *H6/KUB [NEWS-] | 1040-5437 | ||||
History and photographic memory | 2019 | Journal of visual culture 18 (2): 169-86 | H6/KF [JOURNAL-] | 1470-4129 | ||||
Paranoid looking: on de-communization | 2019 | Journal of visual culture 18 (2): 209-33 | H6/KF [JOURNAL-] | 1470-4129 | ||||
F.L. Kennett: a forgotten legend | 2019 | Tribal art (93): 130-41 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The aesthetics of 'time reckoning': a Guna chromatic history | 2019 | Journal of the Royal Anthropological Institute (New Series) 25 (3): 441-66 | H6 [JOURNAL-] | 1359-0987 | French summary | |||
Conquest, memory, and material culture in New Spain of the 16th and 17th centuries | 2019 | Iberoamericana 19 (71): 13-33 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | in special section 'Comprender la conquista de México desde el siglo XXI'; English summary | |||
The sitter's impression: memory and early modern portrait medallions | 2019 | Journal of material culture 24 (3): 293-312 | H6/KF [JOURNAL-] | 1359-1835 | ||||
Photography and the unseen | 2019 | Visual anthropology review 35 (1): 5-9 | H6 [PROGRAM-] | 1053-7147 | in thematic section 'Photography' | |||
Recovering the absent presence and the unseen: Henri Gaden's photographic encounters in West Africa, 1894 -1907 | 2019 | Visual anthropology review 35 (1): 10-22 | H6 [PROGRAM-] | 1053-7147 | in thematic section 'Photography' | |||
"Our ancient monuments": visualizing documents in stone | 2019 | Visual anthropology review 35 (1): 23-36 | H6 [PROGRAM-] | 1053-7147 | in thematic section 'Photography' | |||
More than corpses, less than ghosts: a visual theory of culture in early ethnographic photography | 2019 | Visual anthropology review 35 (1): 37-49 | H6 [PROGRAM-] | 1053-7147 | in thematic section 'Photography' | |||
Platform seeing: image ensembles and their invisualities | 2019 | Theory, culture and society [indexed selectively ] 36 (5): 3-22 | H6 [THEORY-] | 0263-2764 | ||||
The appearance of saints: photographic evidence and religious minorities in the secret police archives in Eastern Europe | 2019 | Material religion 15 (1): 82-109 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
Cognition, emotion and trust: a comparative analysis of Cambodia's perceived and projected online image | 2019 | Tourist studies 19 (4): 496-519 | H6/KD [TOURIST-] | 1468-7976 | ||||
Mining time in Sammy Baloji's Mémoire | 2019 | African arts 52 (3): 62-71 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Beyond picturesque decay: Detroit and the photographic sites of confrontation between media and residents | 2019 | Space and culture 22 (4): 489-508 | H6 [SPACE-] | 1206-3312 | ||||
Archaeological excavation of Cova dos Mouros rock-shelter (Baleira, Lugo). A first example of schematic paint in Galicia | 2019 | Munibe 70: 1-21 | H6/KE [MUNIBE-] | 1132-2217 | English and Basque summaries | |||
The creation of the first Spanish colonial landscape in the Americas, Santo Domingo, 1492-1548 | 2019 | Antipoda: revista de antropología y arqueología (36): 61-84 | H6/KUL [REVISTA-] | 0124-485X | in thematic issue 'Archaeology for Latin America in the 21st century'; English and Portuguese summaries | |||
Islam, museums, and the politics of representation in the West | 2019 | Material religion 15 (2): 250-2 | H6/KFO [MATERIAL-] | 1743-2200 | in special issue 'Heritage, Islam, and the vernacular' | |||
Positive living: visual activism and art in HIV/AIDS rights campaigns | 2019 | Journal of southern African studies 45 (1): 143-74 | H6/KY [JOURNAL-] | 0305-7070 | in special section 'HIV/AIDS in South Africa: gender, art and activism' | |||
Art, vulnerability and HIV in post-apartheid South Africa | 2019 | Journal of southern African studies 45 (1): 175-95 | H6/KY [JOURNAL-] | 0305-7070 | in special section 'HIV/AIDS in South Africa: gender, art and activism' | |||
South African AIDS activism, art and academia: a memoir from the 2000s | 2019 | Journal of southern African studies 45 (1): 215-27 | H6/KY [JOURNAL-] | 0305-7070 | in special section 'HIV/AIDS in South Africa: gender, art and activism' | |||
Preaching with images in the late middle ages | 2019 | Archives de sciences sociales des religions 64 (187): 27-48 | H6/KFO [ARCHIVES-] | 0335-5985 | in special issue 'Des techniques pour croire'; English and Spanish summaries | |||
The "socialist modernism" platform: online archives and knowledge production in Central and Eastern Europe | 2019 | Martor: revue d'anthropologie du Musée du Paysan Roumain 24: 57-68 | H6/KVQ [MARTOR-] | 1224-6271 | in special issue 'Politics of memory: the collecting, storage, ownership and selective disclosure of archival material' | |||
Altars of Ammo: Catholic materiality and the visual culture of World War II | 2019 | Material religion 15 (4): 401-32 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
African visual cultures and colonial histories: an expanding field | 2019 | African arts 52 (4): 12-17 | H6/KFY [AFRICAN-] | 0001-9933 | introduction to special issue 'African visual cultures and colonial histories: an expanding field' |