Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Mazinibaganjigan: pictures bitten on bark | 2020 | First American art magazine 25: 18-23 | H6/KUB [FIRST-] | 2333-5548 | ||||
Racial necrogeographies and the making of white space: the life and death of nineteenth-century indigenous and Black burial practices in rural Ontario | 2020 | American Indian culture and research journal 43 (2): 73-87 | H6/KUB [AMERICAN-] | 0161-6463 | in thematic issue 'Rethinking Blackness and indigeneity in the light of settler colonial theory' | |||
Racial necrogeographies and the making of white space: the life and death of nineteenth-century indigenous and Black burial practices in rural Ontario | 2020 | American Indian culture and research journal 43 (2): 73-87 | H6/KUB [AMERICAN-] | 0161-6463 | in thematic issue 'Rethinking Blackness and indigeneity in the light of settler colonial theory' | |||
Giiwosebinesiwag maamawi ningikendamamin: a raptor collaboration centered on language and culture | 2019 | Papers of the Algonquian conference 48: 205-19 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Inawendiwin and relational accountability in Anishinaabeg studies: the crux of the biscuit | 2019 | Journal of ethnobiology 39 (1): 65-75 | *H6 [JOURNAL-] | 0278-0771 | in special section 'Action ethnobiology' | |||
The status of classifying morphemes in Ojibwe | 2019 | Papers of the Algonquian conference 48: 159-72 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Giwosebinesiwag maamawi ningikendamamin: a raptor collaboration centered in language and culture | 2019 | Papers of the Algonquian conference 48: 191-219 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Dental calculus indicates widespread plant use within the stable Neanderthal dietary niche | 2018 | Journal of human evolution 119: 27-41 | H6/HB [JOURNAL-] | 0047-2484 | ||||
Anishinaabe painter: Andrea Carlson | 2018 | First American art magazine 19: 54-9 | H6/KUB [FIRST-] | 2333-5548 | ||||
Threads, traces, and the affective foundation of a region: the case study of the State Falls First Nation (Canada) | 2018 | Ethnohistory 65 (3): 417-40 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | ||||
A bag worth a pony: an introduction to Ojibwe bandolier bags | 2018 | Native American art (15): 74-9 | H6/KUB [NATIVE-] | 2469-6137 | in thematic issue 'The beadwork issue' | |||
A bag worth a pony: an introduction to Ojibwe bandolier bags | 2018 | Native American art June/July: 74-9 | H6/KUB [NATIVE-] | 2469-6137 | in 'The beadwork issue' | |||
Bilingual hip hop from community to classroom and back: a study in decolonial applied ethnomusicology | 2018 | Ethnomusicology 62 (3): 375-402 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Trickster lives in Erdrich: continuity, innovation, and eloquence of a troubling, beloved character | 2018 | Journal of folklore research 55 (3): 87-126 | H6/KF [INDIANA-] | 0737-7037 | ||||
Great Lakes dewclaw rattles with spirit messenger imagery | 2018 | Whispering wind 46 (4): 11-13 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
Digital sutures: experimental stop-motion animation as future horizon of indigenous cinema | 2018 | Cultural anthropology 33 (2): 189-201 | H6 [CULTURAL-] | 0886-7356 | in special issue 'Indigenous media futures' | |||
"Re-creation stories": re-presencing re-embodiment, and repatriation practices in Leanne Betasamosake Simpson's "How to Steal a Canoe" | 2018 | Canadian journal of native studies 38 (1): 129-52 | *H6/KUB [CANADIAN-] | 0715-3244 | French summary | |||
Algonquian verb paradigms: a case for systematicity and consistency | 2018 | Papers of the Algonquian conference 47: 1-22 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
She beads like a cocom but designs like a young person: an exploration of beading as Anishinabe epistemology | 2018 | Papers of the Algonquian conference 47: 43-56 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Noun categorization in Ojibwe: animacy is gender and gender is separate from the count/mass distinction | 2018 | Papers of the Algonquian conference 47: 199-216 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Lexicographical dilemmas from the perspective of Bezhik ENshinaabemat | 2018 | Papers of the Algonquian conference 47: 253-68 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Baraga's Jesus o Bimadisiwin | 2018 | Papers of the Algonquian conference 47: 269-89 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Missionaries in Anicinabe territory: some answers in the light of religious tolerance | 2018 | Recherches amérindiennes au Québec 48 (1-2): 183-92, 253-4 | H6/KUB [RECHERCHES-] | 0318-4137 | in thematic issue 'Récits de savoirs partagés par l'art et la création en milieux autochtone'; English and Spanish summaries | |||
Neoliberal biopolitics in Michel Noël's Nipishish: market logic and indigenous resistance | 2018 | American Indian culture and research journal 42 (2): 77-96 | H6/KUB [AMERICAN-] | 0161-6463 | in special issue 'Settler colonial biopolitics and indigenous lifeways' | |||
Bilingual hip hop from community to classroom and back: a study in decolonial applied ethnomusicology | 2018 | Ethnomusicology 62 (3): 375-402 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
"There's a river to consider": Heid E. Erdrich "Pre-Occupied" | 2017 | SAIL: studies in American Indian literatures (Series 2) 29 (1): 38-55 | *H6/KUB [SAIL-] | 0730-3238 | in special issue 'Digital indigenous studies: gender, genre, and new media' | |||
Waasamodibaajibiigemazoying: bright lights of story in song | 2017 | SAIL: studies in American Indian literatures (Series 2) 29 (1): 88-99 | *H6/KUB [SAIL-] | 0730-3238 | in special issue 'Digital indigenous studies: gender, genre, and new media' | |||
A look at the Mathevet Nipissing manuscript | 2017 | Papers of the Algonquian conference 45: 25-41 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Rethinking historical trauma | 2017 | Papers of the Algonquian conference 45: 135-47 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
A look at manner-of-motion verbs in Ojibwe | 2017 | Papers of the Algonquian conference 45: 191-211 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Pitwegijig's Manidokaanaak | 2017 | Tribal art 21 (4): 154-9 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Tensions, contradictions, and uneasiness of stories, and the resurgence of indigenous societies | 2017 | Canadian review of sociology and anthropology 54 (3): 372-4 | H6/KUB [CANADIAN-] | 1755-6171 | in thematic section 'Committing sociology' | |||
"Our hope and our protection": Misko-biiwaabik (Copper) and tribal sovereignty in Michigan | 2017 | American Indian quarterly 41 (3): 224-49 | H6/KUB [AMERICAN-] | 0095-182X | ||||
La sémantique de l'accord à longue distance en algonquin | 2017 | Papers of the Algonquian conference 46: 55-69 | H6/KUB [ALGONQUIAN-] | 0031-5671 | English summary | |||
Discontinuous constituents in Ojibwe: accounting for two preverbal words | 2017 | Papers of the Algonquian conference 46: 183-95 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Obviation, inversion, and the notion of topic in Algonquian | 2017 | Papers of the Algonquian conference 46: 197-211 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Exploring Native design: I am Anishinabe. Delina White, Lavender Hunt, and Sage Davis, Leech Lake Ojibwe fashion designers | 2017 | First American art magazine 16: 18-20 | H6/KUB [FIRST-] | 2333-5548 | ||||
Edmonia Wilfried Lewis: an indigenous woman in Rome | 2017 | First American art magazine 16: 40-6 | H6/KUB [FIRST-] | 2333-5548 | ||||
Kelly Church: Odawa-Ojibwe-Potawatomi basket weaver | 2017 | First American art magazine 16: 48-53 | H6/KUB [FIRST-] | 2333-5548 | ||||
Star Wallowing Bull: White-Earth Ojibwe-Arapaho painter | 2017 | First American art magazine 16: 66-71 | H6/KUB [FIRST-] | 2333-5548 | ||||
Presidential address: memory and mobility: Grandma's Mahnomen, White Earth | 2017 | Ethnohistory 64 (3): 345-77 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | ||||
Habitations autochtones à Kitcisakik: project de rénovation, de transfert de connaissances et valorisation des compétences locales, 2008-2020 | 2017 | Recherches amérindiennes au Québec 47 (1): 173-83 | H6/KUB [RECHERCHES-] | 0318-4137 | in thematic issue 'L'habitation autochtone: un universe à explorer' | |||
Deconstructing the master's house with his own tools: code-switching and double-voiced discourse as agency in Gerald Vizenor's Heirs of Columbus | 2017 | SAIL: studies in American Indian literatures (Series 2) 29 (4): 58-101 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Language as facilitator of cultural connection | 2017 | ab-Original 1 (2): 176-94 | ||||||
Stories that nourish: Minnesota Anishinaabe wild rice narratives | 2017 | American Indian culture and research journal 41 (3): 71-91 | H6/KUB [AMERICAN-] | 0161-6463 | in special issue 'Indigenous food sovereignty: Native health, food systems, and economic revitalization' | |||
The culture area as boundary object | 2017 | Zeitschrift für Ethnologie 142 (2): 265-88 | H6 [ZEITSCHRIFT-] | 0044-2666 | in special issue 'Rethinking culture, area, and comparison from the axial age to the contemporary multi-centric world' | |||
Following the green path: honor the earth and presentations of Anishinaabe indigeneity | 2017 | Wicazo Sa review 32 (2): 46-69 | *H6/KUB [WICAZO-] | 0749-6427 | ||||
Indigenous intergenerational teachings: the transfer of culture, language, and knowledge in an intergenerational summer camp | 2016 | American Indian quarterly 40 (3): 216-50 | H6/KUB [AMERICAN-] | 0095-182X | ||||
The Ojibwe changed conjunct verb as competive aspect | 2016 | Papers of the Algonquian conference 44: 51-66 | H6/KUB [ALGONQUIAN-] | 0031-5671 | ||||
Net charms in Cree and Ojibwe language, culture, and worldview | 2016 | Papers of the Algonquian conference 44: 67-84 | H6/KUB [ALGONQUIAN-] | 0031-5671 |