Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Dialogues with the audience: ethnographic study of social representations concerning the exhibition of human remains | 2020 | Antipoda: revista de antropología y arqueología (38): 93-113 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
Altogether now: symbolic recognition, musical media events and the forging of civic bonds among minority youth in Norway | 2019 | European journal of cultural studies 22 (1): 78-94 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
The listeners' city: radio, Congolese rumba and the right to the city in the native quarters of Leopoldville (1949-1960) | 2019 | Cahiers d'études africaines 59 (1): 9-45 | H6/KY [CAHIERS-] | English summary | ||||
Publishing translations | 2019 | American anthropologist 121 (1): 206-10 | *H6 [AMERICAN-] | 0002-7294 | in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
World order of languages, public anthropology, translations | 2019 | American anthropologist 121 (1): 210-12 | *H6 [AMERICAN-] | 0002-7294 | comments on 'Publishing translations' by M Chibnik see this issue, 206-10; in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
The ups and downs of translation | 2019 | American anthropologist 121 (1): 212-13 | *H6 [AMERICAN-] | 0002-7294 | comments on 'Publishing translations' by M Chibnik see this issue, 206-10; in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
Closures beyond translations | 2019 | American anthropologist 121 (1): 213-15 | *H6 [AMERICAN-] | 0002-7294 | comments on 'Publishing translations' by M Chibnik see this issue, 206-10; in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
Crafting linguistics traditions, engaging writing teams | 2019 | American anthropologist 121 (1): 215-16 | *H6 [AMERICAN-] | 0002-7294 | comments on 'Publishing translations' by M Chibnik see this issue, 206-10; in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
Interview of Peter-Jazzy Ezeh by Virginia Dominguez and Emily Metzner on the subject of translation | 2019 | American anthropologist 121 (1): 216-18 | *H6 [AMERICAN-] | 0002-7294 | in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
Interview of Sachiko Kubota by Virginia Dominguez on the subject of translation | 2019 | American anthropologist 121 (1): 218-9 | *H6 [AMERICAN-] | 0002-7294 | in thematic section 'Translation, its inequalities, and its difficulties' with forward by V R Dominguez, 205 | |||
Consuming capitalist modernity in the media cultures of 1930s and 1960s Manila's commercial streets | 2019 | Journal of Asian studies 78 (1): 75-93 | *H6/KW [JOURNAL-] | 0021-9118 | ||||
'Announcement' trailers and the inter-temporality of Hollywood blockbusters | 2019 | International journal of cultural studies 22 (3): 434-49 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Engaging with The Bridge: cultural citizenship, cross-border identities and audiences as 'regionauts' | 2019 | European journal of cultural studies 22 (3): 271-90 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
Mediating the presence of others: reconceptualising co-presence as mediated intimacy | 2019 | European journal of cultural studies 22 (3): 291-308 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
'Sell[ing] what hasn't got a name': an exploration of the different understandings and definitions of 'community engagement' work in the performing arts | 2019 | European journal of cultural studies 22 (3): 345-61 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
Revitalization of tradition through social media: a case of the vegetarian festival in Phuket, Thailand | 2019 | Southeast Asian studies 8 (1): 117-51 | H6/KWY [SOUTHEAST-] | 0563-8682 | ||||
Toward an ordinary ethics of mediated humanitarianism: an agenda for ethnography | 2019 | International journal of cultural studies 22 (4): 481-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Performing civic cultures: participatory public art and its publics | 2019 | International journal of cultural studies 22 (5): 630-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | in special issue on performance and citizenship | |||
Provocative engagement: documentary audiences and performances in The act of killing and The look of silence | 2019 | International journal of cultural studies 22 (5): 662-77 | H6/KF [INTERNATIONAL-] | 1367-8779 | in special issue on performance and citizenship | |||
A commentary on the special issue Performance and citizenship: challenging populist political performances through citizenship as performance? | 2019 | International journal of cultural studies 22 (5): 706-15 | H6/KF [INTERNATIONAL-] | 1367-8779 | in special issue on performance and citizenship | |||
Fandom while black: Misty Copeland, Black Panther, Tyler Perry and the contours of US black fandoms | 2019 | International journal of cultural studies 22 (6): 737-53 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Negotiating violence and creative agency in commissioned Mexican narco rap | 2019 | Bulletin of Latin American research 38 (3): 347-62 | *H6/KUL [BULLETIN-] | 0261-3050 | ||||
The promise and The lost city of Z: diasporas, cinematic imperalism and commercial films | 2019 | Anthropologica (New Series) 61 (1): 150-61 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | French summary | |||
Rethinking publics in African in a digital age | 2019 | Journal of Eastern African studies 13 (1): 2-17 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
From baraza to cyberbaraza: interrogating publics in the context of the 2015 Zanzibar electoral impasse | 2019 | Journal of Eastern African studies 13 (1): 18-34 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
Knowledge and legitimacy: the fragility of digital mobilisation in Sudan | 2019 | Journal of Eastern African studies 13 (1): 35-53 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
'Tapanduka Zvamuchese': Facebook, 'unruly publics', and Zimbabwean politics | 2019 | Journal of Eastern African studies 13 (1): 54-71 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
Brining The Daily Mail to Africa: entertainment websites and the creation of a digital youth public in post-genocide Rwanda | 2019 | Journal of Eastern African studies 13 (1): 106-23 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
A tale of two publics? Online politics in Ethiopia's elections | 2019 | Journal of Eastern African studies 13 (1): 192-213 | H6/KY [EASTERN-] | 1753-1055 | in thematic issue 'Publics in Africa in a digital age' | |||
Seeking sings of transparency: audit, materiality, and monuments to active citizenship in New Delhi | 2019 | Journal of the Royal Anthropological Institute (New Series) 25 (4): 698-720 | H6 [JOURNAL-] | 1359-0987 | French summary | |||
Communitas and the commons. The open access movement and the dynamics of restructuration in scholarly publishing | 2019 | Anthropology today 35 (5): 21-3 | H6 [ANTHROPOLOGY-] | 0268-540X | in special issue 'Ritual as process. Part 2' | |||
Specular Caracas: emancipated spectators and spaces in the audiovisial installation Image de Caracas | 2019 | Iberoamericana 19 (72): 181-95 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | English summary | |||
How to speak like a spirit medium: voice and evidence in Australian spiritualism | 2019 | American ethnologist 46 (4): 482-94 | H6 [AMERICAN-] | 0094-0496 | ||||
The museum and thir role as transmitters of the prehispanic past in Bolivia: state of the issue | 2019 | Chungará 51 (2): 219-38 | H6/KUL [CHUNGARA-] | 0716-1182 | in special issue 'Museos andinos'; English summary | |||
Memories, drama and dreamers: proposals to address the representation of the Latin world in the face of the telenovela crisis | 2019 | Bulletin of Latin American research 38 (5): 563-74 | *H6/KUL [BULLETIN-] | 0261-3050 | ||||
Med tanke på läsarna. Resebloggandets narrativa och sociala balansgång | 2019 | Tidsskrift for kulturforskning (1): 5-22 | H6/KVT [TIDSSKRIFT-] | 1502-7473 | English summary | |||
The resonance of public art: thoughts on the nation of co-productive act and public art | 2018 | City and society 30 (1): 68-88 | H6/KD [CITY-] | 0893-0465 | in special issue 'Urban public art: geographies of co-production' | |||
Redefining publics, artists, and urban spaces: the case of Made in Musina, South Africa | 2018 | City and society 30 (1): 117-35 | H6/KD [CITY-] | 0893-0465 | in special issue 'Urban public art: geographies of co-production' | |||
The lesbian complaint: on kinship, genre and being public | 2018 | European journal of cultural studies 21 (2): 259-74 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
'People of Allada, this is our return': indexicality, multiple temporalities, and resonance in the music of the Gangbé Brass Band of Benin | 2018 | Ethnomusicology 62 (1): 28-57 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | French summary | |||
Translocality, network structure, and music worlds: underground metal in the United Kingdom | 2018 | Canadian review of sociology and anthropology 55 (1): 111-35 | H6/KUB [CANADIAN-] | 1755-6171 | French summary | |||
Public architecture as performative space in the prehispanic central Southwest | 2018 | Journal of anthropological archaeology 50: 12-26 | *H6/KE [JOURNAL-] | 0278-4165 | ||||
Citizen, consumer, citimer: the interplay of market and political identities within contemporary football fan cultures | 2018 | Journal of consumer culture 18 (2): 336-55 | H6 [JOURNAL-] | 1469-5405 | in special issue 'Global sport and consumer culture' | |||
The athletic labour of femininity: the branding and consumption of global celebrity sportswomen on Instagram | 2018 | Journal of consumer culture 18 (2): 298-316 | H6 [JOURNAL-] | 1469-5405 | in special issue 'Global sport and consumer culture' | |||
Too little democracy in all the right places. A comment on Kelty 2017 | 2018 | Current anthropology 59 (3): 332-3 | H6 [CURRENT-] | 0011-3204 | comments on 'Too much democracy in all the wrong places. Toward a grammar of participation' in Current anthropology (Supplement) 2017 (58):15, S77-S90; with reply by C M Kelty, 334-5 | |||
Increasing visitor engagement in a contemporary art exhibit through a participatory activity | 2018 | Tuhinga (29): 165-73 | H6/KX [NEW ZEALAND-] | 1173-4337 | ||||
Evaluation of contraception: uncovering the collection of Dame Margaret Sparrow | 2018 | Tuhinga (29): 174-87 | H6/KX [NEW ZEALAND-] | 1173-4337 | ||||
Where is my name? - contemporary funeral posters as an area of contestation and (re)negotiation of chiefly relations among the Ewe of Ghana and Togo | 2018 | History in Africa 45: 59-69 | H6/KY [HISTORY-] | 0361-5413 | French summary | |||
Grassroots ecumenism in conflict - introduction | 2018 | Journal of southern African studies 44 (2): 201-19 | H6/KY [JOURNAL-] | 0305-7070 | in special issue 'Grassroots ecumenism in conflict' | |||
Moral publics: human trafficking, video films and the responsibility of the postcolonial subject | 2018 | Visual anthropology 31 (3): 236-52 | *H6 [VISUAL-] | 0894-9468 |