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TitleDateReferenceAuthorsCall #ISSN
Notes on how to irritate a group of committed artists: politics of emotion at the Ghetto Biennale in Port-au-Prince2020 Space and culture 23 (1): 61-76
  • David Frohnapfel
H6 [SPACE-]1206-3312
Reproductive commodities: work, joy, and creativity in Argentinean miniature fairs2019 Ethnos 84 (2): 241-62
  • Olivia Angé
H6 [ETHNOS-]0014-1844
'Anything off the bottom shelf': ephemeral fairgrounds and material swag2019 Journal of material culture 24 (3): 313-33
  • Ian Trowell
H6/KF [JOURNAL-]1359-1835
Mock rituals, sham battles, and real research. Anthropologists and ethnographic study of the Bontoc Igorot in 1900s "Igorrote Villages"2019 Histories of anthropology annual 13: 151-75
  • Deana L. Weibel
H1 [HISTORIES-]1557-637X
Disney introduces new audiences to Native art2018/2019 First American art magazine 21: 38-43
  • Michole Eldred
H6/KUB [FIRST-]2333-5548
A summer of art?2018 African arts 51 (1): 1-2, 4-7
  • Nadine Siegert
H6/KFY [AFRICAN-]0001-9933
The seasonal mobility of Sinti fairground workers in the Modena province2018 Nomadic peoples (NS) 22 (1): 162-76
  • Laura Secchi
H6/KF [NOMADIC-]0822-7942in special issue ''Gypsies', 'nomads'. 'Roma'. Categorisation processes of Roma and Sinti in Italy
Traditional culture and contemporary economy: constructing cultural heritage through bread making2018 Folklore (Tartu) 71: 73-88
  • Ivanka Petrova
H6/KVT [FOLKLORE-]1406-0957in thematic issue 'Culinary culture'
Locating Senghor's École in Dakar: international and transnational dimensions to Senegalese modern art, c. 1959-19802018 African arts 501 (3): 10-25
  • Joshua J. Cohen
H6/KFY [AFRICAN-]0001-9933
On the brink of extinction: llama caravans arriving at the Santa Catalina fair, Jujuy, Argentina2018 Journal of ethnobiology 38 (3): 372-89
  • Bibiana Vilá
*H6 [JOURNAL-]0278-0771
"We celebrate our own funeral, the discovery of America": pathos, promise, and constraint in Simon Pokagon's (Potawatomie) resistance to the 1893 World's Fair2018 Canadian journal of native studies 38 (1): 165-81
  • Jason Edward Black
*H6/KUB [CANADIAN-]0715-3244French summary
Inuit art at Expo 702018 Inuit art quarterly 31 (4): 58-9
  • John Goeghan
*H6/KFY [INUIT-]0831-6708
Dak'art: global black cultural politics in the twentieth century2018 Nka: journal of contemporary African art (42-43): 96-109
  • Ugochukwu-Smooth C. Nzewi
H6/KY [NKA-]1075-7163
Rumors of out deaths: fake news, folk news, and Far Away Moses2018 Journal of American folklore 131 (522): 388-97
  • Stephen D. Winick
H6/KF [JOURNAL-]0021-8751in special issue 'Fake news'
The fair and the sanctuary: gathering places in a nomadic landscape (Somaliland, 1000-1850 AD)2018 World archaeology 50 (1): 23-40
  • Alfredo González-Ruibal
  • Jorge de Torres
H6/KE [WORLD-]0043-8243in thematic issue 'Temporary places, gatherings and assemblies'
Beneath the rubble, the Crystal Palace! The surprising persistence of a temporary mega event2018 World archaeology 50 (1): 185-99
  • Jonathan Gardner
H6/KE [WORLD-]0043-8243in thematic issue 'Temporary places, gatherings and assemblies'
Indigeneity at Documenta 142017/2018 First American art magazine 17: 28-35
  • Andrea L. Ferber
H6/KUB [FIRST-]2333-5548
A patwhway to the guts: Mata Aho collective at documenta142017-2018 Art New Zealand (164): 80-4
  • Rchael O'Neill
H6/KX [ART-]0110-1102
Back to the future: the politics of culture at the Shanghai Expo2017 International journal of cultural studies 20 (1): 48-64
  • Jennifer Hubbert
Gottfried Semper's style: a global aesthetics?2017 Gradhiva: revue de anthropology et museologie 25: 124-51, 271
  • Céline Trautmann-Waller
H6 [GRADHIVA-]0764-8928in monographic issue 'Habiter la couleur: Gottfried Sempler'; English summary
Sharjah Biennal 12: the past, the present, the possible2017 Nka: journal of contemporary African art (40): 82-9
  • Ugochukwu-Smooth Nzewi
H6/KY [NKA-]1075-7163
Performing colonial modernity: fairs, consumerism and the emergence of the Indonesian middle classes2017 Bijdragen tot de taal-, land- en volkenkunde 173 (4): 503-38
  • Arnout H.C. van der Meer
H6/KX [BIJDRAGEN-]0006-2294in special issue 'New urban middle classes in colonial Java, 2017'
Toward a data-driven art studies: a social network analysis of contemporary African art2017 African arts 50 (4): 6-11
  • Olivier Marcel
H6/KFY [AFRICAN-]0001-9933in special issue 'African art histories' futures'
Symbolic production in the art biennial: making worlds2017 Theory, culture and society 34 (4): 89-113
  • Monica Sassatelli
H6 [THEORY-]0263-2764
Global images and local contexts: comparing the Havana and Johannesburg biennales2017 Iberoamericana 17 (66): 73-87
  • Carlos Garriso-Castellano
H6/KUL [IBEROAMERICANA-]1577-3388in thematic issue 'Africanist and transatlantic imaginaries. Memory and cultural agency'; English summary
Emissaries: Lisa Reihana and NZ in Venice2017 Art New Zealand (163): 64-7
  • Jon Bywater
H6/KX [ART-]0110-1102
Vilnius marketplaces in the first half of the 19th c.2017 Liaudies kultūra 1: 74-9
  • Virgilijus Pugačiauskas
H6/KVT [LIAUDIES-]0236-0551English summary
Economy meets tradition. Construction and use of cultural heritage within economic contexts2017 Bulgarski folklor 43 (2): 231-46 [insert i-iv]
  • Ivanka Petrova
H6/KVR [BULGARSKI-]0323-9861in special issue 'From the pasture to the market. Local farming production in the context of Europeanization and globalisation'; English summary
'There the spirit of Volhynia will speak to me?' The political setting of the Volhynian fair held in Równe in 19342017 Konteksty 71 (3): 225-37, 262
  • Joanna Stacewicz-Podlipska
H6/KVM [POLSKA-]1230-6142English summary
Beyond The end of the trail: Indians at San Francisco's 1915 World's Fair2016 Ethnohistory 63 (2): 273-300
  • Abigail Markwyn
Rosanna Raymond's SaVAge K'lub at the 8th Asia Pacific Triennial of contemporary art2016 World art 6 (2): 233-46
  • Karen Jacobs
  • Rosanna Raymond
H6 [WORLD-]2150-0908
Fuelling museums and art fairs in Peru’s capital: the work of the market and multi-scale assemblages2016 World art 6 (2): 315-37
  • Giuliana Borea
H6 [WORLD-]2150-0908
Italy-Africa: a contradictory inventory of modernity2016 Critical interventions: journal of African art history and visual culture 10 (1): 5-27
  • Elena Cantone
H6/KFY [CRITICAL-]1930-1944
All the world's futures: globalization of contemporary African art at the 2015 Venice Biennale2016 Critical interventions: journal of African art history and visual culture 10 (1): 28-42
  • Mallory Sharp Baskett
H6/KFY [CRITICAL-]1930-1944
Dal'Art: forces of the biennial of contemporary African art from the perspective of the 2014 edition2016 Critical interventions: journal of African art history and visual culture 10 (3): 309-24
  • Hélène Tissières
H6/KFY [CRITICAL-]1930-1944in special issue 'Art, the "culture complex," and postcolonial cultural politics in Sub-Saharan Africa'
Barter fairs, ethnic configuration and national multiculturalism in the Argentinean Andes2016 Ethnos 81 (4): 648-66
  • Olivia Angé
H6 [ETHNOS-]0014-1844in thematic issue 'Anthropology and festivals'
Markets and fairs: trading customs2016 Liaudies kultūra 6: 74-8
  • Venantas Mačiekus
H6/KVT [LIAUDIES-]0236-0551English summary
Tulyehualco: el pueblo de la alegría2016 Arqueología mexicana 23 (138): 71
  • Sanuel L. Villela F.
*H6/KUL [ARQUEOLOGIA-]0188-8218in thematic section 'Amaranto fuente de la "alegría"
The fairs at the landmark. Intervillage patronal festivals of the Bulgarian immigrants in Bessarabia - observations and hypotheses2016 Bulgarska etnologiia 42 (4): 558-82
  • Elena Vodinchar
  • Galin Georgiev
H6/KVR [BULGARSKA-]1310-5213in special issue 'The Bulgarians in Bessarabia and Tavria'; English summary
Market, form, gift. Asymmetries of sociation in a market in Belm (Amazon)2016 Cuadernos de antropologia social (44): 101-13
  • Fábio Fonseca De Castro
  • Marina Ramos Neves Castro
H6/KF [CUADERNOS-]0327-3776English and Spanish summaries
Cultural diplomacy, cosmopolitanism and global hierarchy at the Shanghai Expo2015 Space and culture 18 (1): 39-54
  • Tim Winter
H6 [SPACE-]1206-3312
Life on the art market trail2015 American Indian NMAI 16 (2): 32-6
  • Millie Knapp
*H6/KUB [AMERICAN-]1528-0640
Venice Biennale: a place for Inuit art?2015 Inuit art quarterly 28 (2): 42-6
  • William Huffman
*H6/KFY [INUIT-]0831-6708
Ga ni tha, three Native women at the Venice Biennale2015 First American art magazine 8: 26-30
  • John Paul Rangel
H6/KUB [FIRST-]2333-5548
Conflicting politics and contesting borders: exhibiting (Japanese) Manchuria at the Chicago World's Fair, 1933-342015 Journal of Asian studies 74 (3): 539-64
  • Kari Sheperdson-Scott
*H6/KW [JOURNAL-]0021-9118
El pabellón peruano en la Exposición Iberoamerican en Sevilla (1929)2015 Anales. Museo de América (Madrid) 23: 143-83
  • Fernando Villegas
H6/KUL [MUSEO DE AMERICA. Anales]1133-8741English summary
From informal markets to non-hegemonic politics of value: crosscutting approaches between Porto Alegre and Buenos Aires in the production of street objects and subjects2015 Revista de antropología (São Paulo) 58 (2): 235-62
  • Moisés Kopper
H6/KUL [REVISTA-]0034-7701English summary
Viking lessons in Trondheim2015 Liaudies kultūra 6: 69-78
  • Evaldas Babenskas
  • Saulė Matulevičienė interv
H6/KVT [LIAUDIES-]0236-0551interview with Evaldas Babenskas; English summary
An encyclopedic art biennale in Venice2014 Visual anthropology 27 (3): 276-301
  • Antonio Marazzi
*H6 [VISUAL-]0894-9468
The bi-national camelid fair and development institutions2014 Antipoda: revista de antropología y arqueología 18: 189-213
  • Laura Golovanevsky
  • Liliana Bergesio
  • Natividad González
H6/KUL [REVISTA-]0124-485XEnglish and Portuguese summaries